Wrapbook (@wrapbook) / X

Wrapbook

1,170 posts

Wrapbook

@wrapbook

The AI platform for production finance. Payroll, spend, and accounting in one elegant system. Built for features, TV, and commercials.

New York, NY

Joined January 2018

Pinned
Wrapbook
@wrapbook
Jun 3
What a conversation. Wrapbook was proud to sponsor The Future of Producing — New Models at the Produced By Conference last weekend, and the room delivered. Jana Winograde, Joe Lewis, and Tommy Oliver joined moderator Lucas Shaw for an honest, forward-looking discussion on how
Wrapbook
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13h
On the latest episode of On Production, we're getting into the business side of film—and what better data and forecasting tools actually make possible. Tobias Queisser, CEO and Co-founder of The Cinelytic Group, joins Cameron to break down how AI forecasting tools are changing
Wrapbook
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Jul 13
A new episode of On Production is coming soon. @tobiasqueisser, CEO and Co-founder of @cinelytic, joins Cameron to talk about how AI forecasting tools are changing the way producers and finance teams think about film—not just the accuracy of the analysis, but the entire workflow
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Wrapbook
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Jul 7
On On Production, Andrew C. Griego talks about what it actually means to run the Santa Fe Film Office in a city with a strong community identity: Being there for the production and being there for the community aren't two different jobs. When something comes up, he picks up the
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Wrapbook
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Jun 30
On the latest episode of On Production, we're heading to Santa Fe. Andrew C. Griego of the Santa Fe Film Office joins Cameron to break down how Santa Fe actually functions as a production hub inside New Mexico's competitive incentive landscape. That means municipal permitting,
Wrapbook
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Jun 29
A new episode of On Production is coming soon. Andrew C. Griego of the Santa Fe Film Office on what it actually looks like when a city makes permitting work for productions—fast, flexible, and the same level of attention whether you're a small indie or a major studio production.
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Jun 23
On On Production, Patricia Beaury talks about what makes production accounting more than just a technical job: The trust you build with the same teams over time. The workflows you establish together. The difference between going through the motions and genuinely loving the work.
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Wrapbook
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Jun 22
As the dust settles on Tribeca 2026, we're proud to look back on another year of Wrapbook-powered productions making their mark at one of independent film's most celebrated festivals. From the U.S. Narrative Competition to the Viewpoints section and Official Short Film
Wrapbook
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Jun 17
On the latest episode of On Production, we're getting into the real mechanics of production accounting. Patricia Beaury, a production accountant whose credits include Pee-wee as Himself and Anora—winner of five Academy Awards including Best Picture—joins Cameron to break down
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Jun 15
A new episode of On Production is coming soon. Patricia Beaury, a production accountant with credits including Anora and Pee-wee as Himself, on why payroll isn't just another line item—it's the one she protects above everything else. Her rule: two weeks of payroll in the bank,
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Jun 12
Reflecting on a great Lunch & Learn at AICP Base Camp last week. It was an incredible conversation with some of the sharpest minds in commercial production on employment compliance: what's changed, where productions get burned, and how leading shops are staying ahead. Thanks to
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Jun 10
Love to hear it, Michelle! 🙌 Shoutout to @MichelleKhare, Creator of Challenge Accepted, for the kind mention at this year's Produced By Conference. Glad to be in the weeds with you. #MichelleKhare #ProducedByConference #PGA #Wrapbook
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Jun 9
On On Production, Jesse Weinstein talks about why ambiguity on set is more than just a management problem: When there's no clearly established pipeline for reporting issues, that gray area creates serious risk. It doesn't take much to fix, but it takes intention. A defined
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Jun 2
On the latest episode of On Production, we're talking about workplace risk on set. Jesse Weinstein, employment attorney and partner at Phillips & Associates, joins Cameron to break down where legal risk actually begins in film and TV production—from unclear reporting structures