Hello!

First up is a simple link to a bit of film analysis I liked, from critic David Cairns, July 11, 2026. I’ve been reading about Billy Wilder’s  Double Indemnity for a long time now, but was surprised that Cairns could put so many great observations and thoughts into such a short space.

Some of his remarks note improvements that Wilder and Chandler made to Cain’s original book.

“Fred MacMurray underplays — Even Humphrey Bogart didn’t underplay before MacMurray.”

“Like many Wilder characters, Neff keeps trying to win by immoral means right up to the third act, then turns noble when he realises he can’t win.”

“And whoever came up with and shot the titles was a bit of a genius too.”

And after my wondering about early TV Sci-fi the other day, we really wanted to see a ‘Space Patrol’ remnant for ourselves. Michael McQuarrie was able to find an episode.

We’re told that the show ran for five years. We like that it gave early work to so many actors: Lee Van Cleef, Robert Shayne, Dorothy Ford, John Larch, William Schallert, Roland Varno, Dabbs Greer, Gloria Saunders, Sally Fraser, Richard Devon. I was looking for Ernest Borgnine on the list, but nah, he was a proud contributor to the ‘other team,’ Captain Video and his Video Rangers.

This episode is pretty glorious, no kidding. It also features Lee Van Cleef and Virginia Hewitt.

Norman Jolley later co-wrote the screenplay for  The Monolith Monsters, so penning 77 episode with Commander Corry and Cadet Happy honed his skills.

But wait, here is a much-needed post on the very non-film subject of World Cup Fútbol!

When Argentina played on Saturday, we were ready, with Argentinian Empanadas and Malbec … there’s nothing better.

Thanks for reading! — Glenn Erickson

Hello!

It’s not difficult to get our attention about anything related to the upcoming genre restorations due soon on disc: Arrow’s Soylent Green and Forbidden Planet, Criterion’s The Elephant Man, Severin’s The War Game, Threads and Danza Macabra 5, Vinegar Syndrome’s Explorers, Radiance’s The Saragossa Manuscript.

The new Hammer people turned our heads the other day with this teaser for their new 4K remaster of the classic 1958 Dracula, known to us as Horror of Dracula. But some things never change. The teaser’s demo setup doesn’t compare their new color scheme with a previous transfer; it instead gives us what appears to be a raw scan of the movie, which of course looks nothing like a final colorized encoding.

We don’t mind too much. We will likely love whatever we get, if Hammer’s promised uncut / uncensored / remastered version comes through. If it turns out closer to the Technicolor prints we knew and loved in U.S. screenings, all the better.

And then there’s the great disc news for August from The Warner Archive Collection, at least as concerns fans of classic WB & MGM pix. As promised, the label’s monthly output has increased quite a bit. The list spreads a wide net but scores with Golden Age titles with name stars.

Montana with Errol Flynn and Alexis Smith
Torrid Zone with James Cagney, Pat O’Brien and Ann Sheridan
All Through the Night with Humphrey Bogart + William Demarest, Jackie Gleason & Phil Silvers
The Human Comedy with Mickey Rooney and Van Johnson
Broadway Melody of 1938 with Eleanor Powell and Robert Taylor

Then we have the two John Ford pictures,
Sergeant Rutledge with Woody Strode and Jeffrey Hunter
The Wings of Eagles with John Wayne and Maureen O’Hara
plus the popular
Auntie Mame with Rosalind Russell and Forrest Tucker
The Bad Seed with Patty McCormack and Nancy Kelly

and the now cult attraction
Pennies from Heaven with Steve Martin, Bernadette Peters and Jessica Harper

That leaves the unknown quantity TV show Forever and the 90’s picture Wag the Dog.

… But …  the even bigger news is a WAC 4K announcement for September 2 — Jacques Tourneur’s prime film noir Out of the Past with Robert Mitchum and Jane Greer. This one ought to look sensational in 4K.

Thanks for reading! — Glenn Erickson

Hello!

Yet another Joe Dante steer to a an excellent webpage … A site called Animation Obsessive has an article up from April 12, 2026, with the inside story of a mini-studio whose output we hold dear: United Productions of America, or simply UPA.

UPA is much more than Gerald Mc Boing Boing cartoons. We reviewed a sensational  DVD Collection years ago that came with good text on the company, but AO’s coverage in this article puts the subject in a new light. There’s even a downloadable full book available — on the company that began as an alternative for animators, away from the control of the Disney studio.

The photos from the early 1950s are really impressive. All these crazy-talented creatives come to work dressed as if for an architectural firm. Here’s the link:

Just a bit of poking around reveals an even more CineSavant-friendly article from Animation Obsessive, this one from April 25, 2026.

It’s about another UPA masterpiece that I remember seeing more than once at kiddie cartoon matinees around 1960 —  The Tell-Tale Heart. If the designs look familiar to Roger Corman fans, it’s because the artist-animator Paul Julian also put together several title sequences for Corman’s early pictures. On his own, Julian animated the creepy political fable  The Hangman as well.

Also, the article appears to answer the fan speculation about a 3-D version of The Tell-Tale Heart: it says that the 3-D version was finished, and describes an (exaggerated?) account of a screening. But Columbia ‘forced UPA to scrap the 3-D version.’  Interesting.

The article has the whole story, nicely illustrated:

Thanks for reading! — Glenn Erickson

Once again Joe Dante sends along an article we can’t resist. Twenty years ago I listened from the next room while my teenagers keenly watched the TV show The X-Files. I’m not sure I ever saw a single episode all the way through, and I’ll accept that I must have missed something good. On the other hand it was their show, and they didn’t need Dad around, popping balloons with his obnoxious opinions.

Here’s one episode I clearly need to see. Having been a serious Buster Keaton fan, I think I would have picked up on the connections raised here by writer Marya E. Gates. It’s explained in a nice article from Cool People Have Feelings Too, dated June 28, 2026.

We love the photos, especially the one of Buster looking so sober in the middle of his crazy gag-men.

Second up, Michael McQuarrie isn’t letting go of the  Destination Moon theme, and we like it that way.

He’s uncovered this full comic book tie-in, in excellent condition. George Pal didn’t miss a trick, when it came to marketing. I wonder if he tried to interest a toy company in little rockets … or if they said kids couldn’t handle a pointy rocket toy, because, “You’ll put your eye out!”

Being the impish sorts that we are, we can’t help notice that the comic adaptation sticks close to the film’s science … but skips entirely the Cold War theme or Red sabotage/disinformation that’s so important in the movie. But it’s probably been dropped because it was considered ‘adult’ content.

The comic artists seem to have respected the film’s visuals!

Thanks for reading! — Glenn Erickson

Hello!

This is an article forwarded by Joe Dante, about a screening/lecture series that most of us will miss. The article is fascinating in itself.

From IndieWire on June 26, 2026, writer Jim Hemphill describes the spell cast by Guillermo del Toro in his lecture series at the Academy Museum. Fresh thinking on Alfred Hitchcock is not easy to come by. Even the brief quotes given here express how knowledgeable, insightful, and articulate del Toro is.

The series is in motion now … when it is finished, del Toro will have covered Hitchcock’s Notorious,  Shadow of a Doubt,  North by Northwest,  I Confess,  and  Frenzy.  It sounds like a dream date for old-fashioned film students.

We got a good reader response from last Saturday’s Buster Keaton short subject, an informercial for a housing tract.

We’re intrigued by the fact that these ‘humble’ assignments don’t diminish the stature of the all-time top filmmaker, not one bit. He’s still Brilliant.

Michael McQuarrie tracked down more proof that Mr. Keaton didn’t stand still when studios weren’t calling.

We think these TV spots are really creative. They go for variety — the first has Buster as a mailman, and the vocations advance from there.

Thanks for reading! — Glenn Erickson