
Sleater-Kinney Asked St. Vincent for a Creative Spark. The Trio Blew Up.
After two and a half decades, the acclaimed band ventures into a different sound on its ninth album, “The Center Won’t Hold” — and moves onward without its longtime drummer.
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After two and a half decades, the acclaimed band ventures into a different sound on its ninth album, “The Center Won’t Hold” — and moves onward without its longtime drummer.
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Elvis’s bona fides were in question when he returned to the stage after more than eight years. His ’69 comeback show was a make-or-break gamble.
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The “Dark Horse” decision is the latest in a long line of disputes that have shaped the way copyright law is handled in the music industry.
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Andris Nelsons conducted the Tanglewood Music Center Orchestra, a trainee ensemble, in Wagner’s “Ring” opera.
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Bard SummerScape is offering the belated American premiere of “Das Wunder der Heliane” as part of a deep dive into Erich Wolfgang Korngold’s work.
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Three deeply dissimilar works are unified by the wind, a fixture in librettos and in reality.
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Five female composers, “Four Weddings and a Funeral” a passel of posters protesting apartheid and Off!
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A Roman Catholic priest whose avocation for 23 years was offering commentaries and quiz answers in broadcasts during intermissions.
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With a drag queen and lowbrow pop culture, a rambunctious production transports Wagner’s opera to the present.
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