Building at the intersection of code, vision, and cinema
I'm a software engineer with three years of experience building scalable systems across fintech, biomedical research, and cloud infrastructure. I hold a First Class Honours degree in Software Engineering from the University of Sydney.
Now I'm following a deeper pull — toward AI R&D and computer vision, and toward the cinematic possibilities of generative AI. I make short films, visual experiments, and tools that sit at the border of science and storytelling.
A wordless short film about an alien robot sent to Earth as part of an interplanetary exchange program. It discovers fountains, pigeons, skyscrapers, and rain — finding wonder in everything humans walk past. Warm, comedic, and quietly emotional.
A series of short cinematic pieces that visualize cutting-edge scientific ideas — quantum entanglement, false vacuum decay, time crystals — rendering the invisible as felt experience rather than lecture. Each piece takes one concept, one visual language, 30–90 seconds.
Designed automated pipelines for high-volume medical imaging. Developed novel tumour quantification methods. Co-authored a publication in Nature Communications.
Designed and deployed an ensemble of low-power computer vision models using PyTorch. Experimental design, hyperparameter tuning, and automated evaluation logging.
Reduced report generation times by 90%. Architected cost-efficient AWS infrastructure with Spot Instances, cutting compute costs by 50%. Terraform, EC2, S3, Fargate.
Built DeepPT, a deep learning model for gene expression prediction from histology images using PyTorch. Managed 400+ whole slide images on HPC infrastructure.
Nature Communications (2026) — "Charting spatial ligand-target activity using Renoir." Equal contribution author.
Open to AI R&D roles, creative collaborations, and interesting conversations