Unit 14: Asian Shipbuilding (Training Manual for the UNESCO Foundation Course on the protection and management of the Underwater Cultural Heritage)
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Abstract
ISBN: 978-92-9223-413-3 (Print version) The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries.



















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Marine Policy, 2023
On 1–2 November 2021, the National Taiwan Ocean University’s Center of Excellence for the Oceans hosted the Fourth Asia-Pacific Regional Conference on Underwater Cultural Heritage (APConf). Approximately 300 ar- chaeologists, academics, heritage managers, marine scientists, consultants, practitioners, policymakers and students from 33 jurisdictions gathered online and in-person to showcase results of the latest underwater cultural heritage field investigation, protection and management research, together with new trends and techniques, conservation and restoration practices from around the region. There were five opening addresses, two keynote speeches, two short promotional videos, and 63 papers, yet the conference closed with no tangible marine policy outcomes. In response, Dalian Maritime University launched a new Asian Regional Underwater Cultural Heritage Project to address the policy gaps.
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This paper presents the preliminary assessment arising out of a survey of Pandan Site (NM Site Code I-2011-I1) 4 , a maritime site featuring an abandoned traditional Biray vessel located along the Mestizo River in Caoayan, Ilocos Sur, Northwest Luzon. The site position is perpendicular to the West Philippine Sea (formerly South China Sea) and lies under an abandoned Abra Delta. It is considered as an inland and coastal boat. The structural remains of the vessel have a length of 18 meters (m) and a width of 5m. It is visible during low tide and is characterized by flat hull with ribs, pointed bow and stern. Initial investigation did not observe any evidence of a keel. Based on local oral histories, the boat may be between 80 to 150 years old. The role of this traditional vessel is reexamined in the Northern Luzon trade network extending as far south as Manila to as far North as the Babuyan Channel. An integral part of this research is the re-evaluation of Biray and its cargo that traces old Biray trading routes. The paper also covers " historical data " on structure and construction of the boat that can come in handy for future maritime excavation of the vessel. The context, environment and condition of the site are also described. Moreover, it identifies the significance and vulnerability of the site. This concludes with an evaluation of the vessel and the position of the site as regards to underwater cultural heritage (UCH). The 2011 Asia-Pacific Regional Conference on Underwater Cultural Heritage Proceedings (co-authors Eliza Agabin, and Pamela Faylona)
Journal of Cultural Heritage, 2003
The underwater cultural heritage (UCH) includes all the material evidence of human activities carried on in the marine environment, particularly as evidenced on the sea floor. The evolution of the UCH is outlined, taking due account of its origins in the world's traditional societies, and of the process of industrialisation of maritime activities over the past half-millennium. This evolution has occurred in a series of stages, grouped in this paper into the traditional society, the modern age of sail, and the period of steam, iron and steel. The traditional society is regarded as the initial pre-industrial phase of development in all geographical regions. Both the succeeding phases cover the processes of industrialisation of maritime activities over the past half-millennium, respectively before and after the transition from sail to steam power in the 19th century. Approximately half-century stages of technological and economic development characterise both these periods. The surveying of the UCH is discussed first in terms of physical surveying, with particular reference to wreck sites. This has been improved by advances in underwater working, including sonar, seabed mapping, diving and the use of underwater vehicles. It is argued that the valuation of wrecks and cargoes can be conceived in both cultural and economic terms, and that the latter can lead to conflict between salvors on the one hand, and the scientific interest on the other. It is shown that the legal framework for conservation of the UCH is inadequate, both in terms of adjudicating between commercial and scientific interests, and of the jurisdiction of coastal states and the legal protection afforded the UCH beyond coastal state jurisdiction. The initial provisions for integrated management of the UCH, taken in the International Maritime Organisation (IMO), and the United Nations Educational, Scientific and Cultural Organisation (UNESCO), are discussed.
Marine Policy, 1996
In this article, the author explains that UNESCO has been concerned by the problem of protection of underwater cultural heritage since its early days. He emphasizes the fact that apart from two very general provisions in the 1982 U.N. Convention on the Law of the Sea, there is no international legal instrument dealing with this very international topic. There is
eds. Amélia Polónia e Francisco Contente Domingues, Porto, CITCEM, 2018.
REPORT ON GOOD PRACTICE IN THE PROTECTION AND MANAGEMENT OF WW II- RELATED UNDERWATER CULTURAL HERITAGE IN THE PACIFIC
The Pacific Ocean was a significant path for exploration, immigration, colonization, and trades, as well as the setting for naval battles and warfare. Underwater Cultural Heritage (UCH) in this region varies in time periods from the Prehistoric time to World War II (WWII). Of the identified UCH, vessels assigned to the WWII period occupy a large proportion. For example, over 3,800 WWII wrecks are in the registry of the Pacific Ocean Pollution Prevention Program with a combined tonnage of 13.5 million tons. The wrecks include the remnant of submarines to aircraft. New wrecks are being discovered constantly. This joint-research aimed to review practices in the protection and management of World War II UCH in Pacific nations. One of the aims of the research is to provide a foundation on which Small Island Developing States (SIDS) can implement the sustainable use of cultural resources underwater with appropriate protection. The increase of awareness of the significance of UCH has been recognized by practitioners and stakeholders in many Pacific countries, together with understanding the vulnerabilities of UCH. The identification of threats and human activities that impact UCH is considered to be key to maintain public access to underwater sites and increase community benefit. The outcome of the research will be a compilation of good practices and recommendations for a way forward.
2013
This Manual explains the thirty-six Rules of the Annex to the 2001 Convention entitled «Rules concerning activities directed at underwater cultural heritage». These Rules present a directly applicable operation scheme for underwater interventions. Over the years they have become a reference in the field of underwater archaeology. In addition to elaborating on the ethical principles, the Manual offers a series of guidelines concerning: project design; preliminary work; the formulation of project objectives, methodologies and techniques; fund raising and management; project scheduling; competence and qualification requirements; conservation and site management; documentation procedures; safety standards; environmental considerations; reporting; curation of project archives; and dissemination. This Manual is endorsed by the Scientific and Technical Advisory Body of the 2001 Convention on the Protection of Underwater Cultural Heritage.
The importance of the Bay of Jakarta as a maritime hub in regional and global trade throughout the ages, 2019
The present day capital of Indonesia (Jakarta) has a long history as a central place and centre of maritime trading in Southeast Asia. It’s history goes back for more than eight centuries and is intertwined with it’s bay, which served as a the maritime connection to the outside world. In recent years, Jakarta has been plagued by frequent floods amid peaks in the rainy season, as infrastructure and water management is not adequate, resulting in the temporary relocation of tens of thousands of people in January (peak of Indonesia's rainy season). However, the problem is even more complicated. Jakarta is sinking at a rate of between 7.5 and 14 centimetres per year due to deep groundwater extraction in combination with pressure from high-rise buildings in Jakarta. The construction of a giant sea wall is part of the National Capital Integrated Coastal Development (NCICD2) masterplan as a measure to protect Jakarta against flooding from the sea. Furthermore, the masterplan includes measures to improve water supply, water quality and prevent further soil subsidence. The construction of this giant sea wall, the related dredging, land reclamation and various underwater construction works represents a direct impact on the seabed in the designated area, which itself might pose a credible threat to and/or destruction of possible present Underwater Cultural Heritage. The first impression is that the project may harm precious cultural heritage, but before we arrive at that stage it’s crucial to understand the possible meaning of this heritage in the light of its history.

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Charlotte Minh Hà PHAM