<", c, ' onload="var d=', n, ";d.getElementsByTagName('head')[0].", d, "(d.", g, "('script')).", i, "='", a.l, "'\">"].join("") } var c = "body", e = h[c]; if (!e) return setTimeout(q, 100); a.P(1); var d = "appendChild", g = "createElement", i = "src", k = h[g]("div"), l = k[d](h[g]("div")), f = h[g]("iframe"), n = "document", p; k.style.display = "none"; e.insertBefore(k, e.firstChild).id = o + "-" + j; f.frameBorder = "0"; f.id = o + "-frame-" + j; /MSIE[ ]+6/.test(navigator.userAgent) && (f[i] = "javascript:false"); f.allowTransparency = "true"; l[d](f); try { f.contentWindow[n].open() } catch (s) { a.domain = h.domain, p = "javascript:var d=" + n + ".open();d.domain='" + h.domain + "';", f[i] = p + "void(0);" } try { var r = f.contentWindow[n]; r.write(b()); r.close() } catch (t) { f[i] = p + 'd.write("' + b().replace(/"/g, String.fromCharCode(92) + '"') + '");d.close();' } a.P(2) }; a.l && q() })() }(); c[b].lv = "1"; return c[b] } var o = "lightboxjs", k = window[o] = g(o); k.require = g; k.modules = c }({}); /*]]>*/
Alerts & Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

Curator Hendrik Folkerts, Kunsthalle Zürich director Fanny Hauser, director of Art Basel in Basel Maike Cruse and Bonner Kunstverein director Viktor Neumann at the opening of Art Unlimited.
“What distinguishes this millennia-old city and the franchise cornerstone it spawned is a blind insistence on not changing in the face of everyone moving on”
Bright, minimalist gallery interior with polished concrete floors, white walls, and soft tree shadows cast by tall windows; pink abstract paintings and small framed works are installed around the space.
Exhibitions at Warin Lab Contemporary, Bangkok CityCity Gallery, and STORAGE
Artforum Inbox
Register to receive our full menu of newsletters—From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU—as well as special offers from Artforum.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

From Our Partners
SUMMER ISSUE HOMEPAGE
SUMMER ISSUE HOMEPAGE
SUMMER ISSUE HOMEPAGE
Current Issue
“You don’t need opera, the grandeur of apparitions and murderous confessions, to access horror. Not in America, anyway”
“Sofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic import”
“What still amazes me, and what I envy, is this: Fried intuited that his taste in contemporary art had a historical basis”
“Liden’s most poignant messages, concerning the ongoing ‘redactions’ of public speech in Germany, are indirect”
Image
Marc Kokopeli, Times Square Alliance Playset (detail), 2025, digital video (color, sound, 9 minutes 15 seconds), LCD cabinet, LED screen, resin, fabric, mixed media, 36 5⁄8 × 60 5⁄8 × 31 1⁄2″. Photo: Graysc.
Videos
Janine Antoni in Artforum's studio.
The New York-based artist Janine Antoni shares her favorites, from mentor Anna Halprin’s unique relationship to movement to Piero Manzoni’s The Base of the World (1961)
Alex Da Corte in Artforum's studio.
The artist reflects on two of his most important teachers, cites Rosalyn Drexler’s 1963 Marilyn Pursued by Death as an all-time favorite work, remembers Ingrid Schaffner’s exhibitions at the ICA Philadelphia and more
PMC Logo
Artforum is a part of Penske Media Corporation. © 2026 Artforum Media, LLC. All Rights Reserved.