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“What distinguishes this millennia-old city and the franchise cornerstone it spawned is a blind insistence on not changing in the face of everyone moving on”
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“Sofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic import”
The New York-based artist Janine Antoni shares her favorites, from mentor Anna Halprin’s unique relationship to movement to Piero Manzoni’s The Base of the World (1961)
The artist reflects on two of his most important teachers, cites Rosalyn Drexler’s 1963 Marilyn Pursued by Death as an all-time favorite work, remembers Ingrid Schaffner’s exhibitions at the ICA Philadelphia and more