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See also:
Fiction Writing Intensive
Up next:
Level II Options
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Fiction Writing I

Fiction Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.

Also consider Gotham’s premium Zoetrope Fiction Writing classes: Zoetrope Fiction I or Zoetrope Fiction II.

Fiction is a wonderful conjuring act. With only words and the reader’s imagination, a work of fiction can sail across the world in pursuit of a whale, or time-travel to another dimension, or zero in on a few minutes in line at the local bank, enveloping the reader in a made-up story that feels real.

To pull off this feat requires a balance of craftsmanship, daring, and insight into human nature. Here you’ll learn the time-tested elements of fiction craft and how to market your work.

Whether you seek to write short stories or novels; commercial, literary, or genre; comic or tragic, we’ll show you how to spin your thoughts into believable and spellbinding tales.

About Fiction Writing
Fiction Writing I
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The class truly helped me unlock an imaginative part of myself that I didn't know was there, as well as dismantle some fears and reservations about creative writing.

Kelly Griego

marketing professional

Notes

Fiction I encompasses short stories and novels. After Level I, students have a choice of Short Fiction Writing II (focusing on short stories), or Novel II Critique or Novel II First Draft (focusing on novels).

If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.

If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.

Upcoming Classes

  • Deal du Jour! Register for $356.00
    You can still enroll in this class. Image
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    It’s fine to start a class on the second week and you won’t be charged for the first week. We can’t catch you up on all that happened in the first week, but you can do the homework and review any handouts. Your teacher will know you’re coming and help you feel welcome.
    Starts Wednesday, July 15
    NYC, 10am – 1pm ET
    10-Week Workshop
  • Starts Tuesday, August 18
    Online, anytime
    10-Week Workshop

Price

Registration fee $25, paid once per term

See Payment Options

To register for a 10-Week course, you need to pay in full to guarantee your place in class. Or you can pay a $95 deposit plus a $25 registration fee (total $120) to temporarily hold your place, but tuition must be paid in full 10 business days before your class starts or you risk losing your spot. No deposits for Zoetrope classes.

10-Week

Syllabus

This course gives you a firm grounding in the basics of fiction craft and gets you writing a short story (or two) or a novel. Course components:
     Lectures
     Writing exercises
     Workshopping of student projects (each student presenting work two times)

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
Introduction to Fiction: The different types and forms of fiction. Where to find inspiration and ideas. The importance of craft.

Week 2
Character: Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters. 

Week 3
Plot: Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short story and novel plots. Pros and cons of outlining. 

Week 4
Point of View: POV defined. Exploration of the many types of POV. 

Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view. 

Week 6
Dialogue: The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext. Dialect. 

Week 7
Setting/Pacing: Time. Place. Weather. Description of setting. Merging character and setting. How to manipulate time through pacing. Flashbacks. 

Week 8
Voice: Voice defined. Exploration of the various types of voice. Tips for finding your voice. Understanding style—syntax, diction, and paragraph length.

Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision. 

Week 10
The Business: Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. Query letters.

Note: Content may vary among individual classes.

Teachers

Aaron H. Aceves
Aaron H. Aceves

Aaron H. Aceves is the author of the novel This Is Why They Hate Us (Simon and Schuster Books for Young Readers), and his short fiction has appeared in the Iowa Review, Passages North, the Florida Review, them, and Epiphany, among others, and been anthologized in All The Ways A Heart Burns: A Voyage YA Anthology (Discover New Art). He has taught for the University of Texas at Austin. He holds a BA from Harvard University and an MFA in Creative Writing from Columbia University.

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Arlaina Tibensky
Arlaina Tibensky

Arlaina Tibensky is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong Quarterly, Reckon Review, The Dodge Magazine, Stanchion, Thimble Lit, @TheKeepThings, The Razor, McSweeney's Internet Tendency, Madison ReviewThe Dinner Party Download, and New Stories from the Midwest, 2018. She has received "The Best of the Net," "Best Small Fictions," and Pushcart nominations for her flash fiction. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.

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David Berner
David Berner

David Berner is the author of the memoirs Daylight Savings Time (O-Books);  Walks with Sam, October Song, (both Roundfire) and The Consequence of Stars (Adelaide); the novels Things Behind the Sun (Adelaide) and A Well-Respected Man (Strategic); and the novella Sandman: A Golf Tale (Roundfire). His essays and short stories have appeared in Chicagoland Journal, Clef Notes, Epiphany, Eunoia Review, Longshot Island, Under the Gum Tree, and Write City. He is a reporter/anchor for WBBM Radio-Chicago and a contributor to the CBS Radio Network. He is the producer/writer of the audio documentaries NaNoWriMo (PRX/WRST Oshkosh, WI), Bracelets of Grace (Prairie Public Radio), and Finding My Kerouac (WFUV Radio, NYC). He teaches at Columbia College. He holds a BS from Clarion University, an MA in Teaching from Aurora University, and an MFA in Creative Writing-Nonfiction from Fairleigh Dickinson University.

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David Yoo
David Yoo

David Yoo is the author of the young adult novels Stop Me If You've Heard This One Before (Hyperion) and Girls for Breakfast (Delacorte), the middle grade novel The Detention Club (Balzer + Bray), and the essay collection The Choke Artist (Grand Central). He has published short stories and nonfiction in Massachusetts Review, Rush Hour, Maryland Review, and the anthology Guys Write for Guys Read (Viking). He is also a columnist for KoreAm Journal. He has taught at Pine Manor College, Eckerd College, and CU-Boulder. He holds a BA from Skidmore College and an MA in Creative Writing from the University of Colorado-Boulder.

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Esther Hayes
Esther Hayes

Esther Hayes is a winner of the Stella Kupferberg Memorial Short Story Prize, and her short fiction has been performed on Selected Shorts, published in Electric Literature, Threepenny Review, and Puerto del Sol, and been named Distinguished by the Best American Short Stories series. Her creative nonfiction has appeared in Guernica and the Colorado Review blog. She has worked as an associate editor for the Colorado Review, and taught for Colorado State University and Colgate University. She holds a BFA from the Rhode Island School of Design, and an MFA in Fiction from Colorado State University.

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Susan Breen
Susan Breen

Susan Breen is the author of the novels Merry (Alcove Press), The Fiction Class (Plume/Headline Review UK), and the Maggie Dove mystery series (originally published by Penguin Random House/Alibi and rereleased by Under the Oak Press). Her short stories have appeared in American Literary Review, the Chattahoochee Review, Alfred Hitchcock Mystery Magazine, and Ellery Queen’s Mystery Magazine, as well as the anthologies Best American Nonrequired Reading and Murder Most Diabolical, and she has won the Margery Allingham Short Mystery Competition. She holds a BA from the University of Rochester and an MA in Economics from Columbia University.

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