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Lavar Munroe Brings a Junkanoo Wake to Venice

On View
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Breon O’Casey, Sun, Moon and Stars, c.1991

ART/ICLES
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A Love Beyond What We Name Us: Rodrigo Ramírez Rodríguez at Murmurs Gallery

Fresh Take
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Alex Shnaiderman Paints From the Subconscious

Interviews
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Disappearing Images: A Conversation with The Horse Hospital Collective

On View
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Signs, Symbols, and the Shape of the World in Unyimeabasi Udoh’s ‘No Vehicles’

On View
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Nick Kivlen Is Done Playing by the Rules

Interviews
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Dana Awartani Lays a Map of Cultural Survival

Fresh Take
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Henry Taylor and the Weight of the Ordinary

On View
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nora chipaumire’s ‘gadzi’ amplifies the sacred

On View
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Lisette May Monroe’s Hard Lines

Interviews
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Lessons in Minor Keys

Fresh Take
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Jesús Hilario-Reyes on Freakability, Techno, and Collective Embodiment

Interviews
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A Wildflower Grows in an Adult-Store

Girl Talk
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The Collaged, the Screwed, and the Assembled: Appropriation in London’s Summer Shows

Fresh Take
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Imagining (Future) Paradise Gardens: Biennale Gherdëina 10 

Art Living
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“It’s DIY but It’s Pro” – A Weekend at Horst, the Belgian Arts and Music Festival Doing Things Differently

Art Living
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The Six Best NYC Art Shows to Escape to This June

The Six Best
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A Visit to the NYC Tape Fair

Art Living
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Zsuzsi Ujj: With an Egg, Bridal, and More Photographs

On View
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Love for the Game with Ebony L. Haynes

ART/ICLES
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Chris Wiley and Robert Swope on Michel Hurst’s ÓRALE

In Conversation
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Salome Asega and Ajay Kurian on the Necessity of Mentorship

Art Living
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A Charleston Festival Diary

Art Living
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Rugiyatou Ylva Jallow Presents Her Most Ambitious Projects to Date

ART/ICLES
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Molly Crabapple Finds the Pleasure in Politics

SEX/ART
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Anni Albers, Necklace, c.1940

The Index
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Chambers of Afterthoughts: Jens Fänge at Perrotin

The Index
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NYC Art Month Is Here. Here Are the Six Best Shows to See – All Free

On View
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Ferg Introduces Darold Brown to Tschabalala Self

Artist X Artist
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C. Mae Bloom, the Eternal Amateur

In the Studio
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Giangiacomo Rossetti Paints Venice Blue

In the Studio
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At the Indian Pavilion in Venice, Home Is Unfixed

The Index
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“A Language Trying to Emerge”: Alice Maher at the Venice Biennale

In Conversation
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Second Sight for Spring / Summer

Second Sight
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Consider Time with Lesia Vasylchenko

On View
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The Sounds of Frieze Focus, New York

Art Living
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“Virtuosity Can Exist with Awkwardness”: Alexa West and Adam Charlap Hyman on Jawbreaker

ART/ICLES
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A Softer Language: Lili Curia’s Ribbon Knit Collection

Art Living
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Abraham Cruzvillegas is Always Learning 

ART/ICLES
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Squall: Sigrid Sandström at Perrotin, London

On View
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Letters to Deborah Roberts

In Conversation
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Producing Legibility with Sable Elyse Smith

The Index
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Lutz Bacher Never Offered Easy Readings: ‘Burning the Days’ at WIELS

On View
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Elsa Rouy’s Painted Figures Are Growing Up With Her

Interviews
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“Where There is Colour, There is Imagination”: Painting the Dream, and the Persistence of Surrealism

Fresh Take
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Milena Gorum Keeps It All

Girl Talk
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R. Jamin Declares War on the Big Light

Fresh Take
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Think Like Amanda Ba

Girl Talk
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The Holistic Art Gallery: Contemporary Art Can No Longer Afford to Be Mediocre

Fresh Take
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Dean Majd Knows About Having ‘Hard Feelings’

On View
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Out of Body with Lucy Beech and Logan February

Artist X Artist
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Sendb00ks and Surrealism at Georgina Pounds Gallery in Mexico City, With Tali Lennox and Jessica Luostarinen

Art Living
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Postcards from CONDO

Art Living
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Textile Architect, Material Poet: Eric N. Mack

ART/ICLES
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Earrings for Peggy Guggenheim, c. 1938

Art Living
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The Delirious Optimism of Nicola L.

On View
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Angela Santana and Samuel Schler Cross-Pollinate Performance and Painting

On View
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Which Other Painter Could Turn Titian into an Abstract Abyss? Gerhard Richter at the Fondation Louis Vuitton

On View
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John Kelly After The Fall

On View
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Between Dreamland with Dylan Rose Rheingold

Girl Talk
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From L’Atelier to Dior with Patrick Eugène

Interviews
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The Opening of GICA: Rwanda’s First Independent, Non-Profit Contemporary Art Institute

Art Living
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Who Gets to Be a Revolutionary? Camille Henrot at Lina Bo Bardi’s Glass House

Art Living
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“A Show Suspended in Space”: Reginald Sylvester II and Diallo Simon-Ponte on The Other Side of Languish

In Conversation
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Alexander Calder, Crown of leaves, c. 1940

ART/ICLES
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“I Give Myself to You”: Tala Madani’s Mechanical Daughters and Imperfect Mothers

On View
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Full Circle with Howardena Pindell

In Conversation
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For Maria Vogel and Caleb Hahne Quintana, Romantic Partnership Becomes a Creative Force

Lovers
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All About Lovie 

Girl Talk
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Emma Kohlmann on Internet Nostalgia, Intuition, and the Zines That Started It All

ART/ICLES
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Miles Greenberg In His Own Words

Art Living
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Lorena Pipenco Makes Big Hats for Even Bigger Delusions

Girl Talk
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Pornography, Human Excrement and Desperation: Mire Lee Isn’t Afraid of the Grotesque

In the Studio
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Rita Keegan x Tschabalala Self: Creativity is Work

Artist X Artist
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“Unlike the Archive, Play Has No Agenda”: Divine Southgate-Smith on the Imaginative Work of Remembering

In the Studio
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From Squats to Mattress Shops: How Non-Commercial Galleries Are Surviving London

Fresh Take
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Edward George Has Composed a Peculiar Kind of Atlas

Interviews
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Ten Unspoken Rules of Art World Etiquette, As Told By Your Favourite PRs

Art Living
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Girl Talk with Sasha Gordon 

Girl Talk
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Paul Thek: Seized By Joy, Alive With Contradiction

Retrospect
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“A Homecoming Of Sorts”: Frank Bowling’s Work Arrives Back in South America

On View
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Christelle Oyiri Is Remixing the Archive

Interviews
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New York’s First It Girl, Bibbe Hansen

ART/ICLES
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Thaddeus Mosley: Whittling Through Time

Artist X Artist
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Curating Girlhood with Gabrielle Richardson 

Girl Talk
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25 First Date Questions with Furqan Jawed

Art Living
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Kennedy Yanko Lets Her Firecracker Pop 

Girl Talk
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What Grows in Harley Weir’s Garden

Interviews
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Kianja Strobert’s Buoyant Pewter-Coated Ode to Civic Life

Art Living
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The Bee Stings Before It Dies: Anne Imhof on Love, Power, and Doom

Interviews
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The Shape-Shifting Worlds of Pol Taburet

On View
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“What’s Left of Our Vitality Should be Devoted to Resistance”: Michèle Lamy Continues to Defy Convention

Art Living
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Thank God Amalia Ulman Makes Class Consciousness Weird and Fun and Slightly Psychedelic

A Little Mission
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