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  <title>Symphony At Seven</title>
  <subtitle>Symphony At Seven</subtitle>
  <author>
    <name>Symphony At Seven</name>
  </author>
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  <updated>2007-06-19T18:34:21Z</updated>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:symphonyatseven:1237</id>
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    <title>A Fond Farewell</title>
    <published>2007-06-19T18:34:21Z</published>
    <updated>2007-06-19T18:34:21Z</updated>
    <content type="html">On 29 June, radio station WCLV will broadcast Karl Haas' &lt;i&gt;Adventures In Good Music&lt;/i&gt; for the last time.  The full story can be found &lt;a href="http://www.wclv.com/page.php?pageID=174" target="_blank" rel="nofollow"&gt;here&lt;/a&gt;.  During the week of 25 June, WCLV will "double bill" the program, presenting two installments on each of Monday through Friday.  I, for one, plan to make plenty of hard drive space available for recording, for my own use, I assure all concerned.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:symphonyatseven:954</id>
    <link rel="alternate" type="text/html" href="https://symphonyatseven.livejournal.com/954.html"/>
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    <title>Bach in Gold And Brass</title>
    <published>2007-05-28T14:19:03Z</published>
    <updated>2007-05-28T14:19:03Z</updated>
    <content type="html">&lt;a href="http://music.barnesandnoble.com/search/product.asp?z=y&amp;amp;EAN=090266361021&amp;amp;itm=2" target="_blank" rel="nofollow"&gt;Canadian Brass&lt;br /&gt;Bach, Goldberg Variations&lt;br /&gt;BMG Classics 2000&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My partner noted the Classical Music Sale at Barnes&amp;amp;Noble, and brought this home.  I was overjoyed, as I had already purchased, many years ago, a recording of &lt;a href="http://www.amazon.com/gp/product/B000005E72" target="_blank" rel="nofollow"&gt;Daniel Barenboim's Buenos Aires preformance of this piece&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The keyboard may be J S Bach's medium, but there is a special sonority to a brass choir, and the Goldberg Variations are perfectly suited to it.  Reminiscent of an era when you arranged for what you had available, this recording offers an excellent opportunity for a compare-and-contrast.  Besides, the brass-lovers among us now have the chance to hear an excellent ensemble bring the sweet sounds of brass and Baroque to our eager ears.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:symphonyatseven:549</id>
    <author>
      <name>Masha</name>
    </author>
    <lj:poster user="acellarinaday" userid="1413905"/>
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    <title>As I'm not too familiar with Beethoven,</title>
    <published>2007-05-01T03:37:23Z</published>
    <updated>2007-05-01T03:37:23Z</updated>
    <content type="html">I'll make a post of my own.&lt;br /&gt;&lt;br /&gt;Vivaldi's Concerto for Two Violins in G Major.&lt;br /&gt;&lt;br /&gt;I heard it in a movie recently, and didn't particularly like the version they used.  The version of it I have is... almost a bit more &lt;i&gt;folk&lt;/i&gt;.  Flawless, but just has a bit of a tinny, almost fiddle-like sound to it.  A &lt;i&gt;vocal&lt;/i&gt; sound, with each of the violins having its own voice.  The one they played in the movie was dull; it felt like it had been composed to be background music.  And I'll tell you what, this piece is &lt;i&gt;not&lt;/i&gt; background music.  It's a damn concerto!&lt;br /&gt;&lt;br /&gt;It bugs me when classical pieces get used as background music.  Especially when I'm familiar with the piece in all its intricacies.&lt;br /&gt;&lt;br /&gt;But what &lt;i&gt;really&lt;/i&gt; bugs me is when people describe an oboe as "like a clarinet."  (I'm an oboist.  I've had people ask me, "Why does your clarinet have a funny thing on top?"  I want to tear out their souls.)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:symphonyatseven:270</id>
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    <title>My Favorite Beethoven Symphony Cycle</title>
    <published>2007-04-30T23:59:22Z</published>
    <updated>2007-04-30T23:59:22Z</updated>
    <content type="html">&lt;a href="http://music.barnesandnoble.com/search/product.asp?ean=28942903623" target="_blank" rel="nofollow"&gt;&lt;b&gt;Beethoven: The Nine Symphonies&lt;/b&gt;&lt;br /&gt;Berliner Philharmoniker, Herbert von Karajan&lt;br /&gt;Deutsche Grammophon 1962&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;No real surprise here; this is probably the best recorded Beethoven symphony cycle &lt;i&gt;ever&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;From the Washington Post:&lt;br /&gt;&lt;blockquote&gt;Karajan's recording with the Berlin Philharmonic on Deutsche Grammophon, which dates from the early 1960s, still sounds spectacular.... It is, if you like, a set of interpretations that sticks fairly close to the proverbial 50-yard line; there are no eccentricities and few surprises in Karajan's performances. But the recordings wear well -- and Beethoven himself offers enough surprises to keep us interested, time after time. &lt;i&gt;Tim Page&lt;/i&gt;&lt;/blockquote&gt;</content>
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