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At Home: A Short History of Private Life
In these pages, the beloved Bill Bryson gives us a fascinating history of the modern home, taking us on a room-by-room tour through his own house and using each room to explore the vast history of the domestic artifacts we take for granted. As he takes us through the history of our modern comforts, Bryson demonstrates that whatever happens in the world eventually ends up in our home, in the paint, the pipes, the pillows, and every item of furniture. Bryson has one of the liveliest, most inquisitive minds on the planet, and his sheer prose fluency makes At Home one of the most entertaining books ever written about private life.
- LanguageEnglish
- PublisherAnchor
- Publication dateOctober 5, 2010
- File size8.3 MB
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From the Publisher
Editorial Reviews
From Booklist
Review
“Delightful. . . . Bryson’s enthusiasm brightens any dull corner. . . . Hand over control and simply enjoy the ride.” –The New York Times Book Review
"An exuberant, shared social history. . . . Told with Bryson's habitual brio. . . . A personal compendium of fascinating facts, suggesting how the history of houses and domesticity has shaped our lives, language, and ideas." -The New York Review of Books
“A treasure trove. . . . Playful, yes, but Bryson is also a deft historian.” –Los Angeles Times
“If this book doesn’t supply you with five years’ worth of dinner conversation, you’re not paying attention.” –People
“Bryson is fascinated by everything, and his curiosity is infectious. . . . You can take this class in your pajamas—and, judging by the book’s laid-back, comfy tone, I have a sneaking suspicion that Bryson wrote much of it in his.” –New York Times Book Review
“The experience of reading a Bill Bryson book is something you don’t want to stop—a pip and a spree and, almost incidentally, a serious education. And never tiresome, for Bryson has the gift of being the student and not the tutor.” –Washington Post
“At Home is both insightful and entertaining, leaving a deeper appreciation of the stuff of home life that will never again be viewed as mundane.” –Seattle Times
“Readers who enjoyed Mr. Bryson’s apparently inexhaustible supply of nifty facts in such previous books as “A Short History of Nearly Everything” (2004) or “The Mother Tongue” (1991) will be happy to find the author’s pen as nimble and his narrative persona as genial as ever.” –Wall Street Journal
“Bryson serves up a rich banquet of utterly fascinating and sometimes horrifying facts of where and how people have slept, eaten, made a living, built homes and monuments, frolicked, traveled, given birth and been laid to rest.” –Bookreporter.com
“Its lasting impression is the author’s delightful, boundless curiosity. . . . The best nonfiction illuminates what we found impossible to see without it, and perhaps more so than any of his other wonderful books, At Home proves that Bryson writes some of the very best.” –"The AV Club," The Onion
“Bryson writes with his usual slyly sassy humor. . . . The result makes for reading that charms as it informs.” –St. Louis Post-Dispatch
“Reading Bill Bryson is like having one of those friends around who’s always discovering something new—some pastime or place or piece of information—and can’t wait to breathlessly pass it along.” –Dallas Morning News
“Deliciously informative. . . . A treasure trove of facts in an engaging history of how we once lived.” –Richmond Times-Dispatch
“At Home is terrific. Bryson is a brilliant writer.” –The Charlotte Observer
“Bryson is the ultimate fact-filled uncle. . . . A delightful book filled with humor and astonishing facts.” –Vancouver Sun
From the Back Cover
About the Author
www.billbrysonbooks.com
Excerpt. © Reprinted by permission. All rights reserved.
THE YEAR
I
In the autumn of 1850, in Hyde Park in London, there arose a most extraordinary structure: a giant iron-and-glass greenhouse covering nineteen acres of ground and containing within its airy vastness enough room for four St. Paul's Cathedrals. For the short time of its existence, it was the biggest building on Earth. Known formally as the Palace of the Great Exhibition of the Works of Industry of All Nations, it was incontestably magnificent, but all the more so for being so sudden, so startlingly glassy, so gloriously and unexpectedly there. Douglas Jerrold, a columnist for the weekly magazine Punch, dubbed it the Crystal Palace, and the name stuck.
It had taken just five months to build. It was a miracle that it was built at all. Less than a year earlier it had not even existed as an idea. The exhibition for which it was conceived was the dream of a civil servant named Henry Cole, whose other principal claim to history's attention is as the inventor of the Christmas card (as a way of encouraging people to use the new penny post). In 1849, Cole visited the Paris Exhibition-a comparatively parochial affair, limited to French manufacturers-and became keen to try something similar in England, but grander. He persuaded many worthies, including Prince Albert, to get excited about the idea of a great exhibition, and on January 11, 1850, they held their first meeting with a view to opening on May 1 of the following year. This gave them slightly less than fifteen months to design and erect the largest building ever envisioned, attract and install tens of thousands of displays from every quarter of the globe, fit out restaurants and restrooms, employ staff, arrange insurance and police protection, print up handbills, and do a million other things, in a country that wasn't at all convinced it wanted such a costly and disruptive production in the first place. It was a patently unachievable ambition, and for the next several months they patently failed to achieve it. In an open competition, 245 designs for the exhibition hall were submitted. All were rejected as unworkable.
Facing disaster, the committee did what committees in desperate circumstances sometimes do: it commissioned another committee with a better title. The Building Committee of the Royal Commission for the Great Exhibition of the Works of Industry of All Nations consisted of four men-Matthew Digby Wyatt, Owen Jones, Charles Wild, and the great engineer Isambard Kingdom Brunel-and a single instruction, to come up with a design worthy of the greatest exhibition in history, to begin in ten months, within a constrained and shrunken budget. Of the four committee members, only the youthful Wyatt was a trained architect, and he had not yet actually built anything; at this stage of his career he made his living as a writer. Wild was an engineer whose experience was almost exclusively with boats and bridges. Jones was an interior decorator. Only Brunel had experience with large-scale projects. He was indubitably a genius but an unnerving one, as it nearly always took epic infusions of time and cash to find a point of intersection between his soaring visions and an achievable reality.
The structure the four men came up with now was a thing of unhappy wonder. A vast, low, dark shed of a building, pregnant with gloom, with all the spirit and playfulness of an abattoir, it looked like something designed in a hurry by four people working separately. The cost could scarcely be calculated, but it was almost certainly unbuildable anyway. Construction would require thirty million bricks, and there was no guarantee that such a number could be acquired, much less laid, in time. The whole was to be capped off by Brunel's contribution: an iron dome two hundred feet across-a striking feature, without question, but rather an odd one on a one-story building. No one had ever built such a massive thing of iron before, and Brunel couldn't of course begin to tinker and hoist until there was a building beneath it-and all of this to be undertaken and completed in ten months, for a project intended to stand for less than half a year. Who would take it all down afterward and what would become of its mighty dome and millions of bricks were questions too uncomfortable to consider.
Into this unfolding crisis stepped the calm figure of Joseph Paxton, head gardener of Chatsworth House, principal seat of the Duke of Devonshire (but located in that peculiar English way in Derbyshire). Paxton was a wonder. Born into a poor farming family in Bedfordshire in 1803, he was sent out to work as an apprentice gardener at the age of fourteen; he so distinguished himself that within six years he was running an experimental arboretum at the new and prestigious Horticultural Society (soon to become the Royal Horticultural Society) in West London-a startlingly responsible job for someone who was really still just a boy. There one day he fell into conversation with the Duke of Devonshire, who owned neighboring Chiswick House and rather a lot of the rest of the British Isles-some two hundred thousand acres of productive countryside spread beneath seven great stately homes. The duke took an instant shine to Paxton, not so much, it appears, because Paxton showed any particular genius as because he spoke in a strong, clear voice. The duke was hard of hearing and appreciated clarity of speech. Impulsively, he invited Paxton to be head gardener at Chatsworth. Paxton accepted. He was twenty-two years old.
It was the most improbably wise move any aristocrat has ever made. Paxton leaped into the job with levels of energy and application that simply dazzled. He designed and installed the famous Emperor Fountain, which could send a jet of water 290 feet into the air-a feat of hydraulic engineering that has since been exceeded only once in Europe; built the largest rockery in the country; designed a new estate village; became the world's leading expert on the dahlia; won prizes for producing the country's finest melons, figs, peaches, and nectarines; and created an enormous tropical hothouse, known as the Great Stove, which covered an acre of ground and was so roomy within that Queen Victoria, on a visit in 1843, was able to tour it in a horse-drawn carriage. Through improved estate management, Paxton eliminated £1 million from the duke's debts. With the duke's blessing, he launched and ran two gardening magazines and a national daily newspaper, the Daily News, which was briefly edited by Charles Dickens. He wrote books on gardening, invested so wisely in the shares of railway companies that he was invited onto the boards of three of them, and at Birkenhead, near Liverpool, designed and built the world's first municipal park. This park so captivated the American landscape architect Frederick Law Olmsted that he modeled Central Park in New York on it. In 1849, the head botanist at Kew sent Paxton a rare and ailing lily, wondering if he could save it. Paxton designed a special hothouse and-you won't be surprised to hear-within three months had the lily flowering.
When he learned that the commissioners of the Great Exhibition were struggling to find a design for their hall, it occurred to him that something like his hothouses might work. While chairing a meeting of a committee of the Midland Railway, he doodled a rough design on a piece of blotting paper and had completed drawings ready for review in two weeks. The design actually broke all the competition rules. It was submitted after the closing date and, for all its glass and iron, it incorporated many combustible materials-acres of wooden flooring, for one thing-which were strictly forbidden. The architectural consultants pointed out, not unreasonably, that Paxton was not a trained architect and had never attempted anything on this scale before. But then, of course, no one had. For that reason, nobody could declare with complete confidence that the scheme would work. Many worried that the building would grow insupportably warm when filled with baking sunshine and jostling crowds. Others feared that the lofty glazing bars would expand in the summer's heat and that giant panes of glass would silently fall out and crash onto the throngs below. The profoundest worry was that the whole frail-looking edifice would simply blow away in a storm.
So the risks were considerable and keenly felt, yet after only a few days of fretful hesitation the commissioners approved Paxton's plan. Nothing-really, absolutely nothing-says more about Victorian Britain and its capacity for brilliance than that the century's most daring and iconic building was entrusted to a gardener. Paxton's Crystal Palace required no bricks at all-indeed, no mortar, no cement, no foundations. It was just bolted together and sat on the ground like a tent. This was not merely an ingenious solution to a monumental challenge but also a radical departure from anything that had ever been tried before.
The central virtue of Paxton's airy palace was that it could be prefabricated from standard parts. At its heart was a single component- a cast-iron truss three feet wide and twenty-three feet, three inches long-which could be fitted together with matching trusses to make a frame on which to hang the building's glass-nearly a million square feet of it, or a third of all the glass normally produced in Britain in a year. A special mobile platform was designed that moved along the roof supports, enabling workmen to install eighteen thousand panes of glass a week-a rate of productivity that was, and is, a wonder of efficiency. To deal with the enormous amount of guttering required- some twenty miles in all-Paxton designed a machine, manned by a small team, that could attach two thousand feet of guttering a day-a quantity that would previously have represented a day's work for three hundred men. In every sense the project was a marvel.
Paxton was very lucky in his timing, for just at the moment of the Great Exhibition glass suddenly became available in a way it never had before. Glass had always been a tricky material. It was not particularly easy to make, and really hard to make well, which is why for so much of its history it was a luxury item. Happily, two recent technological breakthroughs had changed that. First, the French invented plate glass-so called because the molten glass was spread across tables known as plates. This allowed for the first time the creation of really large panes of glass, which made shop windows possible. Plate glass, however, had to be cooled for ten days after being rolled out, which meant that each table was unproductively occupied most of the time, and then each sheet required a lot of grinding and polishing. This naturally made it expensive. In 1838, a cheaper refinement was developed-sheet glass. This had most of the virtues of plate glass, but it cooled faster and needed less polishing, and so could be made much more cheaply. Suddenly glass of a good size could be produced economically in limitless volumes.
Allied with this was the timely abolition of two long-standing taxes: the window tax and glass tax (which, strictly speaking, was an excise duty). The window tax dated from 1696 and was sufficiently punishing that people really did avoid putting windows in buildings where they could. The bricked-up window openings that are such a feature of many period buildings in Britain today were once usually painted to look like windows. (It is sometimes rather a shame that they aren't still.) The tax, sorely resented as "a tax on air and light," meant that many servants and others of constrained means were condemned to live in airless rooms.
The second duty, introduced in 1746, was based not on the number of windows but on the weight of the glass within them, so glass was made thin and weak throughout the Georgian period, and window frames had to be compensatingly sturdy. The well-known bull's-eye panes also became a feature at this time. They are a consequence of the type of glassmaking that produced what was known as crown glass (so called because it is slightly convex, or crown-shaped). The bull's-eye marked the place on a sheet of glass where the blower's pontil-the blowing tool-had been attached. Because that part of the glass was flawed, it escaped the tax and so developed a certain appeal among the frugal. Bull's-eye panes became popular in cheap inns and businesses, and at the backs of private homes where quality was not an issue. The glass levy was abolished in 1845, just shy of its hundredth anniversary, and the abolition of the window tax followed, conveniently and fortuitously, in 1851. Just at the moment when Paxton wanted more glass than anyone ever had before, the price was reduced by more than half. This, along with the technological changes that independently boosted production, made the Crystal Palace possible.
The finished building was precisely 1,851 feet long (in celebration of the year), 408 feet across, and almost 110 feet high along its central spine-spacious enough to enclose a much admired avenue of elms that would otherwise have had to be felled. Because of its size, the structure required a lot of inputs-293,655 panes of glass, 33,000 iron trusses, and tens of thousands of feet of wooden flooring-yet thanks to Paxton's methods, the final cost came in at an exceedingly agreeable £80,000. From start to finish, the work took just under thirty-five weeks. St. Paul's Cathedral had taken thirty-five years.
Two miles away the new Houses of Parliament had been under construction for a decade and still weren't anywhere near complete. A writer for Punch suggested, only half in jest, that the government should commission Paxton to design a Crystal Parliament. A catchphrase arose for any problem that proved intractable: "Ask Paxton."
The Crystal Palace was at once the world's largest building and its lightest, most ethereal one. Today we are used to encountering glass in volume, but to someone living in 1851 the idea of strolling through cubic acres of airy light inside a building was dazzling-indeed, giddying. The arriving visitor's first sight of the Exhibition Hall from afar, glinting and transparent, is really beyond our imagining. It would have seemed as delicate and evanescent, as miraculously improbable, as a soap bubble. To anyone arriving at Hyde Park, the first sight of the Crystal Palace, floating above the trees, sparkling in sunshine, would have been a moment of knee-weakening splendor.
II
As the Crystal Palace rose in London, 110 miles to the northeast, beside an ancient country church under the spreading skies of Norfolk, a rather more modest edifice went up in 1851 in a village near the market town of Wymondham: a parsonage of a vague and rambling nature, beneath an irregular rooftop of barge-boarded gables and jaunty chimney stacks in a cautiously Gothic style-"a good-sized house, and comfortable enough in a steady, ugly, respectable way," as Margaret Oliphant, a hugely popular and prolific Victorian novelist, described the breed in her novel The Curate in Charge.
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Product details
- ASIN : B003F3FJGY
- Publisher : Anchor
- Accessibility : Learn more
- Publication date : October 5, 2010
- Language : English
- File size : 8.3 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 593 pages
- ISBN-10 : 9780385533591
- ISBN-13 : 978-0385533591
- Page Flip : Enabled
- Best Sellers Rank: #80,524 in Kindle Store (See Top 100 in Kindle Store)
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About the author

Bill Bryson was born in Des Moines, Iowa, in 1951. Settled in England for many years, he moved to America with his wife and four children for a few years ,but has since returned to live in the UK. His bestselling travel books include The Lost Continent, Notes From a Small Island, A Walk in the Woods and Down Under. His acclaimed work of popular science, A Short History of Nearly Everything, won the Aventis Prize and the Descartes Prize, and was the biggest selling non-fiction book of the decade in the UK.
Photography © Julian J
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I feel I have lived 10 lives.
Top reviews from the United States
- 5 out of 5 stars
Fascinating, Educational, Humorous ... In Other Words, Vintage Bryson!
Reviewed in the United States on November 5, 2010Whenever I'm asked about my favorite authors, Bill Bryson always makes the list. Not only has he written a string of humorous yet informative travel narratives, he's also penned a memoir about his 1950s childhood and a variety of non-fiction books on topics as diverse as the English language, Shakespeare and a rather grand attempt at a book called A Short History of Nearly Everything. Bryson is able to make whatever he is writing about amazingly interesting while also being gently humorous. I've always thought that if Bill Bryson wrote the history and English textbooks for schools, everyone would do their required reading and come away bursting with information and insights. Whenever someone tells me that they don't like nonfiction, I always ask if they've read Bill Bryson. To me, he is the epitome of the accessible nonfiction writer, and I would follow him anywhere.
In At Home: A Short History of Private Life, I followed Bryson as he toured his family home, which just so happens to be an old English parsonage. As he goes through each room, he ruminates about why we live the way we do and how the rooms and things in our homes evolved. The journey through the house is riveting and educational--answering such questions as: Why are salt and pepper the two condiments we keep on our kitchen tables? What does "board" mean in the phrase "room and board?" Why are there four tines on a fork? Why do men have a row of pointless buttons on their suit jacket sleeves?
Each chapter focuses on a different room, allowing Bryson to explore things such as the history of hygiene in the bathroom, the advent of electricity while poking around the fuse box, and the important issues of sex, death and sleeping while visiting the bedroom. It is an ingenious way to structure the book, and it gives Bryson lots of leeway to ramble about wherever his interests and research took him. For the most part, Bryson focuses on the last 150 years, which encompasses the time from when his home was built until modern times--and also, as Bryson points out, when "the modern world was really born.
The book is packed with interesting stories, facts, anecdotes and histories that if I took the time to tell you about all the ones that interested me, I would be writing a book myself. So, I'll content myself with sharing a few excerpts from the book that I highlighted while reading. (And even then I had to cut out a few because I highlighted so many.)
On the popularity of hermitages: For a time it was highly fashionable to build a hermitage and install in it a live-in hermit. At Painshill in Surrey, one man signed a contract to live seven years in picturesque seclusion, observing a monastic silence, for £100 a year, but was fired after just three weeks when he was spotted drinking in the local pub.
Statistics on stairs: Everybody trips on stairs at some time or other. It has been calculated that you are likely to miss a step once in every 2,222 occasions you use stairs, suffer a minor accident once in every 63,000 uses, suffer a painful accident once in every 734,000, and need hospital attention once every 3,616,667 uses.
On Christopher Columbus: It would be hard to name any figure in history who has achieved more lasting fame with less competence. He spent large parts of eight years bouncing around Caribbean islands and coastal South America convinced that he was in the heart of the Orient and that Japan and China were at the edge of every sunset. He never worked out that Cuba is an island and never once set foot on, or even suspected the existence of, the landmass to the north that everyone thinks he discovered: the United States. He filled his holds with valueless iron pyrite (thinking it was gold) and with what he confidently believed to be cinnamon and pepper. The first was actually a worthless tree bark, and the second were not true peppers but chili peppers--excellent when you have grasped the general idea of them, but a little eye-wateringly astonishing
A more interesting side effect of lead paint: One of the quirks of lead poisoning is that it causes an enlargement of the retina that makes some victims see halos around objects--an effect Vincent van Gogh famously exploited in his paintings. It is probable that he was suffering lead poisoning himself. Artists often did.
On servant-master sleep arrangements: Even at home, it was entirely usual for a servant to sleep at the foot of his master's bed, regardless of what his master might be doing within the bed. The records make clear that King Henry V's steward and chamberlain both were present when he bedded Catherine of Valois.
On the difficulties of getting medical care while being a woman: As late as 1878 the British Medical Journal was able to run a spirited and protracted correspondence on whether a menstruating woman's touch could spoil a ham.
On the dangers of life before proper sewer systems: Most sewage went into cesspits, but these were commonly neglected, and the contents often seeped into neighboring water supplies. In the worst cases they overflowed. Samuel Pepys recorded one such occasion in his diary: "Going down into my cellar ... I put my foot into a great heap of turds ... by which I found that Mr Turner's house of office is full and comes into my cellar, which doth trouble me."
I just adored this book and was engrossed through all 512 pages. This is vintage Bryson, and his fans will not be disappointed. And, if you've never read a Bill Bryson book before, I strongly encourage you to do so. No one presents history with as much humor, accessibility and curiosity as Bryson. (And if there is someone who does, I need to know who it is!) And since we all live in homes of some kind, I'm sure everyone will find something of interest in this book. After all, we are all benefiting from the advances and history described in this book. For my part, I know that I'll never turn on a light, flush a toilet, sit in a chair, or walk up a flight of stairs without thinking of some anecdote from this book. Highly recommended.
21 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 4 out of 5 stars
At Home... in England
Reviewed in the United States on November 20, 2010As history lesson's go, Bill Bryson's At Home: A Short History of Private Life has a lot going for it. When, after all, is that last time you looked at a fuse box and wondered where it came from? Bryson's thesis, which is that everything you take for granted in your home is the result of a major historical change is right on. I loved reading about the history of lighting, for example, and the reasons why people continued burning candles even after lamps were in common use. Bryson's indepth discussion of pepper debunks a lot of old myths (that pepper was popular mainly because it masked the taste of rotten food) and his interesting explanations of diseases caused by vitamin dificiencies will open a lot of eyes.
But one thing you should know about this book is that it is very, very England-centric. Bryson does explain this when the discusses the wide use of servants (even at the height of servant use they were never as common in the United States) and the effect that America had on the export of ice, but he much of the rest of the time he seems to forget that he's got a pretty big American audience reading the book. While he goes on and on about Mrs. Beaton's housekeeping books for example, he leaves out the influence of Fannie Farmer's Boston Cooking School on cooking in the United States. Particularly tedious to Americans might be the extensive discussion of Great Houses, the assumption that it was almost impossible to do certain things yourself (such as laundry) when in fact Americans were doing these things.
Bryson seems to like areas where Americans were something like the British. He spends a fair amount of time on the Great Houses of the new rich in America at the end of the 19th century, and spends a bit of time on all the intermarrying that went on between Americans and British aristocrats. He seems to think that 500 wealthy Americans marrying British aristocrats in one year was a huge number--which it was for the British. For the Americans it was a drop in the bucket. Most important the lives of these extremely wealthy people are not nearly as interesting as the day to day home lives of average Americans. Unfortunately Bryson doesn't seem to agree.
Bryson's writing on American Great Houses contains one weird error. When discussing the Vanderbilt mansions Bryson describes the way buildings were torn down and says that "By 1947 all had gone. Not one of the family's country houses was lived in for a second generation."
Well maybe not lived in but certainly not destroyed. The Breakers, the most famous of the Vanderbilt country houses can be seen in Newport,RI and hosts thousands of tourists each year.
A great part of American home tradition does come from England. (As the product of two English grandparents) I know that more than most. I just wish that Bryson had specified in the title that he was talking, for the most part, about England. I have a feeling that many European readers may agree with me, not to mention those from Asia and Latin America.
Actually the book made me wish that Bryson would write another book, this one about America and the development of the American home. In the meantime I encourage one and all to dip into a copy of Laura Ingalls Wilder's Little House in the Big Woods for a window into how a Wisconsin family prepared for winter in the late 1870s.
7 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 5 out of 5 stars
A Fun, Enjoyable, Informative Read
Reviewed in the United States on January 3, 2013Home. I love home. I love my home and I love the very idea, the concept, of home. God is good to give us home, to give us a place where we can just be, a place where we can center our lives. Think about your home, think about how good it is to have a place of your own, a place where you have your stuff and your people and where you live your life, and you'll realize what a calling it was for Christ to have no home, to have no place to call his own.
We look at home today, we look at private life, and tend to assume that things have always been as they are now. And yet this is not the case. The home and the private life have developed over time, slowly evolving into what they are today and slowly evolving toward what they will be tomorrow. Home and private life are the twin subjects of Bill Bryson's new book: At Home: A Short History of Private Life.
Bryson recently purchased an old Norfolk Church of England rectory as his home and it provides the starting point for his investigations. "Looking around my house, I was startled and somewhat appalled to realize how little I knew about the domestic world around me. Sitting at the kitchen table one afternoon, playing idly with the salt and pepper shakers, it occurred to me that I had absolutely no idea why, out of all the spices in the world, we have such an abiding attachment to these two. Why not pepper and cardamom, or salt and cinnamon? And why do forks have four tines and not three or five?" Those mundane observations and the questions they generated got him started in his quest to understand home. And somehow he makes home, the most mundane place in our lives, utterly fascinating.
"If you had to summarize it in a sentence, you could say that the history of private life is a history of getting comfortable slowly." Do you enjoy your home and all its comforts? That's because we humans have been working tirelessly for all these millennia to make home a place of comfort. Slowly, slowly we have gotten to the point we are at today.
To add structure to the book, Bryson walks through his home, room by room, and allows each room to be the subject of a chapter. Along the way Bryson offers all kinds of fantastic wanderings, meanderings and observations so that each room really is only a starting place. I am sure there are some who get frustrated by all of the author's wanderings. You'll have to learn to embrace them because they really are the point of the book. Embrace them, and you'll come to love them.
Consider this, something he observes while investigating the history of the bedroom.
Your bed alone, if it is averagely clean, averagely old, averagely dimensioned, and turned averagely often (which is to say almost never) is likely to be home to some two million tiny bed mites, too small to be seen with the naked eye but unquestionably there. It has been calculated that if your pillow is six years old (which is the average age for a pillow), one-tenth of its weight will be made up of sloughed skin, living and dead mites, and mite dung--or frass, as it is known to entomologists.
Or how about stairs? Ever paused to think about stairs--how they came to be, and what kind of effect they have on us?
Everybody trips on stairs at some time or other. It has been calculated that you are likely to miss a step once in every 2,222 occasions you use stairs, suffer a minor accident once in every 63,000 uses, suffer a painful accident once in every 734,000, and need hospital attention once every 3,616,667 uses.
He often traces the history of words that we use all the time but think about seldom. Like toilet. Why on earth is toilet water something you daub on your face and something swirling around the bowl and carrying away your waste?
Perhaps no other word in English has undergone more transformations in its lifetime than toilet. Originally, in about 1540, it was a kind of cloth, a diminutive form of toile, a word still used to describe a type of linen. Then it became a cloth for use on dressing tables. Then it became the items on the dressing table (whence toiletries). Then it became the dressing table itself, then the act of dressing, then the act of receiving visitors while dressing, then the dressing room itself, then any kind of private room near a bedroom, then a room used lavatorially, and finally the lavatory itself. Which explains why toilet water in English can describe something you would gladly daub on your face or, simultaneously and more basically, water in a toilet.
He often relies on a subtle sense of humor that often got me laughing out loud. Like here, as he discusses wine:
But it is thanks to American roots that French wines still exist. It is impossible to say whether wines are worse now than they were before. Most authorities think not, but such a desperate remedy is bound to nurture lingering doubts among those who are inclined to have them. What is certainly true is that surviving pre-phylloxera wines have attracted a cachet that has led people to part with a good deal of their money and much of their common sense in a quest to possess something so deliciously irreplaceable. In 1985, Malcolm Forbes, the American publisher, paid $156,450 for a bottle of Chteau Lafite 1787. This made it much too valuable to drink, so he put it on display in a special glass case. Unfortunately, the spotlights that artfully lit the precious bottle caused the ancient cork to shrink and it fell with a $156,450 splash into the bottle. Even worse was the fate of an eighteenth-century Chteau Margaux reputed to have once been owned by Thomas Jefferson and valued, very precisely, at $519,750. While showing off his acquisition at a New York restaurant in 1989, William Sokolin, a wine merchant, accidentally knocked the bottle against the side of a serving cart and it broke, in an instant converting the world's most expensive bottle of wine into the world's most expensive carpet stain. The restaurant manager dipped a finger in the wine and declared that it was no longer drinkable anyway.
Or like here, when he discusses hygiene (and seriously, be grateful that we live in an age of good hygiene)!
As people adjusted to the idea that they might safely get wet from time to time, long-standing theories about personal hygiene were abruptly reversed. Now instead of it being bad to have pink skin and open pores, the belief took hold that the skin was in fact a marvelous ventilator--that carbon dioxide and other toxic inhalations were expelled through the skin, and that if pores were blocked by dust and other ancient accretions natural toxins would become trapped within and would dangerously accumulate. That's why dirty people--the Great Unwashed of Thackeray--were so often sick. Their clogged pores were killing them. In one graphic demonstration, a doctor showed how a horse, painted all over in tar, grew swiftly enfeebled and piteously expired. (In fact, the problem for the horse wasn't respiration but temperature regulation, though the point was, from the horse's perspective, obviously academic.)
I could go on and on. This book may not change your life, but I am sure you'll find yourself enjoying it a lot--and hopefully as much as I did. It isn't quite light reading, but it also isn't at all heavy. It's just the kind of book you'll love to read while sitting through a long flight or while crashing on the couch on a Saturday afternoon.
Really my only complaints with the book are these: Bryson uses the word agreeable a few too many times and he writes (not surprisingly) from the perspective of one who holds to evolution, something that comes through every now and again. Beyond that, it's just a good, fun, enjoyable, informative read. Buy it for yourself or get it for a gift. You'll love it.
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Another gem from Bryson
Reviewed in the United States on June 4, 2025To say that Bill Bryson has a way with words would be alike to saying that Roger Federer is good at tennis or Leonel Messi can kick a football. Bryson has the uncanny ability to take what otherwise might be extremely boring information and turn them into fascinating snippets of history, rolled in layman’s terms and sprinkled with humour. I have found myself laughing out loud on multiple occasions while reading At Home.
He also achieves something that many a teacher or lecturer would kill for, the ability to take complex and what could be very long-winded explanations and turn them into a cherished story that one would be happy to listen to time and time again in the pub or by a roaring fire in wintertime.
This is the kind of book you can devour in long sessions or pick up from time and time to read in episodes. The shear amount of research that Bryson must have undertaken to produce this little tome beggar’s belief and one can almost imagine him letting out shrieks of delight every time he found something else worthy of his study and inclusion. Hat’s off again for yet another example of Bryson making something very hard, seem so effortless.
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Absolutely Brilliant
Reviewed in the United States on June 13, 2014Nobody can give us a short cultural history of nearly everything presented in such an entertaining manner as Bill Bryson can. In a few hundred pages he touches upon virtually every subject relevant for the development of our modern civilization, from food to fashion, building materials to Beau Brummell. Amazingly, he mixes his wide perspective with incredible atttention to detail. In a few short sentences he can give you an overview of Victorian literature, Darwin's contributions to science, or the history of archaeology, but at the same time he gives you the most fascinating details of the biographies he covers. I found his brief sketch of Pitt (Baron) Rivers absolutely fascinating. Bryson gives you more insight into his life and family in a few short chapters than most academics would have given you in a 2 volume biography. His thorough knowledge of history, science, and culture, combined with Bryson's elegant writing style and exceptional sense of humor, make "At Home: A Short History of Private Life," the most delightful and entertaining book you will have touched in a long time.
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Not as much about private life as I expected it to be.
Reviewed in the United States on November 6, 2010Should be called a 'short history of private life, and a lot about famous and not so famous people and death, death, death'. The book is filled with life stories of men and women who discovered or developed the foods, medicines, and items we use today. The book just wasn't what I expected. It was fairly interesting, but some of the biographies were so long and drawn out I had a hard time staying interested. One thing I am taking away from this book-- everyone alive today should get down on their knees and be thankful that they are not living in the world as he describes it. In the past people had surgery while being fully awake, children were forced to live regimented lives, lice and rats were living on and with everyone. I could go on and on, but the past was a pretty horrible place. It's just that reading about how terrible everything was in one book is a lot to take all at one time. He covers disease, poverty, accidents, lack of food, clean water, going your entire life without a bath, and on and on. Every page was filled with woe. People dying in every way you can imagine because they did not have the things we take for granted. I guess I am not pleased with this book was because I thought it was going to be a lighter read. As it is, it's a very depressing book almost from cover to cover. Prepare to be informed, but also prepare to be disgusted, sickened, and saddened.
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A Delightful Slog through Human Misery
Reviewed in the United States on December 31, 2010About halfway through Bill Bryson's At Home: A Short History of Private Life, one can't help but come to a couple of stark conclusions. One, that most of humanity's domestic life, for the vast majority of time time we had domestic lives, was full of suffering and misery the likes of which we moderns can barely imagine. Two, that the tiny percentage of the species blessed with an overabundance of money and/or status have not been content to simply live well, but have wasted vast economic resources to spoil and aggrandize themselves in ways that would make Ozymandias cringe.
Bryson is a wonderful writer, and his storytelling is as usual conversational while remaining high-minded, as he clearly glories in his research and discoveries while allowing the space for the reader to catch up to him.
But his subject, I suppose, necessitated the retelling of these two central themes I've mentioned: The misery of the underclasses (disease, vermin, cold, being overwhelmed by feces, etc.) and the unabated vanity of the rich (who also, it should be noticed, were subject to disease and other unpleasantness, but often in Bryson's telling faced ruin by their own ignorance or hubris). But if it is necessary, it is also relentless. Story after story, anecdote after anecdote is a tail that either makes one feel deep pity for those who are crushed under the weight of their poverty or nausea over the largess of the aristocracy. In between are the triumphs, the brilliant ideas, the advances, but it becomes almost exhausting when one contemplates the mayhem from which the victories emerge.
Here's a good summation from the book, a quote from Edmond Halley (of comet fame), that I feel gets to the heart of the long crawl of human domesticity -- human daily life -- over the centuries.
"How unjustly we repine at the shortness of our Lives and think our selves wronged if we attain not Old Age; where it appears hereby, that the one half of those that are born are dead in Seventeen years.... [So] instead of murmuring at what we call an untimely Death, we ought with Patience and unconcern to submit to that Dissolution which is the necessary Condition of our perishable Materials."
And in the meantime, invent the telephone and the flush toilet and make it a little easier.
A recommended read; a slog, but a delightful slog.
[See more at my blog, Near Earth Object, at near-earth(dot)com.]
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Missing the point
Reviewed in the United States on January 24, 2011The most popular Amazon review of the book point out "There's no point looking for a theme to At Home," but I think this misses the point. It's a combination history book, and social commentary, and as such there's little point looking for a theme. Or, let me rephrase that, the theme is how we incorporate history. As David Crabtree has argued "Our view of history shapes the way we view the present, and therefore it dictates what answers we offer for existing problems." Bryson offers different views of historical actors, the most salient, for me, being the reexamination of the Victorians; those glorified gallants who, it turns out, were money-grubbing bastards like the rest of us.
History also, I think, can be a way of commenting on the present in a way that protects the innocent. It's an allegory; a tale we can all accept, and over which we smugly guffaw, confident that our species has evolved beyond "that." Recently, as I watched a young man shuffling to cross the road before the light changed, his legs hobbled by a belt cinched around his knees to prevent further descent of his sagging pants, I was reminded of the absurdities of the 1700s fashion of wearing wigs 30 inches high. Indeed, those who cannot remember the past are condemned to repeat it, and it's doubtful that our paragon of fashion will ever read Bryson, or Santayana.
The author's ambitions for the book are foreshadowed in the introduction "... whatever happens in the world - whatever is discovered or created or bitterly fought over - eventually ends up, in one way or another, in your house." Some of the given examples are surprising in view of their current ubiquity - black pepper, tea, coffee, string, and glass windows to name a few. Others surprise us with the prevailing attitudes at their introduction, the phone for example, "The idea that you would chat by phone to someone you saw regularly anyway would have struck most people as absurd." And yet others, like gasoline, are still cause for large military budgets.
The book is replete with explnations which both appealed to the geek in me and answered some long-held but subconscious questions, like the origin of the (with)drawing room, why we use the term "room and board," and this: "In England the cabinet became the most exclusive and private of all chambers--the innermost sanctum where the most private meetings could take place. Then it made one of those bizarre leaps that words sometimes make and came to describe (by 1605) not just where the king met with his ministers, but the collective term for the ministers themselves. This explains why this one word (cabinet) now describes both the most intimate and exalted group of advisers in government and the shelved recess in the bathroom where we keep Ex-Lax and the like"
Having entertained and educated, Bryson reminds us of a broader social purpose in his closing statement: "The greatest possible irony would be if in our endless quest to fill our lives with comfort and happiness we created a world that had neither." Perhaps this is the theme, subtly presented so at to bring home the message.
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Top reviews from other countries
Caroline5 out of 5 starsFascinating; a real page-turner.
Reviewed in Japan on June 10, 2019. Loved it. Couldn't put it down.
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Alison S. Coad5 out of 5 starsA Delightful Book About Pretty Much Everything
Reviewed in Canada on October 22, 2010Bill Bryson has an inquisitive mind; when he sets out to learn the history of the dining room, for example, he does so by way of tracing the history of the spice trade as it impacted Britain, which of course leads to a discussion of the East India Company, but which also leads to an explanation as to why salt and pepper are the common condiments found on every dining room table, as well as the arrival of tea and coffee to the UK, the reason why dinner moved from a midday meal to one sometimes quite late at night and much much more. His new book, At Home: A Short History of Private Life, is a delightful wander through his own home, a former parsonage built in 1851, and while I'm not sure that I learned a lot about how specific rooms came to serve different purposes, I did learn a lot about, among other things, why the US became powerful when Canada did not (it has to do with the Erie Canal, which displaced the perfectly usable - and already existent - St. Lawrence Seaway as being the chief means of transporting goods to and from the interior of the continent), how cholera affected all classes though it was first considered a (deserved) disease of the poor, and why John Lubbock was so important to British history, yet so forgotten now. I read it straight through, but it would also work very well as a book to dip into from time to time, reading the odd chapter here and there, and giving one's brain the opportunity to absorb all the fascinating trivia included on every page. Highly recommended.
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Olivia LG5 out of 5 starsUm livro maravilhoso
Reviewed in Brazil on June 26, 2022Leitura agradável e fluida, livro cheio de informações muito interessantes sobre a vida cotidiana ligada aos espaços da habitação, anedotas biográficas sobre personagens da história.
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Jeremy Walton5 out of 5 starsMaster of the house
Reviewed in the United Kingdom on August 28, 2020- The largest number of people ever to be indoors at a single location is 92,000, at the Great Exhibition in 1851 [p50].
- Clergymen sometimes preached against the potato since it does not appear in the Bible [p131].
- Families used to move between their various properties a lot, requiring furniture to be portable, so chests and trunks usually had domed lids in order to throw off water during travel [p86].
- The aspidestra features prominently in Victorian photographs because it was the only flower which was immune to the effects of the gas which leaked from the lights [p184].
- The diamond pattern of different-coloured bricks used for decoration in a wall is called a diaper, from which the baby's undergarment - originally made from linen threads woven in a diamond pattern - gets its name [p291].
- Rats have sex up to twenty times a day [p348].
- The first person in America to slice potatoes lengthwise and fry them was Thomas Jefferson [p126].
- The expression "sleep tight" comes from the requirement to tighten the supporting lattice of ropes in a bed when they began to sag [p456].
- Buttons under the sleeve near the cuff of a jacket are the last relic of a fashion for attaching (useless) buttons in decorative patterns all over a coat [p538].
- In the face of objections to run a railway line through the middle of Stonehenge in the 19th century, an official pointed out that the site was "entirely out of repair, and not the slightest use to anyone now" [p615].
These are just a few of the interesting facts you'll learn (along with a few things you probably already knew - such as why British people are known as 'limeys') from this book. It's ostensibly inspired by the author wandering through the rooms of his house - hall, kitchen, dining room, bedroom and many more (it's a big house) - and using each location as a starting point for burrowing back in time, unearthing anecdotes, facts and biographies of personalities who contributed to making our world the way it is, and presenting them in his characteristic, pleasantly familiar discursive style.
Sometimes the connections between the location and the story appear tenuous: for example, the (truly fascinating) story of the building of the Eiffel Tower arises when in the passage between the kitchen and the rest of the house, as does an account of the inventions and character of Thomas Edison and Alexander Graham Bell. In other places the link is more explicit: thus, visiting the bathroom brings forth a history of ablution, cleanliness and disease - particularly smallpox, which I (yet again) didn't know was named to distinguish it from the great pox, or syphilis.
Bryson has a teacher's gift for telling you things you didn't know (or want to know, such as infant mortality rates, or that flushing a toilet with the lid up "spews billions of microbes into the air") in an engaging fashion. His writing here lacks much of the humour which is on show in his other books, probably because that's usually employed in describing himself in a self-deprecating fashion, or his encounters with other people. Here, the author stays in the background, gently pointing out one intriguing vista after another. To be sure, not all discourses are successful, but it's a big book (belying its title) with a well-stocked bibliography and index, indicating the breadth and depth of the author's homework (hah!). Recommended.
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Atulya Sinha5 out of 5 starsHOME, SWEET HOME
Reviewed in India on April 8, 2019Imagine, if you please, that you are a teenager visiting an elderly uncle at his country estate. When he offers to show you around his home, you accept his suggestion out of politeness, although you suspect that he will turn out to be a bore. By the end of the day, you have seen all the rooms and – contrary to your expectations – Uncle Bill has completely captivated you with his stories!
This is no ordinary uncle. Bill Bryson is a well-known American-English journalist and author, whose repertoire spans popular science, architecture, geography, history and much else. In this book, he turns his gaze towards the rooms in his own residence – and regales the reader with stories inspired by each of them.
The house described in this book was built by Thomas Marsham, an English clergyman in 1851 (exactly a hundred years before the birth of the author). Not surprisingly, we learn a lot about Victorian England – be it the Crystal Palace built for the Great Exhibition of 1851 or the stately homes of the aristocracy, with their grand gardens and armies of domestic staff. But there was a flip side too: “In twelve years eight railway termini opened in London. The scale of disruption – the trenches, the muddy excavations, the congestion of wagons and other vehicles, the smoke, the din, the clutter – that came from filling the city with railways, bridges, sewers, pumping stations, power stations, underground lines and all the rest meant that Victorian London was not just the biggest city in the world, but the noisiest, foulest, muddiest, busiest, most choked and dug-over place the world had ever seen.”
The preceding era of the Industrial Revolution had been even worse, as the following excerpts from Chapter 18 will reveal: “For those dependent on casual labour, existence was an endless lottery. One-third of the inhabitants of Central London were estimated in 1750 to go to bed each night ‘almost Pennyless’ and the proportion only worsened as time went on. Casual labourers seldom knew when they woke in the morning whether they would earn enough that day to eat…”
The author does not confine himself to the British Isles. We learn quite a bit about American history; including details of Monticello and Mount Vernon, the cherished homes built by Thomas Jefferson and George Washington respectively. We are also informed about the many varieties of plants which were taken from the New World to the Old: “… the azalea, aster, camellia, catalpa, euphorbia, hydrangea, rhododendron, rudbeckia, Virginia creeper, wild cherry and many types of ferns, shrubs, trees and vines.”
As for India, Chapter 8 talks about spices and Chapter 17 discusses cotton farming. To my mind, the most interesting part of the book is the connection between India, China and America, whose destinies were tied together by the unlikely trio of opium, tea and sugar.
At first glance, it appears that the book is just disjointed trivia. But more details emerge as one proceeds from one chapter to the next and the reader realizes that Bryson is much more than a connoisseur of trivia. This book is not only a comprehensive social history, but it also contains valuable biographical material on dozens of famous persons – including Thomas Edison, Gustave Eiffel, Charles Darwin, Alexander Graham Bell and the Italian architect Palladio.
The author displays both wit and wisdom in this book. Consider, for example, the following description of Eiffel Tower: “Never in history has a structure been more technologically advanced, materially obsolescent and gloriously pointless at the same time.”
To summarise, this is a wonderful book, from which each reader will find something to learn and to treasure.
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