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Please contact the administrator of this application. More information is available in the console.","There was an issue adding {title} to your presets. Please try again","There was an issue removing {title} from your presets. Please try again.","There were no streams returned for this station.","This item is unplayable","This method is not supported for this station type.","This method is restricted for ad breaks.","Thumbs Down","Thumbs Up","To pick up a sortable item, press the space bar.","Today","Top Artist Radio","Top Playlists","Top Podcasts","Top Search Result","Top Songs","Top Songs by {artistName}","Top Songs by {artist}","Tracklist","Transcript","Trending","Trending on iHeart","Try Ad-free Experience","Try adjusting your search term to find what you're looking for","Try again in a few moments","Try reloading the page or check back later.","Uh oh! A network error occurred :(","Uh oh! An internal player error occurred.","Uh oh! 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The Edge","preset_removed",[1063,1089,1113,1156,1184,1218,1236,1247,1284,1300,1319,1337],{"_404":1064,"_1065":1066,"_1067":1068,"_1069":1070,"_1071":1072,"_1073":1074,"_1087":1088},72280,"artistName","Foo Fighters","image","http://image.iheart.com/images/rovi/1080/0007/685/MI0007685321.jpg","bio","With alt-rock anthems heavy on melody and personality, Foo Fighters have grown from Dave Grohl's humble solo project into one of the biggest -- and most enduring -- acts in modern rock. Once his self-recorded debut became a hit in 1995, the former Nirvana drummer turned Foo Fighters into a full-fledged band whose lineup coalesced after the 1997 release of The Colour and the Shape. With 1999's There Is Nothing Left to Lose, the group's sound gelled into a recognizable signature built upon the hooky loud-quiet-loud dynamics of Pixies and Nirvana, a modern rock sound anchored by Grohl's love of classic guitar rock. Alone among their peers, Foo Fighters displayed a rigorous work ethic, recording and touring relentlessly into the 2020s, racking up hit albums, multiple Grammy wins and, eventually, a 2021 induction into the Rock & Roll Hall of Fame. All this activity allowed the Foos to experiment, whether it was on 2005's double-album In Your Honor, the travelogue of 2014's Sonic Highways, or the danceable, feel-good anthems on 2021's Medicine at Midnight. The dedication to work also carried Foo Fighters through tragedy when their drummer Taylor Hawkins unexpectedly died in 2022. Grohl rallied the group to deliver the Grammy-nominated But Here We Are, a cathartic tribute to their colleague, the following year. Their 12th studio set Your Favorite Toy arrived in 2026.\r\nAll of this industriousness stems from Dave Grohl, who had been playing guitar and writing songs long before he began drumming. Throughout his early teens he performed in a variety of hardcore punk bands and in the late '80s he joined the Washington, D.C.-area hardcore band Scream as their drummer. During Scream's final days, Grohl began recording his own material in the basement studio of his friend Barrett Jones. Some of Grohl's songs appeared on Scream's final album, Fumble. After the band's 1990 summer tour, Grohl joined Nirvana and moved cross-country to Seattle. \r\nAfter Nirvana recorded Nevermind, Grohl went back to the D.C. area and recorded a handful of tracks that would appear on Pocketwatch, a cassette released by Simple Machines. For most of 1992, he was busy with Nirvana, but when the band was off the road, he recorded solo material with Jones, who had also moved to Seattle. The pair kept recording throughout early 1993, when Grohl returned to Nirvana to record In Utero. He had toyed with the idea of releasing another independent cassette in the summer of 1993, but the plans never reached fruition. Following Kurt Cobain's suicide in 1994, the drummer kept quiet for several months. In the fall of 1994, Grohl and Jones decamped to a professional studio, where in the space of a week, they recorded the songs that comprised Foo Fighters' debut album. Boiling down his backlog of songs to about 15 tracks, Grohl played all the instruments on the album. He made 100 copies of the tape, passing it out to friends and associates. In no time, Grohl's solo project became the object of a fierce record company bidding war.\r\nInstead of embarking on a full-fledged solo career, Grohl decided to form a band. Through his wife he met Nate Mendel, the bassist for Sunny Day Real Estate. Shortly before the pair met, Jeremy Enigk, the leader of Sunny Day Real Estate, had converted to Christianity and quit the band, effectively ending the group's career. Not only did Mendel join Grohl's band, but so did Sunny Day's drummer, William Goldsmith. Former Germs and Nirvana guitarist Pat Smear rounded out the lineup. The band, named Foo Fighters after a World War II secret force that allegedly researched UFOs, signed a contract with Capitol Records. The band's self-titled debut, consisting solely of Dave Grohl's solo recordings, was released in July of 1995. It became an instant success in America, as \"This Is a Call\" garnered heavy alternative and album rock airplay. By early 1996, the album was certified platinum in the U.S. \r\nThroughout 1996, Foo Fighters supported the album with an extensive tour, enjoying a crossover hit with \"Big Me.\" Late in the year, the group began recording its second album with producer Gil Norton. During the sessions, William Goldsmith left the band due to creative tensions, leaving Grohl to drum on the majority of the album. Before the record's release, Goldsmith was replaced by Taylor Hawkins, who had previously drummed with Alanis Morissette. The Colour and the Shape, Foo Fighters' second album and the first they recorded as a band, was issued in May of 1997. Smear left the group in the wake of the album's completion and was replaced by guitarist Franz Stahl, whose stay proved short-lived; 1999's There Is Nothing Left to Lose was recorded as a three-piece, with ex-No Use for a Name guitarist Chris Shiflett signing on soon after. \r\nOne by One, the group's most polished production, appeared in late 2002, followed by 2005's In Your Honor, which narrowly missed the top of Billboard's album chart. After releasing a live album titled Skin and Bones in 2006, the band returned to Norton's studio and started constructing a dozen fractured, eclectic rock songs to be released in 2007 under the name Echoes, Silence, Patience, and Grace. Two years later, the group released its first compilation, Greatest Hits, as Grohl launched his new supergroup Them Crooked Vultures, which also featured Josh Homme of Queens of the Stone Age and Led Zeppelin's John Paul Jones. Foo Fighters reconvened for 2011's Wasting Light, a Butch Vig production that doubled as the official return of Pat Smear, who hadn't played on any of the band's albums since 1997. Wasting Light wound up as a smash success for the Foos, debuting at number one on the Billboard charts, going gold in the U.S. and garnering the band another four Grammy Awards. In the wake of Wasting Light, several other Foo projects emerged -- a limited-edition compilation of covers called Medium Rare released for Record Store Day 2011; a documentary of the band called Back and Forth -- and the group toured the album into 2012. \r\nIn 2012, Foo Fighters announced they were taking a hiatus and Dave Grohl immediately returned to the confines of Queens of the Stone Age, drumming on their 2013 album, ...Like Clockwork. He also threw himself into directing a documentary about the legendary Los Angeles recording studio Sound City. The film appeared early in 2013 to positive reviews, and it was accompanied by a soundtrack called Sound City: Reel to Real, which featured Grohl-directed jams including a variety of Sound City veterans, plus Paul McCartney. Not long after its release, Foo Fighters announced that their hiatus had ended and they were working on a new album. Sonic Highways, released late in 2014, was their most ambitious project yet; each track was recorded in a different city, some with special featured guests, a process documented on an eight-episode documentary series for HBO. Sonic Highways saw international release in early November 2014. During the Sonic Highways world tour, the Foos had the honor of being the final band to perform on The Late Show with David Letterman on May 24, 2015. Soon after, as touring resumed, Grohl fell from the stage during a stop in Sweden, breaking his leg. He performed from a throne for the remainder of the tour, which was rechristened the \"Broken Leg Tour.\" \r\nIn late 2015, both as a gesture of appreciation to fans and a tribute to the victims of the Paris terror attacks, Foo Fighters released the Saint Cecilia EP, a five-song blast that featured Gary Clark, Jr. and Ben Kweller. It returned the band to the Billboard charts, peaking in the Top 20 on the Hard Rock, Alternative, Tastemaker, and Vinyl charts. Soon after, the band announced an indefinite hiatus and would not release new music until two years later, when they returned with the single \"Run.\" This was the first taste of their ninth album, Concrete and Gold, which appeared in September 2017. Produced by Greg Kurstin, the album found Grohl incorporating some prog rock influences into the group's sound. It also featured a handful of unexpected guest performers, including Paul McCartney, who played drums on a track, saxophonist Dave Koz, Boyz II Men's Shawn Stockman, and the Kills' Alison Mosshart; the latter two both added backing vocals. Along with topping the rock charts, the album was also the group's second to debut at number one on the Billboard 200. \r\nFoo Fighters toured extensively throughout 2017 and 2018, including making an appearance at the Glastonbury Festival. By 2019, they were back at work in the studio, recording in an historic house in Encino, California, and again working with producer Kurstin. Initially scheduled for release in 2020, Medicine at Midnight was delayed due to the COVID-19 pandemic. However, a lead single, \"Shame Shame,\" did appear in November 2020, topping the mainstream rock chart. Two more songs followed, \"No Son of Mine\" and \"Waiting on a War,\" paving the way for the album, which ultimately arrived in February 2021. In March 2022, the Foo Fighters traveled to South America to play a handful of concerts, headlining the Lollapalooza festival in Argentina on March 20. On the morning of March 25, 2022, drummer Taylor Hawkins was found dead in his hotel room in Bogotá, Colombia, where the group was scheduled to perform that evening; he was 50 years old. \r\nAt the end of 2022, Foo Fighters announced they planned to continue as a band following the death of Hawkins. Grohl and his bandmates processed the loss of their colleague on But Here We Are, an album that occasionally echoed the spirit of the first Foo Fighters album while also featuring the assured, precise execution of Greg Kurstin, who returned for his third record with the Foos. The LP earned nominations for Best Rock Album and Best Rock Performance at the 66th Grammy Awards. The next few years were quiet, music-wise, with a single standlone track, \"Today's Song,\" released in July 2025. After some back-and-forth, they also secured a new drummer, Ilan Rubin (NIN/Paramore), who joined the band on a short pop-up tour. Their 12th album cycle soon kicked off with \"Asking for a Friend,\" which appeared on 2026's Your Favorite Toy. The back-to-basics set -- their shortest to date but also one of their most potent -- focused on brisk rock bursts that reinvigorated the band on additional singles such as \"Of All People\" and the title track, which featured Harper Grohl on backing vocals. ~ Stephen Thomas Erlewine","facUpdate",1782855602889,"roviImages",[1075,1076,1077,1078,1079,1080,1081,1082,1083,1084,1085,1086],"http://image.iheart.com/images/rovi/1080/0007/553/MI0007553626.jpg","http://image.iheart.com/images/rovi/1080/0007/328/MI0007328974.jpg","http://image.iheart.com/images/rovi/1080/0007/005/MI0007005040.jpg","http://image.iheart.com/images/rovi/500/0001/350/MI0001350643.jpg","http://image.iheart.com/images/rovi/1080/0004/676/MI0004676441.jpg","http://image.iheart.com/images/rovi/500/0001/436/MI0001436325.jpg","http://image.iheart.com/images/rovi/1080/0003/343/MI0003343535.jpg","http://image.iheart.com/images/rovi/500/0003/151/MI0003151458.jpg","http://image.iheart.com/images/rovi/1080/0003/145/MI0003145896.jpg","http://image.iheart.com/images/rovi/1080/0003/364/MI0003364458.jpg","http://image.iheart.com/images/rovi/1080/0003/343/MI0003343536.jpg","http://image.iheart.com/images/rovi/1080/0003/776/MI0003776330.jpg","slug","foo-fighters-72280",{"_404":1090,"_1065":1091,"_1067":1092,"_1093":1094,"_1069":1095,"_1071":1096,"_1073":1097,"_1087":1112},39309,"The Tragically Hip","http://image.iheart.com/images/rovi/1080/0007/342/MI0007342754.jpg","genreId",987,"Over their three decades together, Canadian quintet the Tragically Hip rose from scrappy late-'80s modern rock heroes to a celebrated national treasure whose final concert was attended by the Prime Minister and broadcast live to millions across the country. After emerging as consistent chart staples thanks to landmark albums like Fully Completely (1992), Day for Night (1994), and Trouble at the Henhouse (1996), the Hip went on to enjoy a widespread and enduring popularity that propelled nine of their 13 albums to the number one spot, earned them a barrage of Juno Awards, an entry into the Canadian Music Hall of Fame, and even an appointment to the Order of Canada. With a guitar-driven alt-rock style that occasionally drew comparisons to American peers R.E.M., the Hip endeared themselves to Canadian fans with their distinctive penchant for poetic musings on their nation's culture, geography, history, and mythology. While their success at home was never matched in the U.S., their popularity thrived in certain border markets like Buffalo and Detroit where they recorded their platinum-selling 1997 concert album Live Between Us. They remained a dominant force in Canadian music throughout the 2000s, working with famed producer Bob Rock on 2006's World Container and 2009's We Are the Same, and carrying their success into the next decade. In 2016, just prior to the release of their 13th studio album, Man Machine Poem, it was revealed that enigmatic frontman Gord Downie had been diagnosed with a terminal brain tumor. The Hip completed a national farewell tour with a bittersweet concert in their hometown of Kingston, Ontario and, following Downie's death in October 2017, opted to disband rather than tarnish their legacy with a different singer. Instead, they turned to their archives, issuing previously unreleased material like 2021's Saskadelphia EP and the 2022 concert album Live at the Roxy.\r\nFormed in 1984, the Hip spent their first couple of years cutting their teeth in student bars around the Kingston's Queen's University campus. The lineup of Downie (vocals, guitar), Rob Baker (guitar), Gord Sinclair (bass, vocals), and Johnny Fay (drums) was initially augmented by saxophonist Davis Manning, who was replaced in 1986 by guitarist Paul Langlois. This close-knit quintet would remain intact for the remainder of the band's career. Bruce Dickinson, who was at the time vice-president of MCA, caught a spirited set at Toronto's famous Horseshoe Tavern and quickly signed the Hip to a longterm deal. Their self-titled debut EP appeared in 1987 yielding the fan favorite \"Highway Girl,\" but it was 1989's full-length Up to Here that put them on the map. Recorded in Memphis at Ardent Studios, the album went gold in Canada, spawning two number one singles and earning the Hip a Juno Award for Most Promising Artist. It also marked their first release in the U.S., where it cracked the Billboard 200.\r\nEnjoying their first taste of real success, they followed up with 1991's Road Apples, which became their first number one album and further established them as a legitimate presence in the Canadian rock landscape. While the accolades and prestige piled up at home, equivalent success in the U.S. still eluded them, a matter they sought to correct with 1992's career highlight Fully Completely. Recorded in London, England by producer Chris Tsangarides, it marked a tonal shift away from the blues influences of their first two albums and placed an unusual lyrical emphasis on Canadian icons and history, giving them an undeniable critical and commercial success at home, but again failing to entice U.S. record buyers. During this period, the Hip launched their own traveling festival tour, Another Roadside Attraction, which they headlined and curated in order to help promote other acts, many of them Canadian. The 1993 tour also served as a proving ground for material from their next album, 1994's enigmatic Day for Night, their first LP to debut at the number one spot. A series of sold-out tours in Canada and the American Midwest, as well as an appearance on Saturday Night Live, helped boost their profile in the U.S. and cement their celebrity at home. 1996's Trouble at the Henhouse was another major success in Canada, earning the Hip another Juno Award for Group of the Year and Trouble at the Henhouse Album of the Year. One of the album's tracks, \"Butts Wigglin',\" also appeared on the soundtrack to the 1996 Kids in the Hall comedy Brain Candy. During the subsequent tour, they recorded a live show at Detroit's Cobo Arena which was released in 1997 as Live Between Us. 1998's Steve Berlin-produced Phantom Power marked their debut for Universal Records and netted the band two more Junos as well as yielding the popular single \"Bobcaygeon,\" a song immortalizing the Ontario town of the same name which became one of the Hip's most beloved signature songs. \r\nWhile it would seemingly be hard to top their success in the '90s, the group kicked off the new millennium with another chart-topper in 2000's Music@Work, their second outing with producer Steve Berlin, which added yet another Juno to their growing pile. Following the album's touring cycle, Downie issued the first of what would be several solo releases in 2001's Coke Machine Glow. He returned to band duties the following year as they worked with producer Hugh Padgham (the Police, XTC) on 2002's In Violet Light. That same year, the group made a cameo appearance in the Canadian comedy film Men with Brooms, playing a curling team from their hometown of Kingston. Following a 2003 compilation appearance on a Gordon Lightfoot tribute album, they continued their chart dominance with 2004's politically minded I Between Evolution, another Canadian number one. 2005 saw the release of an ambitious box set, Hipeponymous, which combined a fan-voted best-of collection (also released separately as Yer Favourites) with a live DVD, documentary, and animated short film which the band scored. For their tenth album, the Hip enlisted Canadian rock super-producer Bob Rock (Metallica, Aerosmith) and split sessions between Toronto, Vancouver, and Rock's home studio on the Hawaiian island of Maui. World Container was released in late 2006, reaching number one and prompting major North American tours that included dates in the U.S. opening for the Who. Two years later, the Hip were asked to become the first live act to perform at the new K-Rock Centre arena in their hometown of Kingston, Ontario, the same venue that would host the band's final concert eight years later. Reuniting with Rock, they recorded their 11th studio album, 2009's We Are the Same, closing out the 2000s with their eighth number one album. \r\nFollowing a nearly three-year break, the Hip reemerged in late 2012 with their 12th album, Now for Plan A. While it failed to reach the commercial peaks of previous albums, it nonetheless went gold and made a surprisingly strong debut at number 129 on the U.S. Billboard 200, their highest-ever entry on that chart. Entering the studio in July 2014, the Hip began work on their next album, pausing to do an early-2015 tour in support of the expanded re-release edition of their landmark 1992 album, Fully Completely. In May of 2016, with their new album already completed, the Hip went public, announcing that frontman Downie had been diagnosed with terminal brain cancer. In spite of his illness, Downie and the group agreed to a summer tour in support of the album, Man Machine Poem, which was released in June and became their final number one. Both celebratory and bittersweet, the Hip's final tour culminated in a farewell show on August 20, 2016 at Rogers K-Rock Centre in Kingston which was streamed live by the Canadian Broadcasting Corporation across numerous platforms and viewed by millions. Downie would release one more solo album, Secret Path, before his death from cancer on October 17, 2017. A few months prior, all five bandmembers were honored with the Order of Canada, the nation's second highest honor of merit. While Downie had encouraged his bandmates to audition his replacement, the remaining four members opted instead to become inactive as a performing or recording entity, effectively ending the band. A concert film of their final show, A National Celebration, was released in December 2017. \r\nIn the years that followed, members pursued their own projects; Gord Sinclair released a solo album and Rob Baker revived his Stripper's Union project. Even more enticing to fans was the 2021 release of Saskadelphia, a six-song EP containing previously unreleased songs recorded during sessions for 1991's Road Apples album. It was the first of a series of archival releases from the Hip's vaults and was followed a year later by Live at the Roxy, a full concert dating back to that same era. The group also reunited for a live performance at the 2021 Juno Awards with Feist joining them to sing \"It's a Good Life if You Don't Weaken.\" During the ceremony the Hip were honored with the Juno Humanitarian Award for their philanthropic work. ~ Timothy Monger",1782805217857,[1098,1099,1100,1101,1102,1103,1104,1105,1106,1107,1108,1109,1110,1111],"http://image.iheart.com/images/rovi/1080/0001/403/MI0001403534.jpg","http://image.iheart.com/images/rovi/1080/0003/815/MI0003815992.jpg","http://image.iheart.com/images/rovi/1080/0003/448/MI0003448762.jpg","http://image.iheart.com/images/rovi/1080/0001/326/MI0001326514.jpg","http://image.iheart.com/images/rovi/1080/0001/326/MI0001326985.jpg","http://image.iheart.com/images/rovi/1080/0001/328/MI0001328052.jpg","http://image.iheart.com/images/rovi/1080/0001/327/MI0001327132.jpg","http://image.iheart.com/images/rovi/1080/0001/332/MI0001332418.jpg","http://image.iheart.com/images/rovi/1080/0001/339/MI0001339935.jpg","http://image.iheart.com/images/rovi/1080/0001/389/MI0001389922.jpg","http://image.iheart.com/images/rovi/1080/0001/395/MI0001395285.jpg","http://image.iheart.com/images/rovi/1080/0001/412/MI0001412621.jpg","http://image.iheart.com/images/rovi/1080/0003/448/MI0003448761.jpg","http://image.iheart.com/images/rovi/1080/0001/330/MI0001330215.jpg","the-tragically-hip-39309",{"_404":1114,"_1065":1115,"_1067":1116,"_1093":1094,"_1069":1117,"_1071":1118,"_1073":1119,"_1087":1155},6765,"Pearl Jam","http://image.iheart.com/images/override/6765.jpg","Though they made their initial mark as frontrunners of the grunge movement of the early '90s, Pearl Jam began -- and have remained -- more emotionally curious and stylistically adventurous than many of their flannel-clad peers of that era, expanding past the angst and dissonance often associated with grunge to become one of the most popular and enduring rock & roll bands of their time. Their 1991 debut Ten stood out in an age defined by irony, offering loud, guitar-forward anthems that were unflaggingly sincere. Much of this earnestness stemmed from Eddie Vedder, a lead singer of uncommon charisma and passion who helped the group's arena rock moves seem intimate. Vedder's emotional acuity remained a touchstone for Pearl Jam throughout the years, giving the band's unpredictable business moves -- such as their mid-'90s battle with Ticketmaster -- and embrace of controversial causes genuine heft. Pearl Jam arrived at the nexus point of the '90s where alternative ideas and mainstream success briefly met, but they continued creating long after the trends that brought them overnight fame changed. Their passionate performance style and willingness to wander made them a consistent live draw year after year, with fans trading recordings of concerts on a level usually reserved for jam band culture. On album, Pearl Jam harnessed the energy of their stage show while also exploring sophisticated songwriting, evolving their heady brew of roots rock, punk snarl, supernatural playing chemistry, and introspective moods, and reconnecting with their '90s sound on 2024's Dark Matter. \r\nPearl Jam emerged after the end of Seattle hard rock band Mother Love Bone. After Mother Love Bone's vocalist, Andrew Wood, overdosed on heroin in 1990, guitarist Stone Gossard and bassist Jeff Ament assembled a new band, bringing in Mike McCready on lead guitar and recording a demo with Soundgarden's Matt Cameron on drums. Thanks to future Pearl Jam drummer Jack Irons, the demo found its way to a 25-year-old San Diego surfer named Eddie Vedder, who overdubbed vocals and original lyrics and was subsequently invited to join the group (then christened Mookie Blaylock after the NBA player). Dave Krusen was hired as the full-time drummer shortly thereafter, completing the original lineup. Renaming themselves Pearl Jam, the band recorded their debut album, Ten, in the beginning of 1991, although it wasn't released until August; in the meantime, the majority of the group appeared on the Andrew Wood tribute project Temple of the Dog. Krusen left the band shortly after the release of Ten; he was replaced by Dave Abbruzzese. \r\nTen didn't begin selling in significant numbers until early 1992, after Nirvana made mainstream rock radio receptive to alternative rock acts. Soon, Pearl Jam outsold Nirvana, which wasn't surprising. After all, Pearl Jam fused the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses; \"Jeremy,\" \"Evenflow,\" and \"Alive\" fit perfectly onto album rock radio stations looking for new blood. Pearl Jam's audience continued to grow during 1992, thanks to a series of radio and MTV hits, as well as successful appearances on the second Lollapalooza tour and the Singles soundtrack. Meanwhile, Temple of the Dog's self-titled album became a platinum-selling hit, thanks to renewed interest in the project (which, in addition to Pearl Jam, featured grunge heavyweight Chris Cornell) and strong radio support for the single \"Hunger Strike.\" Stone Gossard also embarked on a side project called Brad, which released the album Shame in early 1993. \r\nDespite their status as rock & roll superstars, Pearl Jam refused to succumb to the accepted conventions of the music industry. The group refused to release any videos or singles from their second album, 1993's Vs. Nevertheless, it was another multi-platinum success, debuting at number one and selling nearly a million copies in its first week of release. On their spring 1994 American tour, the band decided not to play the conventional stadiums, choosing to play smaller arenas, including several shows on college campuses. Pearl Jam canceled their 1994 summer tour, claiming they couldn't keep ticket prices below 20 dollars because Ticketmaster was pressuring promoters to charge a higher price. The band took Ticketmaster to the Justice Department for unfair business practices; while fighting Ticketmaster, they recorded a new album during the spring and summer of 1994. After the record was completed, the group fired Dave Abbruzzese, replacing him with former Red Hot Chili Peppers and Eleven drummer Jack Irons.\r\nVitalogy, the band's third long-player, appeared at the end of 1994. For the first two weeks, the album was only available as a limited vinyl release, but the record charted in the Top 60. Once Vitalogy was available on CD and cassette, the album shot to the top of the charts and quickly went multi-platinum. Pearl Jam continued to battle Ticketmaster in 1995, but the Justice Department eventually ruled in favor of the ticket agency. In early 1995, the band recorded an album with Neil Young. Meanwhile, Vedder toured with his wife Beth's experimental band Hovercraft in the spring of 1994 and Stone Gossard founded an independent record company. Mad Season, Mike McCready's side project with Layne Staley of Alice in Chains, released their first album, Above, in the spring of 1995. Comprised entirely of Neil Young songs, Mirror Ball appeared in the summer under Young's name; although the individual members of the band were credited, the name Pearl Jam did not appear on the cover due to legal complications. Pearl Jam released a single culled from the sessions titled Merkinball, featuring the songs \"I Got ID\" and \"Long Road,\" during the fall of 1995.\r\nIn late summer of 1996, Pearl Jam released their fourth album, No Code. Although the record was greeted with fairly positive reviews and debuted at number one, its weird amalgam of rock, worldbeat, and experimentalism dissatisfied a large portion of their fan base, and it quickly fell down the charts. The album's performance was also hurt by Pearl Jam's inability to launch a full-scale tour, due both to their battle with Ticketmaster and a reluctance to spend months on the road. The band spent most of 1997 out of the spotlight, working on new material; Gossard also released a second album with his side project Brad, titled Interiors. By the end of the year, Pearl Jam had completed a new, harder-rocking record entitled Yield. The album was greeted with enthusiastic reviews upon its February 1998 release, but its commercial fortunes weren't quite as clear-cut. While their sizable cult embraced the album, sending it to number two in its first week of release, Yield quickly slipped down the charts. Pearl Jam supported the record with a full-scale arena tour in the summer of 1998, issuing the concert LP Live on Two Legs at the end of the year; Jack Irons did not participate due to poor health, prompting the band to bring ex-Soundgarden drummer Matt Cameron back into the fold. \r\nIn 1999, Pearl Jam scored an unlikely pop radio smash with their cover of the J. Frank Wilson oldie \"Last Kiss,\" originally released as the seventh in a series of fan club-only singles that had also featured several incongruous covers in the past. Demand from fans and radio programmers resulted in the nationwide release of \"Last Kiss,\" and it eventually became the group's highest-charting pop hit to date, peaking at number two and going gold. The band returned in 2000 with the Tchad Blake-produced Binaural. In order to circumvent bootleggers, their subsequent European and American tours were recorded in full and released in an unprecedented series of double-CD sets, with each of the 72 volumes featuring a complete concert. Riot Act, a muscular -- and critically lauded -- collection of new songs that found the group dabbling in experimental art rock, was released in 2002. \r\nTwo anthologies arrived in 2003 and 2004, Lost Dogs: Rarities and B Sides and Rearviewmirror: Greatest Hits 1991-2003. They were followed in 2006 by the eponymous (and all-new) Pearl Jam, a number two hit on the album charts. As the band's 20th anniversary loomed on the horizon, Pearl Jam launched a series of album reissues, beginning with a deluxe version of Ten in 2009. That same year also saw the release of their ninth studio album, Backspacer, which doubled as the group's first independently released project, initially appearing exclusively in Target stores in the U.S. The band supported the album with an extensive 2010 tour. Live on Ten Legs, a collection of concert highlights from 2003-2010, appeared in January 2011. Later that year, Vedder released a solo album of standards accompanied only by ukulele, and the band celebrated their two-decade anniversary by launching a two-day festival in Wisconsin, commissioning Cameron Crowe to produce a music documentary named PJ20, and releasing a soundtrack of rare songs from the film. \r\nShortly thereafter, Pearl Jam went back into the studio with Brendan O'Brien to start work on the follow-up to Backspacer. The resulting album, Lightning Bolt, was announced in July 2013 with the release of the raw single \"Mind Your Manners.\" A darker album with longer songs than its short, sharp predecessor, and bearing the influence of both Pink Floyd and punk, Lightning Bolt appeared in October 2013. Tours of Latin and North America followed over the next few years and in April 2017, Pearl Jam was inducted into the Rock & Roll Hall of Fame by comedian David Letterman. In September of that year, a live double album and DVD set called Let's Play Two was released, chronicling a pair of shows recorded at Chicago's historic Wrigley Field. 2019 saw an archival release pulled from the vaults, as Pearl Jam's 1992 MTV Unplugged concert received its first proper release, appearing on vinyl from the Legacy label. January 2020 brought \"Dance of the Clairvoyants,\" the first single from the band's 11th album, Gigaton. Released in March, Gigaton found Pearl Jam tackling climate change and other politically charged issues, all with the assistance of co-producer Josh Evans. \r\nPearl Jam toured Gigaton into 2022, then returned to the studio with Andrew Watt -- the producer of Eddie Vedder's 2022 solo album Earthling -- to cut Dark Matter, a sleek, streamlined evocation of their '90s heyday. ~ Stephen Thomas Erlewine",1782155127035,[1120,1121,1122,1123,1124,1125,1126,1127,1128,1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154],"http://image.iheart.com/images/override/6765_c0890f48-a58d-4fdc-a756-88f486792719.jpg","http://image.iheart.com/images/rovi/1080/0007/479/MI0007479862.jpg","http://image.iheart.com/images/rovi/1080/0007/374/MI0007374640.jpg","http://image.iheart.com/images/rovi/1080/0007/328/MI0007328986.jpg","http://image.iheart.com/images/rovi/1080/0007/097/MI0007097238.jpg","http://image.iheart.com/images/rovi/1080/0005/076/MI0005076585.jpg","http://image.iheart.com/images/rovi/500/0004/832/MI0004832042.jpg","http://image.iheart.com/images/rovi/1080/0001/467/MI0001467584.jpg","http://image.iheart.com/images/rovi/1080/0001/400/MI0001400835.jpg","http://image.iheart.com/images/rovi/1080/0006/276/MI0006276913.jpg","http://image.iheart.com/images/rovi/1080/0001/328/MI0001328173.jpg","http://image.iheart.com/images/rovi/1080/0001/418/MI0001418109.jpg","http://image.iheart.com/images/rovi/1080/0003/369/MI0003369460.jpg","http://image.iheart.com/images/rovi/1080/0003/744/MI0003744958.jpg","http://image.iheart.com/images/rovi/1080/0001/402/MI0001402772.jpg","http://image.iheart.com/images/rovi/1080/0003/369/MI0003369456.jpg","http://image.iheart.com/images/rovi/1080/0003/369/MI0003369461.jpg","http://image.iheart.com/images/rovi/1080/0003/670/MI0003670697.jpg","http://image.iheart.com/images/rovi/1080/0004/290/MI0004290915.jpg","http://image.iheart.com/images/rovi/1080/0003/770/MI0003770260.jpg","http://image.iheart.com/images/rovi/1080/0001/412/MI0001412475.jpg","http://image.iheart.com/images/rovi/1080/0001/340/MI0001340745.jpg","http://image.iheart.com/images/rovi/1080/0003/369/MI0003369459.jpg","http://image.iheart.com/images/rovi/1080/0003/878/MI0003878762.jpg","http://image.iheart.com/images/rovi/1080/0003/594/MI0003594982.jpg","http://image.iheart.com/images/rovi/1080/0001/337/MI0001337553.jpg","http://image.iheart.com/images/rovi/1080/0003/369/MI0003369455.jpg","http://image.iheart.com/images/rovi/1080/0004/290/MI0004290916.jpg","http://image.iheart.com/images/rovi/1080/0003/644/MI0003644417.jpg","http://image.iheart.com/images/rovi/1080/0001/334/MI0001334691.jpg","http://image.iheart.com/images/rovi/1080/0003/878/MI0003878763.jpg","http://image.iheart.com/images/rovi/1080/0003/218/MI0003218997.jpg","http://image.iheart.com/images/rovi/1080/0001/397/MI0001397104.jpg","http://image.iheart.com/images/rovi/1080/0001/417/MI0001417641.jpg","http://image.iheart.com/images/rovi/1080/0003/369/MI0003369458.jpg","pearl-jam-6765",{"_404":1157,"_1065":1158,"_1067":1159,"_1093":1094,"_1069":1160,"_1071":1161,"_1073":1162,"_1087":1183},29249,"Smashing Pumpkins","http://image.iheart.com/images/override/29249.jpg","Alt-rock icons the Smashing Pumpkins are known for their amalgam of progressive rock, heavy metal, goth, psychedelia, and dream pop; a layered, powerful style driven by swirling, distorted guitars that churn beneath lead singer/songwriter Billy Corgan's angst-ridden lyrics. One of the most visible bands of '90s, alongside grunge acts like Nirvana and Pearl Jam, the Smashing Pumpkins achieved mainstream success over the decade with classic releases Siamese Dream and Mellon Collie and the Infinite Sadness. After a foray into electronic rock on Adore, Corgan issued a final pair of efforts before putting the group to sleep for an extended early-2000s hiatus that ended with 2007's Zeitgeist. Along with an ever-changing lineup, he continued to record under the Pumpkins moniker before reconvening most of the original lineup for a 2018 reunion tour and albums such as 2020's synth-heavy Cyr, 2023's Atum: A Rock Opera in Three Acts, and 2024's Aghori Mhori Mei.\r\nThe son of a jazz guitarist, William Patrick Corgan grew up in a Chicago suburb, leaving home at the age of 19 to move to Florida with his fledgling goth metal band, the Marked. After the band failed down South he returned to Chicago around 1988, where he began working at a used-record store. At the shop he met James Iha (guitar), a graphic arts student at Loyola University, and the two began collaborating, performing, and recording songs with a drum machine. Corgan met D'Arcy Wretzky at a club show; after arguing about the merits of the Dan Reed Network, the two became friends and she joined the group as a bassist. Soon, the bandmembers, who named themselves the Smashing Pumpkins, had gained a dedicated local following, which included the head of a local club who booked them to open for Jane's Addiction. Before the pivotal concert, the band hired Jimmy Chamberlin, a former jazz musician, as their full-time drummer. \r\nIn 1990, the Smashing Pumpkins released their debut single, \"I Am One,\" on the local Chicago label Limited Potential. The single quickly sold out, and in December the band released \"Tristessa\" on Sub Pop. By this point, the Smashing Pumpkins had become the subject of a hot bidding war, and the group latched onto a clever way to move to a major label without losing indie credibility. They signed to Virgin Records, yet it was decided that the group's debut would be released on the Virgin subsidiary Caroline, and then the band would move to the majors. The strategy worked; Gish, a majestic mix of Black Sabbath and dream pop produced by Butch Vig, became a huge college and modern rock hit upon its spring 1991 release. The Pumpkins embarked on an extensive supporting tour for Gish, which lasted over a year and included opening slots for Red Hot Chili Peppers and Pearl Jam. During the Gish tour, tensions between bandmembers began to escalate, as former couple Iha and Wretzky went through a messy breakup, Chamberlin became addicted to drugs and alcohol, and Corgan entered a heavy depression. These tensions weren't resolved by the time the group entered the studio with Vig to record their second album. \r\nToward the beginning of the sessions, the Pumpkins were given significant exposure through the inclusion of \"Drown\" on the Singles soundtrack in the summer of 1992. As the sessions progressed, Corgan relieved himself of his depression by working heavily -- not only did he write a surplus of songs, he played nearly all of the guitars and bass on each recording, which meant that its release was delayed several times. The resulting album, Siamese Dream, was an immaculate production and was embraced by critics upon its July 1993 release. It was their first blockbuster, debuting at number ten on the charts and establishing the Smashing Pumpkins as stars. \"Cherub Rock,\" the first single, was a modern rock hit, yet it was \"Today\" and the acoustic \"Disarm\" that sent the album into the stratosphere. The Smashing Pumpkins became the headliners of Lollapalooza 1994, and following the tour's completion, the band went back into the studio to record a new album that Corgan had already claimed would be a double-disc set. To tide fans over until then, the Pumpkins released the B-sides and rarities album Pisces Iscariot in October 1994. \r\nWorking with producers Flood and Alan Moulder, the Smashing Pumpkins recorded as a full band for their third album, the double-disc set Mellon Collie and the Infinite Sadness, which became an even bigger hit than Siamese Dream, debuting at number one on the charts. On the strength of the singles \"Bullet with Butterfly Wings,\" \"1979,\" \"Zero,\" and \"Tonight, Tonight,\" it sold over four million copies in the U.S., eventually being certified platinum over eight times. The Pumpkins had graduated to stadium shows for the Mellon Collie tour, and the band was at the peak of its popularity when things began to spiral. On July 12, prior to two shows at Madison Square Garden, the group's touring keyboardist, Jonathan Melvoin, died from a heroin overdose; he was with Chamberlin, who survived his own overdose. In the wake of the tragedy, the remaining Pumpkins fired Chamberlin and spent two months on hiatus as they recovered and searched for a new drummer. Early in August, they announced that Filter member Matt Walker would be their touring drummer and Dennis Flemion, a member of the Frogs, would be their touring keyboardist for the remainder of the year. They returned to the stage at the end of August and spent the next five months on tour.\r\nIn spring, the Smashing Pumpkins recorded two songs for the soundtracks for Batman & Robin (the Grammy-winning \"The End Is the Beginning Is the End\") and Lost Highway (\"Eye\"). The latter track hinted at the direction of their next album, which took a surprise turn into subdued electronics. Shrouded by the death of Corgan's mother and a divorce, Adore followed a few months later. Despite topping international charts and peaking at number two on the Billboard 200, the effort's sales and reviews were disappointing, with many critics confused by their new direction. The band embarked on a tour, contributing 100-percent of the earnings to charity, and returned to the studio. \r\nPrior to the release of their fifth album, Chamberlin returned to the group and Wretzky made her exit, replaced by Hole bassist Melissa Auf der Maur. Bringing the band back to its early rock roots, MACHINA: The Machines of God landed in early 2000. Peaking at number three, MACHINA included the singles \"Stand Inside Your Love\" and \"The Everlasting Gaze.\" In the midst of album promotion, Corgan announced his intention to dissolve the band that year with a farewell tour. Fans received one last treat when Corgan and company finished tracks that were left over from the MACHINA sessions. Surprisingly, Virgin Records balked at the idea of releasing the 25-track set so close to the release of their previous album, so the band put the entire album (going by the official title of Machina II: The Friends and Enemies of Modern Music) on the Internet for fans to download for free. On December 2, 2000, the Pumpkins played a mammoth show at Chicago's Metro (also the venue at which the group played its first show back in 1988). Booked as a final farewell, it would actually just be their first official hiatus, the start of an uneven period for Corgan when the Pumpkins would become known as much for lineup and status changes as the music itself.\r\nDuring the break, former members of the band didn't wait long before carrying on with other projects. Corgan spent the summer of 2001 playing guitar with New Order on select concert dates, and later in the year unveiled his new band, Zwan, which included Chamberlin on drums (as well as former Chavez guitarist Matt Sweeney and bassist David \"Skullfisher\" Pajo). He also released a book of poetry. The other two former Pumpkins, Iha and Auf der Maur, began putting together an alt-rock supergroup dubbed the Virgins. Iha also began playing with A Perfect Circle. A pair of postmortem Pumpkins collections were also issued as a double-disc/DVD, both called Greatest Hits (aka Rotten Apples). Corgan released his first solo album, The Future Embrace, in 2005, and on the day it came out, he took out a full-page ad in The Chicago Tribune to announce that the Smashing Pumpkins were reuniting just five years after splitting. However, he hadn't informed any of his past bandmates, and only Chamberlin joined for the ride. The resulting album, Zeitgeist (Reprise Records), was issued in 2007. Although it peaked at number two, the effort continued the band's late-era decline in sales and critical acclaim. The new lineup -- which added guitarist Jeff Schroeder, bassist Ginger Reyes, and keyboardist Lisa Harriton -- embarked on a successful international tour, despite lukewarm reception to Zeitgeist. \r\nCorgan and Chamberlin released an EP, American Gothic, at the start of 2008, before Corgan shook things up once again by announcing that the group would no longer record albums and would instead only issue singles. Chamberlin parted ways with the band once again in March 2009 and Corgan was joined by Schroeder, bassist Nicole Fiorentino, and drummer Mike Byrne. Once the dust settled, Corgan followed through on his promise to issue only short-form releases, putting out the track \"A Song for a Son\" in December of 2009. Scattered songs from the band's Teargarden by Kaleidyscope concept were released over the next two years as free downloads, with physical collections of the tracks released in 2010 by way of the EP box sets Songs for a Sailor and The Solstice Bare.\r\nIn 2012, Corgan decided to take a break from the single-centric concept and released Oceania, the Smashing Pumpkins' official eighth studio album. A live companion, Oceania: Live in NYC, was released the following year. In 2014, Corgan announced that he would be releasing two albums the following year under a new deal with BMG, which would tie up the Teargarden concept; these would be titled Monuments to an Elegy and Day for Night. By this point, Fiorentino and Byrne had left the band, and drums on Monuments to an Elegy were played by Tommy Lee of Mötley Crüe. Monuments was released on December 9, 2014 and debuted in the Top 40 of the Billboard 200, making it their lowest-charting effort since their debut. Chamberlin returned to the band for a 2015 tour, although the promised Day for Night failed to materialize on schedule. \r\nIn early 2016, Iha reunited with Corgan and Chamberlin for a performance in Los Angeles, their first show together in almost two decades. Subsequent live shows followed, leading to an eventual reunion of the original lineup (sans Wretzky) for a 2018 tour. The Shiny and Oh So Bright Tour featured the three founding members and bassist Jack Bates (son of Peter Hook). To coincide with the summertime trek, the Pumpkins released \"Solara,\" the first single from their reunion album Shiny and Oh So Bright, Vol. 1/LP: No Past. No Future. No Sun. Produced by Rick Rubin, Shiny and Oh So Bright appeared in November 2018. \r\nIha and Chamberlin were also on board for the group's 11th studio album, 2020's Cyr. Produced by Corgan in Chicago, the double LP also featured contributions by longtime guitarist Schroeder and included the songs \"Cyr\" and \"The Colour of Love.\" Released in November of 2020, the album hit number ten on Billboard's Top Rock Albums chart. It was also released in conjunction with a five-part animated sci-fi series, In Ashes. \r\nA single, \"Beguiled,\" arrived in September 2022 as the first track released off 2023's Atum: A Rock Opera in Three Acts. Along with being the Pumpkins 12th studio album, Atum was the group's third concept album, a spiritual sequel to both 1995's Mellon Collie and the Infinite Sadness and 2000's MACHINA:The Machines of God. Also in 2023, guitarist Schroeder left the band with guitarist Kiki Wong filling his position on tour. Aghori Mhori Mei, the band's first album since Schroeder's depature and the fourth to feature the reunited line-up of Corgan, Iha, and Chamberlin, arrived in July 2024. ~ Stephen Thomas Erlewine & Neil Z. Yeung",1782138152857,[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182],"http://image.iheart.com/images/rovi/1080/0006/883/MI0006883620.jpg","http://image.iheart.com/images/rovi/1080/0006/470/MI0006470821.jpg","http://image.iheart.com/images/rovi/1080/0005/657/MI0005657847.jpg","http://image.iheart.com/images/rovi/1080/0004/725/MI0004725666.jpg","http://image.iheart.com/images/rovi/1080/0004/489/MI0004489551.jpg","http://image.iheart.com/images/rovi/1080/0001/397/MI0001397092.jpg","http://image.iheart.com/images/rovi/1080/0001/422/MI0001422779.jpg","http://image.iheart.com/images/rovi/1080/0002/748/MI0002748830.jpg","http://image.iheart.com/images/rovi/1080/0003/360/MI0003360869.jpg","http://image.iheart.com/images/rovi/1080/0003/770/MI0003770235.jpg","http://image.iheart.com/images/rovi/500/0003/818/MI0003818535.jpg","http://image.iheart.com/images/rovi/1080/0003/818/MI0003818536.jpg","http://image.iheart.com/images/rovi/1080/0003/854/MI0003854552.jpg","http://image.iheart.com/images/rovi/500/0004/058/MI0004058581.jpg","http://image.iheart.com/images/rovi/1080/0001/411/MI0001411807.jpg","http://image.iheart.com/images/rovi/1080/0003/853/MI0003853920.jpg","http://image.iheart.com/images/rovi/1080/0001/326/MI0001326524.jpg","http://image.iheart.com/images/rovi/1080/0001/344/MI0001344278.jpg","http://image.iheart.com/images/rovi/500/0001/367/MI0001367415.jpg","http://image.iheart.com/images/rovi/1080/0001/367/MI0001367430.jpg","smashing-pumpkins-29249",{"_404":1185,"_1065":1186,"_1067":1187,"_1093":1094,"_1069":1188,"_1071":1189,"_1073":1190,"_1087":1217},6771,"Red Hot Chili Peppers","http://image.iheart.com/images/rovi/1080/0007/499/MI0007499599.jpg","Over the decades, Red Hot Chili Peppers have evolved from fun-loving party boys to alt-rock elder statesmen. Perfecting a rousing musical style that combined funk and punk rock (with an explosive stage show to boot), the Chili Peppers spawned a slew of imitators in their wake, but still managed to be the leaders of the pack into the 21st century. Making noise on the Los Angeles scene with early albums such as 1985's Freaky Styley and 1989's Mother's Milk, they made a huge breakthrough with 1991's landmark Blood Sugar Sex Magik, a multi-platinum smash hit that spawned some of their most recognized songs, including \"Give It Away\" and \"Under the Bridge.\" That album's success was bested in 1999 with another catalog peak, the chart-topping Californication, which found the band in a more reflective and melodic state. Into the 2000s, they remained fixtures at the top of the international charts with By the Way and the double-album Stadium Arcadium, the latter of which hit number one in almost two dozen countries. While the 2010s were quieter for the group, they still scored platinum hits with \"The Adventures of Rain Dance Maggie\" from 2011's I'm with You and \"Dark Necessities\" from 2016's The Getaway. In 2022, the Chili Peppers returned with a pair of full-lengths, Unlimited Love and Return of the Dream Canteen.\r\nThe roots of the band lie in a friendship forged by three school friends, Anthony Kiedis, Michael Balzary, and Hillel Slovak, while they attended Fairfax High School in California back in the late '70s and early '80s. While Balzary and Slovak showed great musical promise (on trumpet and guitar, respectively), Kiedis focused on poetry and acting during his high school years. During this time, Slovak taught Balzary how to play bass, while the duo encouraged Kiedis to start putting his poetry to music, which he soon did. Influenced heavily by the burgeoning L.A. punk scene (the Germs, Black Flag, Fear, Minutemen, X, etc.) as well as funk (Parliament-Funkadelic, Sly & the Family Stone, etc.), the trio began to rehearse with another friend, drummer Jack Irons, leading to the formation of Tony Flow & the Miraculously Majestic Masters of Mayhem, a quartet that played strip bars along the Sunset Strip during the early '80s. It was during this time that the four honed their sound and live act (as they stumbled across a stage gimmick that would soon become their trademark -- performing on-stage completely naked, except for a tube sock covering a certain part of their anatomy). By 1983, Balzary had begun to go by the name \"Flea,\" and the group changed their name to the Red Hot Chili Peppers.\r\nWord spread quickly about the up-and-coming band, resulting in a recording contract with EMI. But before the Chili Peppers could begin work on their debut, Flea and Kiedis were dealt a disappointing blow when both Slovak and Irons announced that they were leaving to focus more on another group they were in, What Is This. With replacement members Jack Sherman (guitar) and Cliff Martinez (drums) filling in, the Peppers released their self-titled debut in 1984. The absence of the two original members showed, though, as the album failed to capture the excitement of their live show. While the record didn't set the world on fire sales-wise, the band began to build a dedicated underground following with college radio buffs. By 1985, What Is This were kaput (after issuing a single self-titled album) and Slovak and Irons returned to the Peppers, resulting in the George Clinton-produced Freaky Styley. While the album was an improvement over its predecessor, it still lacked the fire of the band's in-concert experience, a problem that would finally be solved with their next long-player, 1987's The Uplift Mofo Party Plan. The album was the group's first to make an impression on the charts, and they followed it up a year later with a stopgap five-track release, The Abbey Road EP, in 1988. However, just as the world was warming up to the Peppers, tragedy struck when Slovak died from a heroin overdose on June 25, 1988.\r\nIn the wake of Slovak's death, Irons left the group for the second and final time, while Kiedis (who was also battling drug addiction at the time) and Flea decided to soldier on. After a new lineup featuring former Parliament guitarist Blackbyrd McKnight and former Dead Kennedys drummer D.H. Peligro didn't work out, the duo found worthy replacements in newcomers John Frusciante and Chad Smith. The new-look Chili Peppers hit paydirt straight away, as their first album together, 1989's Mother's Milk, became a surprise hit due to MTV's exposure of their videos for a cover of Stevie Wonder's \"Higher Ground\" and a song about their fallen friend Slovak, \"Knock Me Down,\" as the album was certified gold by early 1990. The bandmembers knew that their next release would be the most important one of their career, so they moved into a mansion-turned-recording studio with producer Rick Rubin to work on what would become their most successful release yet, the stripped-down Blood Sugar Sex Magik (their first for the Warner Bros. label). The record became a monster hit upon its September 1991 release (eventually going on to sell a staggering seven million copies in the U.S. alone), and it spawned such hits as \"Give It Away\" and the group's first Top Ten single, \"Under the Bridge.\" \r\nBut not all was well in the Chili Peppers camp. Like his predecessor, Frusciante had become addicted to hard drugs, and abruptly left the band mid-tour in early 1992. Undeterred, the group enlisted new member Arik Marshall, and they headlined Lollapalooza II in the summer. When the band returned to the studio to work on their sixth release overall, it quickly became apparent that Marshall didn't fit in, and he was replaced by Jesse Tobias. But before Tobias could record a note with the group, he was handed his walking papers as well, and former Jane's Addiction guitarist Dave Navarro signed on. After a layoff of four years, the Peppers' much-delayed follow-up to BSSM, One Hot Minute, was released in 1995. While the album was a sizable hit, it failed to match the success and musical focus of its predecessor, as it became apparent during the record's ensuing tour that Navarro wasn't fitting in as well as originally hoped, and he left the band in early 1998. \r\nFollowing Frusciante's departure from the group, he released a pair of obscure solo releases, 1995's Niandra Lades and Usually Just a T-Shirt and 1997's Smile from the Streets You Hold, yet rumors circulated that the guitarist was homeless, penniless, and sickly with a death-defying drug habit. After checking himself into rehab and putting his demons behind him, Frusciante emerged once again refocused and re-energized, and promptly accepted an invitation to rejoin the Peppers. The group's reunion album, 1999's Californication, proved to be another monster success, reconfirming the Chili Peppers as one of alternative rock's top bands. \r\nThe group put in a quick guest appearance on Fishbone's Psychotic Friends Nuttwerx before hitting the road to support the album. The following months found the band getting involved in bizarre situations and controversies. First, their refusal to play songs from One Hot Minute during the tour was an unpopular decision with some fans and a sore spot for Dave Navarro. Next, they re-ignited a personal feud between Kiedis and Mr. Bungle singer Mike Patton by refusing to play a series of European concerts with Bungle. Patton responded with a \"tribute\" show for the Peppers, where Bungle mocked their stage moves, faked shooting up heroin, and imitated Kiedis' comments about Patton. They also played the ill-fated Woodstock '99 Festival, where their headlining performance was met with piles of burning rubble and a full-scale riot. Tours with the Foo Fighters and Pearl Jam brought them into the next year without problems, but the Peppers stepped off the road after a planned stop in Israel was halted due to security worries. \r\nThe band returned to the studio in November 2001, and by the summer of 2002 they had a new album ready for release, By the Way. Warner Bros. issued a Greatest Hits compilation in 2003, followed by a chart-topping two-CD album of all-new material, Stadium Arcadium, in 2006. After an extensive supporting tour, the Red Hot Chili Peppers took an extended hiatus and the members pursued individual interests. Flea began studying music theory at USC and played in a variety of side projects. Kiedis attempted to turn his autobiography, Scar Tissue, into a television show. Smith joined Sammy Hagar, Michael Anthony, and Joe Satriani in the party supergroup Chickenfoot. Frusciante released The Empyrean in 2009, by which time he had left the band. His replacement was Josh Klinghoffer, who played secondary guitar on the Stadium Arcadium tour. \r\nKlinghoffer's first album with the band, the Rick Rubin-produced I'm with You, was released in late summer of 2011. It performed well around the world, hitting number one in numerous countries and reaching gold or platinum status. Touring the globe occupied much of the next three years for the Chili Peppers, although their most prominent appearance was in America, playing with Bruno Mars at the half-time show at 2014's Super Bowl. By the end of the year, they'd begun writing songs, and entered the studio with Danger Mouse in the production chair and Nigel Godrich mixing. In 2016, the band released their 11th studio album, The Getaway, which featured the platinum-certified lead single \"Dark Necessities.\"\r\nIn the years that followed, the group made an appearance at the 2019 Grammy Awards and even played a show in the shadows of the Pyramids of Giza for a livestream event. At the end of the year, they parted ways with Klinghoffer to welcome Frusciante back to the fold once again. Work began on their next album, which arrived in 2022. Teased by the lead single \"Black Summer,\" Unlimited Love was released in April. Produced by Rick Rubin, the set also featured the track \"Poster Child.\" To support the effort, the Chili Peppers embarked on a massive stadium tour with the Strokes and a rotating cast of supporting acts that included Thundercat, St. Vincent, and more. In October, they issued another full-length, Return of the Dream Canteen. Recorded during the same Rubin sessions that yielded Unlimited Love, the equally funky effort included the single \"Tippa My Tongue\" and a Van Halen tribute titled \"Eddie.\" ~ Greg Prato & Neil Z. Yeung",1782950799871,[1191,1192,1193,1194,1195,1196,1197,1198,1199,1200,1201,1202,1203,1204,1205,1206,1207,1208,1209,1210,1211,1212,1213,1214,1215,1216],"http://image.iheart.com/images/rovi/1080/0006/917/MI0006917210.jpg","http://image.iheart.com/images/rovi/1080/0005/438/MI0005438737.jpg","http://image.iheart.com/images/rovi/1080/0005/438/MI0005438739.jpg","http://image.iheart.com/images/rovi/1080/0001/414/MI0001414042.jpg","http://image.iheart.com/images/rovi/1080/0001/415/MI0001415224.jpg","http://image.iheart.com/images/rovi/1080/0001/421/MI0001421454.jpg","http://image.iheart.com/images/rovi/1080/0001/427/MI0001427362.jpg","http://image.iheart.com/images/rovi/1080/0001/433/MI0001433907.jpg","http://image.iheart.com/images/rovi/1080/0001/468/MI0001468404.jpg","http://image.iheart.com/images/rovi/1080/0003/230/MI0003230903.jpg","http://image.iheart.com/images/rovi/1080/0003/230/MI0003230904.jpg","http://image.iheart.com/images/rovi/1080/0003/230/MI0003230905.jpg","http://image.iheart.com/images/rovi/1080/0001/332/MI0001332067.jpg","http://image.iheart.com/images/rovi/1080/0003/534/MI0003534165.jpg","http://image.iheart.com/images/rovi/1080/0003/658/MI0003658717.jpg","http://image.iheart.com/images/rovi/1080/0003/671/MI0003671945.jpg","http://image.iheart.com/images/rovi/1080/0003/733/MI0003733899.jpg","http://image.iheart.com/images/rovi/1080/0003/775/MI0003775935.jpg","http://image.iheart.com/images/rovi/1080/0003/888/MI0003888881.jpg","http://image.iheart.com/images/rovi/1080/0003/888/MI0003888882.jpg","http://image.iheart.com/images/rovi/1080/0004/058/MI0004058376.jpg","http://image.iheart.com/images/rovi/1080/0001/328/MI0001328806.jpg","http://image.iheart.com/images/rovi/1080/0003/346/MI0003346643.jpg","http://image.iheart.com/images/rovi/1080/0001/370/MI0001370647.jpg","http://image.iheart.com/images/rovi/1080/0001/391/MI0001391417.jpg","http://image.iheart.com/images/rovi/1080/0001/399/MI0001399359.jpg","red-hot-chili-peppers-6771",{"_404":1219,"_1065":1220,"_1067":1221,"_1093":1094,"_1069":1222,"_1071":1223,"_1073":1224,"_1087":1235},40022,"Nine Inch Nails","http://image.iheart.com/images/artists/04/00/22/6895083ed6c714e8a354291f.jpeg","Nine Inch Nails are responsible for pulling the harsh sounds of industrial rock into the mainstream, with Trent Reznor and his band becoming the face of industrial music in the '90s with \"Head Like a Hole,\" \"Closer,\" and \"Hurt\" became hits and The Downward Spiral (1994) and The Fragile (1999) topped the charts. Nominated for over a dozen Grammys, NIN won Best Metal Performance awards in 1992 and 1996 for two tracks -- \"Wish\" and \"Happiness in Slavery\" -- from their metallic EP Broken. Reznor maintained his chart success with 2005's With Teeth and 2007's Year Zero, just as the band's sound expanded to incorporate more atmospheric electronic elements as heard on the Ghosts series, The Slip, and Hesitation Marks. In 2016, after decades as the only official member of the band, he welcomed English producer Atticus Ross -- his longtime film scoring partner and bandmate in side project How to Destroy Angels -- as NIN's official second member. The duo continued its prolific film score output, winning Oscars and Emmy Awards while issuing NIN projects such as the late 2010s \"Trilogy\" that included the group's ninth LP, Bad Witch. In 2025, their parallel careers as film score composers and rock stars finally merged on Tron: Ares, the first movie soundtrack to be billed under the NIN name. The Tron Ares: Divergence remix set arrived in 2026, the same year that their ongoing collaboration with Boys Noize yielded an official album as the supergroup Nine Inch Noize.\r\nThe group's creator Michael Trent Reznor was born May 17, 1965, in New Castle, Pennsylvania and raised in Mercer, a small town outside Pittsburgh. His parents divorced when he was six and he was raised by his maternal grandparents. As a child, Reznor had already developed a keen interest in music. He learned to play piano, tenor sax, and tuba, playing in his school's jazz and marching bands while also acting in high-school productions of Jesus Christ Superstar and The Music Man. Outside of the classical sphere, his biggest rock influence was Kiss, whose theatricality and live shows would later inform NIN's acclaimed stage production. While studying music and computer engineering at local Allegheny College, he was a fleeting member of new wave outfit Option 30, contributing vocals and keyboards before parting ways with the band when he dropped out of school to pursue music full-time. He packed up and moved to Cleveland, Ohio with his friend Chris Vrenna, who later became a founding member of the first incarnation of NIN.\r\nWhile in Cleveland, Reznor was drawn to new wave and the industrial sounds of Ministry and Skinny Puppy. He gigged around town for a few years, playing in cover band the Urge before joining the Innocent as their keyboardist. The latter band released a single full-length, 1985's Livin' in the Street (Red Label Records), before Reznor quit. He soon hooked up with synth pop group Exotic Birds, contributing keys, programming, and backing vocals, while also recruiting Vrenna on drums. Despite their brief run together, Reznor appeared with the band in the 1987 Michael J. Fox/Joan Jett film Light of Day as a fictional band dubbed The Problems. His final roles in the local keyboardist circuit were with pop outfit Slam Bamboo -- they issued a single \"White Lies\"/\"Cry Like a Baby\" in 1988 -- and new wavers Lucky Pierre, whose vocalist Kevin McMahon would later form Prick, one of the first signees to Reznor's future record label, Nothing Records.\r\nDuring these stints, Reznor continued to work on his own material while employed as an assistant engineer and handyman at Cleveland's Right Track studio. When the shop closed for the day, owner Bart Koster allowed Reznor to use the facilities for free. The seeds from these early recording sessions -- on which he played keyboards, drums, guitars, and samplers himself -- would grow into Nine Inch Nails' first demo, Purest Feeling. After making NIN's live debut as tour openers for Skinny Puppy, Reznor shopped the demo tape around the U.S., landing a deal with indie label TVT Records. Reznor quickly returned to the studio to polish existing Purest Feeling tracks and record some new songs. The result, 1989's Pretty Hate Machine, presented a dark, synth-soaked vision of industrial that was also hook-heavy and accessible. Combined with a lyrical focus on sex, self-loathing, betrayal, angst, and religion, these attributes would become hallmarks of Reznor's early-era material. Pretty Hate Machine only peaked at number 75 on the Billboard 200, but a burgeoning cult following helped maintain its chart presence and sales. Buoyed by radio and MTV airplay for singles \"Down in It\" and \"Head Like a Hole,\" it became the first independent release to receive platinum certification to date.\r\nPromotion of Pretty Hate Machine kept the band (then primarily composed of Reznor, Richard Patrick, Chris Vrenna, and various drummers/keyboardists) on the road for years, spreading NIN's fan base across genre lines by not only opening for Skinny Puppy, but also alternative/goth acts the Jesus and Mary Chain and Peter Murphy of Bauhaus. Their American reach expanded in 1991 when they joined inaugural Lollapalooza tour, playing alongside Siouxsie and the Banshees, Living Colour, Violent Femmes, Rollins Band, Lords of Acid, Jane's Addiction, and more. Days after the conclusion of Lollapalooza, NIN shipped off to Europe, opening a pair of shows for Guns N' Roses and penetrating the German industrial market.\r\nWhen NIN returned to the U.S., Reznor became embroiled in a lengthy legal feud with TVT, which was eager to pump out another, similar-sounding hit album, constricting his creativity in the process. In secret, he signed a new deal with Interscope Records and created the vanity label Nothing Records. The band relocated to a new studio in Los Angeles and began recording a batch of aggressive songs inspired by punk and metal. With production by Flood and drumming by Martin Atkins and Vrenna, the Broken EP landed in September 1992, peaking inside the Top Ten on the Billboard 200. In addition to the Grammy-winning single \"Wish,\" the effort also included covers of Adam and the Ants' \"(You're So) Physical\" and Reznor's collaboration with Pigface, \"Suck.\" Reznor enhanced his reputation as a provocateur with a widely banned music video for \"Happiness in Slavery,\" which depicted S&M performance artist Bob Flanagan being torn apart by a machine. There was also a near-mythical, long-form clip for Broken that was never officially released commercially due to its graphic content (a torture victim is dismembered while viewing NIN videos). Bootleg versions became a prized fan commodity and a remastered version found its way onto the Internet in 2006. The Broken era came to a close with NIN's first remix EP, Fixed.\r\nStill based in the Los Angeles studio dubbed Le Pig -- coincidentally built in the same house where actress Sharon Tate was murdered by Charles Manson's followers in 1969 -- Reznor began work on the highly anticipated follow-up to Pretty Hate Machine. A concept album centered on the protagonist's titular descent into self-destruction, The Downward Spiral arrived in March 1994 and debuted at number two. Widely considered to be Reznor's masterwork, The Downward Spiral is often cited as one of the most important albums of the '90s, presenting a bleak, nihilistic version of NIN that would nonetheless break the band into the mainstream. Hit single \"Closer\" was a staple on both MTV and radio, despite its graphic music video and lyrical content, while \"Hurt\" became a live fixture for NIN, receiving a second life in 2003 through Johnny Cash's stripped-down cover version.\r\nThe Downward Spiral was anything but for the band, launching them further into the public consciousness and prompting an industry push for soundalikes Gravity Kills, Stabbing Westward, and Filter on rock radio. NIN promoted the effort with the Self Destruct Tour, which featured Vrenna on drums, James Woolley on keyboards, Robin Finck on guitar, and Danny Lohner on bass. Already a formidable concert presence, NIN's reputation grew with chaotic performances that often ended in destroyed equipment and serious injuries. That intense commitment to their live show reached into American living rooms in the summer of 1994 with their show-stealing, mud-covered set from Woodstock '94, which won them another Grammy for the live recording of \"Happiness in Slavery.\" After the release of the remix album Further Down the Spiral, NIN continued to tour, supported by then-newcomers Marilyn Manson, before joining major influence David Bowie on the co-headlining Dissonance Tour.\r\nDuring this period, Reznor took his first step into the world of film, assembling the soundtrack to Oliver Stone's controversial movie Natural Born Killers, which included the previously unreleased NIN song \"Burn,\" as well as edits of \"Something I Can Never Have\" and \"A Warm Place.\" Another track, a cover of Joy Division's \"Dead Souls,\" was featured on the soundtrack for The Crow. Reznor also contributed vocals to Tori Amos' \"Past the Mission\" from her album Under the Pink.\r\nAfter the conclusion of the Spiral era, NIN entered a period of hibernation. Although Reznor remained active -- producing Marilyn Manson's breakthrough sophomore effort, Antichrist Superstar, and contributing the NIN single \"The Perfect Drug\" to the Reznor-produced soundtrack to David Lynch's Lost Highway -- a growing case of writer's block, struggles with drug and alcohol addiction, and public pressure put a hold on album number three. Encamped at the newly constructed Nothing Studios in New Orleans, a reclusive Reznor spent five years crafting that follow-up, which arrived in 1999.\r\nInfluenced by the passing of Reznor's maternal grandmother, the deterioration of his friendship with Manson, and his increasing addictions, the conceptual double-disc opus The Fragile debuted at the top of the charts and was certified double platinum within months. Meticulously produced by Reznor and Alan Moulder, the album included singles \"We're in This Together,\" \"The Day the World Went Away,\" \"Into the Void,\" and \"Starfuckers, Inc.\" The remix LP Things Falling Apart featured interpretations of Fragile tracks, as well as the unreleased \"10 Miles High\" and Gary Numan cover \"Cars.\" On the supporting Fragility tour, the NIN lineup featured Reznor, Finck, and Lohner, as well as newcomers Charlie Clouser on keyboards and Jerome Dillon on drums. That trek spawned a tour documentary titled And All That Could Have Been, which was accompanied by a live recording and limited-edition EP, Still, which featured stripped-down versions of NIN deep cuts, as well as previously unreleased recordings from the era.\r\nToward the end of the Fragile years, Reznor entered rehab after an unexpected overdose in London, putting NIN on hold until they returned in 2005. Sober and refocused, Reznor inaugurated this new chapter with an equally hungry release, fourth LP With Teeth.\r\nUnlike prior albums, With Teeth traded gloom, frustration, and pain for outward aggression, matured emotions, and Reznor's first attempts at sociopolitical commentary, also marking a turning point for NIN that informed the vocal delivery, production, and collaborative spirit of the band into the next decade. In addition to production by Reznor and Moulder, the taut set featured programming by Atticus Ross and live percussion by Dave Grohl. In addition to being the band's second straight number one, With Teeth also included a trio of chart-topping singles: \"The Hand That Feeds,\" \"Only,\" and \"Every Day Is Exactly the Same.\" A lengthy tour -- featuring the lineup of Reznor, bassist Jeordie White (aka Marilyn Manson's Twiggy Ramirez), keyboardist Alessandro Cortini, guitarist Aaron North, and drummers [RoviLi",1782155013940,[1225,1226,1227,1228,1229,1230,1231,1232,1233,1234],"http://image.iheart.com/images/rovi/1080/0007/351/MI0007351015.jpg","http://image.iheart.com/images/rovi/1080/0007/060/MI0007060101.jpg","http://image.iheart.com/images/rovi/1080/0006/482/MI0006482310.jpg","http://image.iheart.com/images/rovi/1080/0001/346/MI0001346440.jpg","http://image.iheart.com/images/rovi/500/0003/715/MI0003715454.jpg","http://image.iheart.com/images/rovi/1080/0001/332/MI0001332937.jpg","http://image.iheart.com/images/rovi/1080/0003/606/MI0003606278.jpg","http://image.iheart.com/images/rovi/500/0001/351/MI0001351325.jpg","http://image.iheart.com/images/rovi/1080/0001/419/MI0001419506.jpg","http://image.iheart.com/images/rovi/1080/0001/355/MI0001355987.jpg","nine-inch-nails-40022",{"_404":1237,"_1065":1238,"_1067":1239,"_1069":1240,"_1071":1241,"_1073":1242,"_1087":1246},35263184,"Royel Otis","http://image.iheart.com/images/rovi/1080/0007/158/MI0007158620.jpg","Blending sunny, laid-back indie pop with '90s alternative and 2000s post-punk influences, Australian duo Royel Otis have garnered critical buzz and chart attention. They broke through with a 2023 viral cover of Sophie Ellis-Bextor's \"Murder on the Dance Floor,\" helping push their 2024 full-length debut, Pratts & Pain, into the Top Ten of the Aria Albums Chart. In 2025, they reached number five on the Aria chart with Hickey, featuring the hit \"Moody.\"\r\nGuitarist Royel Maddell and singer/guitarist Otis Pavlovic had worked separately in the same circles around the beach town of Byron Bay, New South Wales. Eventually introduced by their girlfriends, the pair bonded over, of all songs, the soft rock duo the Alessi Brothers' \"Seabird.\" In 2019, Pavlovic sent Maddell some demos to collaborate on, and a partnership was born. Royel Otis' first EP, Campus, was issued in 2021, but the duo hit their stride on the 2022 follow-up Bar & Grill. Anchored by melodic guitar riffs, synthesizer fills, and Pavlovic's enthusiastic vocals, tracks like \"Oysters in My Pocket\" and \"Bull Breed\" made inroads with local tastemakers. They further honed their style with 2023's Sofa Kings, which earned a nomination for Breakthrough Artist at the ARIA Music Awards, Australia's biggest music awards ceremony. The single \"Kool Aid\" was accompanied by a video nominated by local radio station Triple J for Australian Video of the Year.\r\nTheir reputation solidified at home, Royel Otis set out to expand their horizons on their full-length debut album Pratts & Pain. Recorded in London with producer Dan Carey (Wet Leg, Fontaines D.C., Hot Chip), Songs like \"Fried Rice\" and \"Heading for the Door\" connected with new fans -- but the duo's biggest success to date was a canny cover of Sophie Ellis-Bextor's \"Murder on the Dance Floor\" for Triple J's long-running covers series Like a Version, recorded just as the original song scored an international chart bump following its inclusion in the 2023 film Saltburn. Bolstered by a positive note from Ellis-Bextor herself, the single crossed over into the Top 40 of Australia's pop chart and topped Billboard's Alternative Airplay chart. It also helped push Pratts & Pain into the Top Ten on the Aria Albums chart upon its release in February 2024. That August the duo released a live cover version of the Cranberries' song \"Linger,\" which cracked the Billboard Hot 100. \r\nIn May 2025, Royel Otis returned with the song \"Moody,\" the first single off their sophomore full-length, Hickey. The song, which evoked the '90s-hip-hop-infused slacker pop of Beck, reached number four on Billboard's Adult Alternative Airplay chart. More singles followed, including \"Car,\" \"Say Something,\" and \"Who's Your Boyfriend,\" leading up to the album's August release; it landed at number five on the Australian ARIA chart and picked up an ARIA Award nomination for Best Rock Album. A standalone single, \"Sweet Halleluja,\" appeared in April 2026. ~ Matt Collar & Mike Duquette",1780765908296,[1243,1244,1245],"http://image.iheart.com/images/rovi/1080/0007/060/MI0007060111.jpg","http://image.iheart.com/images/rovi/1080/0007/060/MI0007060110.jpg","http://image.iheart.com/images/rovi/1080/0006/323/MI0006323208.jpg","royel-otis-35263184",{"_404":1248,"_1065":1249,"_1067":1250,"_1093":1094,"_1069":1251,"_1071":1252,"_1073":1253,"_1087":1283},633,"Green Day","http://image.iheart.com/images/rovi/1080/0007/494/MI0007494217.jpg","Since the early '90s, Bay Area trio Green Day has been one of the most celebrated and successful bands in the world, growing from an energetic and snarling pop-punk group into an increasingly melodic and stylistically adventurous act and infiltrating the mainstream early in the process. From the start, the band took notes from the anarchic attitudes and loud, fast, snotty approach of jittery late-'70s punk acts like the Jam and Sham 69, but elevated their blasting sound with pop elements like catchy hooks, tightly arranged song structures, and Beatlesque vocal harmonies. This winning combination made their 1994 major-label debut, Dookie, an enormous breakthrough hit, serving as an entry point to punk for many listeners who were coming of age when it first blasted up the charts. As they soldiered through the ensuing decades, Green Day matured without losing any of the lawless attitude they'd built their sound on, reaching a career peak with 2004's American Idiot (a sociopolitical rock opera and Grammy-winning international success). Over the years, Green Day expanded their sound to include nods to glam rock, soul, and larger-than-life arena rock, taking the time to make such detours as 2020's Father of All..., but they also found sustenance in their pop-punk, as indicated by 2024's rousing Saviors. \r\nGreen Day rose from the Northern California underground punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass) formed their first band, Sweet Children, in Rodeo, California when they were 14. By 1989, the group had added drummer Al Sobrante and changed its name to Green Day. That same year, the band independently released its first EP, 1000 Hours, which was well-received in the California hardcore punk scene. Debut full-length 39/Smooth and the Slappy EP arrived soon after in 1990. By 1991, the group had signed a contract with local independent label Lookout. Combining their first three efforts into one compilation, Green Day issued 1,039/Smoothed Out Slappy Hours for the label. Shortly after its release, they replaced Sobrante with Tre Cool (born Frank Edwin Wright III), who became the band's permanent drummer.\r\nThroughout the early '90s, Green Day continued to attract a cult following, which only gained strength with the release of their second album, 1992's Kerplunk. The underground success of Kerplunk led to a wave of interest from major record labels, and the band eventually decided to sign with Reprise. Dookie, Green Day's major-label debut, was released in the spring of 1994. Thanks to MTV's support of the initial single \"Longview,\" Dookie became a major hit. The album continued to gain momentum throughout the summer, with its second single, \"Basket Case,\" spending five weeks on top of the American modern rock charts. At the end of the summer, the band stole the show at Woodstock '94, which increased the sales of Dookie. By the time their fourth single, \"When I Come Around,\" began its seven-week stay at number one on the modern rock charts in early 1995, Dookie had sold over five million copies in the U.S. alone; it would eventually top ten million in America, selling over 15 million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance.\r\nGreen Day quickly followed Dookie with Insomniac in the fall of 1995; during the summer, they hit number one again on the modern rock charts with \"J.A.R.,\" their contribution to the Angus soundtrack. Insomniac performed well initially, entering the U.S. charts at number two and selling over two million copies by the spring of 1996, yet none of its singles -- including the radio favorite \"Brain Stew/Jaded\" -- was as popular as those from Dookie. In the spring of 1996, Green Day abruptly canceled a European tour, claiming exhaustion. Following the cancellation, the band spent the rest of the year resting and writing new material before issuing Nimrod in late 1997. Three years later, their long-awaited follow-up, a refreshingly poppy record titled Warning, was released. Another long wait preceded 2004's American Idiot, an aggressive rock opera that became a surprise success -- a chart-topper around the world, a multi-platinum Grammy winner, and easily the best-reviewed album of their career. Green Day reveled in the album's success, hitting numerous award shows and performing as part of Live 8 in July 2005. That fall saw the release of Bullet in a Bible, a concert album that documented the trio's expansive Idiot live show.\r\nWith their popularity and commercial viability restored, Green Day took on several small projects before returning to the studio. They contributed a cover of John Lennon's \"Working Class Hero\" to the charity album Instant Karma, appeared in The Simpsons Movie, and recorded an entire album of '60s-styled rock & roll under the alias of Foxboro Hot Tubs. While presenting an award at the Grammys in early 2009, the band announced the impending release of their eighth album, 21st Century Breakdown, which had been recorded with veteran producer Butch Vig. In May 2009, 21st Century Breakdown was released, picking up where American Idiot left off as another ambitious punk rock opera. The album was a commercial success, selling over 215,000 copies in its first three days of sales. In 2009, American Idiot was adapted for the stage, and the following year, Green Day lent their talents to the original cast recording, combining a driving score with Broadway vocal arrangements. The band released the live Awesome as F**k in 2011. \r\nDuring the summer of 2012, Green Day unveiled their ambitious plans for the fall and winter: they would release not one but three new albums. The records -- ¡Uno!, ¡Dos!, ¡Tré! -- would appear in September 2012, November 2012, and January 2013, respectively, with each individual bandmember gracing one of the album covers on his own. The first, appropriately called ¡Uno!, was preceded by the disco-rock single \"Kill the DJ\" and the anthemic arena rocker \"Oh Love.\" ¡Uno! was set for a splashy release in September 2012, but the weekend prior to its release, Billie Joe Armstrong had an on-stage breakdown during a set Green Day played at the iHeartRadio Music Festival in Las Vegas. Days later, it was announced that Armstrong entered rehab for substance abuse; not long afterward, the band's touring plans for 2013 were canceled. ¡Dos! arrived as scheduled in November 2012 and ¡Tré! was moved up to a December release. Demolicious, a collection of 18 demos recorded during the making of their ¡Uno! ¡Dos! ¡Tré! trilogy, showed up in time for 2014's Record Store Day release schedule. \r\nIn 2015, Green Day were inducted into the Rock & Roll Hall of Fame. Following their induction, producer Rob Cavallo announced that he had started work on a new album with the trio. As they labored on the new record, Green Day released a single called \"Xmas Time of the Year\" for the 2015 holiday. The raucous \"Bang Bang\" was the first taste of their 12th record, Revolution Radio, which arrived in October 2016. The album topped the charts around the globe and featured the radio hit \"Still Breathing.\" A year later, the group released a career-spanning compilation called Greatest Hits: God's Favorite Band, which included the previously unreleased \"Back in the USA.\" Another retrospective release arrived in 2019, commemorating the band's 25th anniversary of playing Woodstock '94. Green Day Live!: Woodstock 1994 received a limited pressing for Record Store Day and debuted at number 156 on the Billboard 200. \r\nIn early 2020, the trio returned with their 13th studio album Father of All..., also known as \"Father of All Motherfuckers.\" Co-produced by Butch Walker, the album represented a different approach for the band, with a short running time of less than 30 minutes and songs that tended more toward glam, soul, and anthemic rock than Green Day's usual punk. The album debuted at number four upon its February 2020 release but plans to promote the album came to a halt with the rise of the COVID-19 pandemic. During lockdown, Armstrong released the covers song compilation No Fun Mondays and started working on new material. The non-LP singles \"Here Comes the Shock,\" \"Pollyanna,\" and \"Holy Toledo!\" were issued during the Hella Mega Tour with Fall Out Boy and Weezer in 2021 and 2022. \r\nThe group reunited with producer Rob Cavallo for the first time in a decade to record Saviors, a celebration of their pop-punk instincts that arrived in January 2024. It topped both the Rock and Alternative Albums charts and reached number four on the Billboard 200. That September, they marked the 20th anniversary of American Idiot with an expanded deluxe edition. The expanded Saviors (édition de luxe) arrived in June 2025 with the single \"Smash It Like Belushi.\" ~ Stephen Thomas Erlewine",1782523229031,[1254,1255,1256,1257,1258,1259,1260,1261,1262,1263,1264,1265,1266,1267,1268,1269,1270,1271,1272,1273,1274,1275,1276,1277,1278,1279,1280,1281,1282],"http://image.iheart.com/images/rovi/1080/0006/916/MI0006916331.jpg","http://image.iheart.com/images/rovi/1080/0006/070/MI0006070038.jpg","http://image.iheart.com/images/rovi/1080/0006/070/MI0006070037.jpg","http://image.iheart.com/images/rovi/1080/0005/408/MI0005408308.jpg","http://image.iheart.com/images/rovi/1080/0005/136/MI0005136337.jpg","http://image.iheart.com/images/rovi/1080/0004/741/MI0004741574.jpg","http://image.iheart.com/images/rovi/1080/0004/741/MI0004741575.jpg","http://image.iheart.com/images/rovi/1080/0004/741/MI0004741573.jpg","http://image.iheart.com/images/rovi/1080/0003/420/MI0003420857.jpg","http://image.iheart.com/images/rovi/1080/0003/420/MI0003420858.jpg","http://image.iheart.com/images/rovi/1080/0001/366/MI0001366236.jpg","http://image.iheart.com/images/rovi/1080/0003/432/MI0003432758.jpg","http://image.iheart.com/images/rovi/1080/0003/441/MI0003441983.jpg","http://image.iheart.com/images/rovi/1080/0003/445/MI0003445129.jpg","http://image.iheart.com/images/rovi/1080/0003/748/MI0003748947.jpg","http://image.iheart.com/images/rovi/1080/0003/776/MI0003776260.jpg","http://image.iheart.com/images/rovi/500/0003/965/MI0003965855.jpg","http://image.iheart.com/images/rovi/1080/0003/965/MI0003965861.jpg","http://image.iheart.com/images/rovi/1080/0001/402/MI0001402790.jpg","http://image.iheart.com/images/rovi/1080/0001/348/MI0001348203.jpg","http://image.iheart.com/images/rovi/1080/0001/369/MI0001369035.jpg","http://image.iheart.com/images/rovi/1080/0001/369/MI0001369568.jpg","http://image.iheart.com/images/rovi/1080/0001/424/MI0001424131.jpg","http://image.iheart.com/images/rovi/500/0003/404/MI0003404646.jpg","http://image.iheart.com/images/rovi/1080/0003/420/MI0003420852.jpg","http://image.iheart.com/images/rovi/1080/0003/420/MI0003420854.jpg","http://image.iheart.com/images/rovi/1080/0003/420/MI0003420855.jpg","http://image.iheart.com/images/rovi/1080/0003/420/MI0003420856.jpg","http://image.iheart.com/images/rovi/1080/0004/103/MI0004103679.jpg","green-day-633",{"_404":1285,"_1065":1286,"_1067":1287,"_1069":1288,"_1071":1289,"_1073":1290,"_1087":1299},90158,"Jack White","http://image.iheart.com/images/rovi/1080/0007/463/MI0007463245.jpg","Jack White is one of the great rock conceptualists of the 21st century. He came to fame as the leader of the White Stripes, the Detroit-based garage-punk duo who were unexpectedly one of the biggest rock acts of the 2000s. The White Stripes established White as a roots rocker -- he made sure they covered blues chestnuts from Son House -- to such a degree that his modernist art instincts were somewhat overshadowed during the band's peak. These dueling, sometimes complementary instincts, fueled White's myriad artistic pursuits both within and without the confines of the White Stripes. He started stepping out on his bandmate Meg almost immediately after White Blood Cells gave the group a blockbuster in 2001, producing Loretta Lynn's Van Lear Rose and forming the Raconteurs with Brendan Benson, then the Dead Weather with Alison Mosshart of the Kills. His voracious musical appetite and strict work ethic flourished once the White Stripes called it a day in 2011, as he divided his time between his Third Man Records empire, the Raconteurs and Dead Weather, and a solo career that grew increasingly idiosyncratic with each new album. Blunderbuss and Lazaretto veered close to territory he covered with the White Stripes but the proggy oddity of Boarding House Reach didn't prove to be a detour, as the twin 2022 albums, Fear of the Dawn and Entering Heaven Alive, proved: the noisy rock of the former was complemented by the quiet, introspective adventure of the latter. 2024's Grammy-nominated No Name saw him reconnecting with no-nonsense, yet rocker-fueled blues rock. He collaborated with Eminem for a live appearance at Detroit's Ford Field, and continued experimenting with the lo-fi single \"G.O.D. and the Broken Ribs.\"\r\nJohn Anthony Gillis was born in Detroit on July 9, 1975. The youngest of ten siblings, he began playing drums at an early age and took inspiration from the world-weary blues of Son House and Blind Willie McTell. A fascination with guitar followed in his teenage years. After launching his own upholstery business in Detroit, White began to infiltrate the city's music scene as the drummer for Goober & the Peas, a local cowpunk band that split in 1995. While continuing to play drums for other groups, he crossed paths with a bartender named Meg White, and the two were married in 1996. Jack took Meg's surname, and the pair formed the White Stripes after a Bastille Day jam session showed promising results. \r\nWith their color-coded image and raw, punky sound, the White Stripes became a key component of the garage rock revival of the late '90s. In addition to their music, the bandmembers stirred public interest by claiming to be siblings, a declaration that seemed slightly less incestuous when Jack and Meg White divorced in 2000. Despite the split, the White Stripes only grew in popularity as the decade progressed, eventually winning three consecutive Grammy Awards and issuing several platinum-certified albums. \r\nFollowing the release of Elephant in 2003, Jack White took a break from the group to produce Loretta Lynn's Van Lear Rose. A critical smash, the album helped endear Lynn to a new generation of fans, thanks in part to White's credibility as a rock artist. He then returned to the White Stripes for the release of Get Behind Me Satan, which saw him expanding his instrumental range with piano and marimba. Shortly thereafter, he launched a concurrent group, the Raconteurs, with friend Brendan Benson and two members of the Greenhornes (who, incidentally, had served as backing musicians on Van Lear Rose). The Raconteurs made their debut with 2006's Broken Boy Soldiers and toured in support of the album, while White publicly stressed that his work in the band should not be seen as a side project or a diversion from the White Stripes. Thus, he began juggling his responsibilities to both groups, partnering with Meg White once again for the White Stripes' 2007 release Icky Thump before returning to the Raconteurs for 2008's Consolers of the Lonely. \r\nWhile touring in support of the latter album, White suffered from bronchitis and often lost his voice, prompting singer Alison Mosshart (from the Raconteurs' touring partners the Kills) to climb on-stage and contribute her own vocals. The chemistry between Mosshart and the Raconteurs proved alluring, and the musicians opted to form a separate group named the Dead Weather. With Jack White now handling drums, the band retreated to the studio and recorded an energetic debut, Horehound, in a matter of weeks. Released in 2009, the album was well-received on both sides of the Atlantic, cracking the Top Ten in America and peaking at number 14 in the U.K. Encouraged by such success, the Dead Weather began working on a second album during the fall, with the intention of previewing several new songs during an Australian tour in early 2010. In the meantime, White secured enough free time to appear in a movie -- the guitar-themed It Might Get Loud -- and produce an album for his wife, songwriter Karen Elson. \r\nThe first solo outing from White, the bluesy, typically idiosyncratic Blunderbuss, named for a muzzle-loading firearm that was a precursor of the shotgun, arrived in April of 2012. It promptly debuted in the American charts at number one, the first White-associated album to do so. Blunderbuss also earned several Grammy nominations, including Album of the Year, Best Rock Album, and Best Rock Song for \"Freedom at 21.\" White's second solo album, Lazaretto, followed in June 2014, preceded by the single \"High Ball Stepper.\" It debuted at number one on the pop charts and earned positive reviews. The Dead Weather released their third album, Dodge and Burn, in September 2015, and a year later White issued Acoustic Recordings 1998-2016, a double-disc compilation of acoustic numbers from his various projects. In April 2017, he released a surprise instrumental single called \"Battle Cry.\" A lifelong baseball fan, it was announced that the song would be used as the walk-up music for Detroit Tigers infielder Ian Kinsler, with whom White co-owns the baseball bat company Warstic. In March 2018, the strange, sprawling Boarding House Reach was released, peaking at number one on the Billboard 200. The following year, he was back with the Raconteurs for the group's third album, Help Us Stranger. \r\nIn November 2021, White returned with \"Taking Me Back,\" a single released in two versions: a noisy, gnarled rock incarnation and a softer acoustic variation. The rock spin on \"Taking Me Back\" heralded the April 2022 release of Fear of the Dawn, a nervy, noisy record that found White experimenting with digital effects. The jaunty acoustic revision anchored Entering Heaven Alive, a quieter but still restless record that followed in July while White was in the middle of a lengthy and eventful tour that saw him getting married onstage and playing Saturday Night Live for the fifth time. \r\nAfter a period of little discernable activity, White surprised fans on in July 2024 with the release of a bares-bones, blues-influenced album titled No Name. It was packaged like a white-label promo with only the words \"No Name\" stamped on the sleeve and was given away to customers at Third Man records locations for free. It topped the U.K. Independent Albums chart, cracked the Billboard 200, and finished the year with a Grammy nomination for Best Rock Album. A pair of concert EPs, No Name Live and Live at Ford Field, appeared in 2025, the latter one featuring a collaboration with fellow Detroiter Eminem during the Detroit Lions halftime show. In April 2026, ahead of his sixth appearance on Saturday Night Live, White released the singles \"G.O.D. and the Broken Ribs\" and \"Derecho Demonico.\" ~ Andrew Leahey & Stephen Thomas Erlewine",1781537097882,[1291,1292,1293,1294,1295,1296,1297,1298],"http://image.iheart.com/images/rovi/1080/0006/862/MI0006862894.jpg","http://image.iheart.com/images/rovi/1080/0006/514/MI0006514864.jpg","http://image.iheart.com/images/rovi/1080/0005/387/MI0005387595.jpg","http://image.iheart.com/images/rovi/1080/0004/371/MI0004371610.jpg","http://image.iheart.com/images/rovi/500/0003/356/MI0003356199.jpg","http://image.iheart.com/images/rovi/1080/0003/313/MI0003313963.jpg","http://image.iheart.com/images/rovi/1080/0003/736/MI0003736732.jpg","http://image.iheart.com/images/rovi/1080/0003/736/MI0003736733.jpg","jack-white-90158",{"_404":1301,"_1065":1302,"_1067":1303,"_1093":1094,"_1069":1304,"_1071":1305,"_1073":1306,"_1087":1318},40473,"Nirvana","http://image.iheart.com/images/rovi/1080/0001/328/MI0001328255.jpg","Nothing was ever quite the same after Nirvana. The band's second album, 1991's Nevermind, revolutionized popular music by bringing alternative rock above ground, introducing mainstream audiences to sounds and concepts that had previously existed only in shadowy record store corners and on low-frequency college radio airwaves. Nevermind's noisy, dissonant guitar rock, mumbled or howled surrealistic lyrics, and generally angsty punk attitudes were unlikely candidates for chart success, but the band undercut their grungy songs with enough pop melodicism to create a sound unlike anything average listeners had ever heard before, striking at the exact right moment to become an unprecedented success. \r\nSince Nirvana were rooted in an indie aesthetic but loved pop music, they fought their stardom while courting it, becoming some of the most notorious anti-rock stars in history. They consciously attempted to shed their audience with 1993's abrasive, Steve Albini-produced third album In Utero, but vocalist/guitarist/songwriter Kurt Cobain's growing mental health and substance abuse issues led to his death by suicide in 1994. Though Nirvana's story was cut tragically short, their legacy stands as one of the most influential in rock & roll history. \r\nKurt Cobain (vocals, guitar) met Chris Novoselic (born Krist Novoselic) (bass) in 1985 in Aberdeen, Washington, a small logging town 100 miles away from Seattle. While Novoselic came from a relatively stable background, Cobain's childhood had been thrown into turmoil when his parents divorced when he was eight. Following the divorce, he lived at the homes of various relatives, developing a love for the Beatles and then heavy metal in the process. Eventually, American hardcore punk worked its way into dominating his listening habits and he met the Melvins, an Olympia-based underground heavy punk band. Cobain began playing in punk bands like Fecal Matter, often with the Melvins' bassist Dale Crover. Through the Melvins' leader, Buzz Osborne, Cobain met Novoselic, who also had an intense interest in punk, which meant that he, like Cobain, felt alienated from the macho, redneck population of Aberdeen. The duo decided to form a band called the Stiff Woodies, with Cobain on drums, Novoselic on bass, and a rotating cast of guitarists and vocalists. The group went through name changes as quickly as guitarists, before deciding that Cobain would play guitar and sing. Renamed Skid Row, the new trio featured drummer Aaron Burkhart, who left the band by the end of 1986 and was replaced by Chad Channing. By 1987, the band was called Nirvana. \r\nNirvana began playing parties in Olympia, gaining a cult following. Around 1987, the band made ten demos with producer Jack Endino, who played the recordings to Jonathan Poneman, one of the founders of the Seattle-based indie label Sub Pop. Poneman signed Nirvana, and in December of 1988, the band released its first single, a cover of Shocking Blue's \"Love Buzz.\" Sub Pop orchestrated an effective marketing scheme, which painted the band as backwoods, logging-town hicks, which irritated Cobain and Novoselic. While \"Love Buzz\" was fairly well-received, the band's debut album, Bleach, was what got the ball rolling. Recorded for just over $600 and released in June 1989, Bleach slowly became a hit on college radio, due to the group's consistent touring. Though Jason Everman was credited as a second guitarist on the sleeve of Bleach, he didn't appear on the record; he only toured in support of the album before leaving the band at the end of the year to join Soundgarden and then Mindfunk. Bleach sold 35,000 copies and Nirvana became favorites of college radio, the British weekly music press, and Sonic Youth, Mudhoney, and Dinosaur Jr., which was enough to attract the attention of major labels. \r\nIn July 1990, Nirvana recorded \"Sliver\"/\"Dive\" with Mudhoney drummer Dan Peters on drums and producer Butch Vig. The band also made a six-song demo with Vig, which was shopped to major labels, who soon began competing to sign the group. In August, they hit the road with Sonic Youth's Goo tour (including Crover on drums). That September, Dave Grohl, formerly of the D.C.-based hardcore band Scream, became Nirvana's drummer and the band signed with DGC for $287,000. Nirvana recorded their second album with Vig, completing the record in June of 1991. Nevermind was released in September, supported by a quick American tour. While DGC was expecting a moderately successful release, in the neighborhood of 100,000 copies, Nevermind immediately became a smash hit, quickly selling out its initial shipment of 50,000 copies and creating a shortage across America. What helped the record become a success was \"Smells Like Teen Spirit,\" a blistering four-chord rocker that was accompanied by a video that shot into heavy MTV rotation. By the beginning of 1992, \"Smells Like Teen Spirit\" had climbed into the American Top Ten and Nevermind bumped Michael Jackson's much-touted comeback album Dangerous off the top of the album charts; it reached the British Top Ten shortly afterward. By February, the album had been certified triple platinum. \r\nNirvana's success took the music industry by surprise, Nirvana included. From the moment Nirvana were met with mainstream visibility, Cobain used his newfound fame to relentlessly push his favorite independent artists as if their music was more important than his own. This took the form of bringing Japanese alt-pop trio Shonen Knife on tour, covering lesser-known but formative artists like the Wipers, the Vaselines, and Meat Puppets, or wearing a homemade Daniel Johnston t-shirt during television appearances and high-profile concerts. Cobain's enthusiastic fandom introduced untold numbers of Nirvana fans to artists they most likely wouldn't have known to seek out on their own, and in the process, energized those artists' careers.\r\nIt soon became apparent that Nirvana wasn't quite sure how to handle its success. Around the time of Nevermind's release, Cobain appeared on MTV's Headbangers Ball in drag; the group mocked the tradition of miming on the BBC's Top of the Pops, with Novoselic constantly throwing his bass into the air and Cobain singing his live vocals in the style of Ian Curtis; and their traditional live destruction of instruments was immortalized on a Saturday Night Live performance that ended with Novoselic and Grohl sharing a kiss. By early 1992, questions began to arise about the band's stability. Cobain married Courtney Love, the leader of the indie rock/foxcore band Hole, in February of 1992, announcing that the couple was expecting a child. A few months later, Nirvana canceled several concerts and refused to mount a full-scale American tour during the summer. Cobain complained that he was suffering from chronic stomach troubles, which seemed to be confirmed when he was admitted to a Belfast hospital after a June concert. While he went through these problems,DGC released the odds-and-ends compilation Incesticide late in 1992; the album reached number 39 U.S. and number 14 U.K. \r\nAs Nirvana prepared to make their third album, they released \"Oh, the Guilt\" as a split single with the Jesus Lizard on Touch & Go Records. Choosing Steve Albini (Pixies, the Breeders, Big Black, the Jesus Lizard) as their producer, they recorded In Utero, in two weeks during. Februrary 1993. Later in the year, reports, including an article in Newsweek, circulated that DGC was unhappy with the forthcoming album, and making accusations that Nirvana deliberately made an uncommercial record. Both the band and the label denied such allegations. Deciding that Albini's production was too flat, Nirvana decided to remaster the album with R.E.M. producer Scott Litt, who also remixed the singles \"Heart Shaped Box\" and \"All Apologies.\" In Utero was released in September of 1993 to positive reviews and strong initial sales, debuting at the top of the U.S. and U.K. charts. Nirvana supported it with an American tour, hiring former Germs member Pat Smear as an auxiliary guitarist. While the album and the tour were both successful, sales weren't quite as strong as expected, with several shows not selling out until the week of the concert. As a result, the group agreed to play MTV's acoustic Unplugged show at the end of the year, and sales of In Utero picked up after its December airing. \r\nAfter wrapping up their U.S. tour on January 8, 1994 with a show at Center Arena in Seattle, Nirvana embarked on a European tour in February. Following a concert in Munich on February 29, Cobain stayed in Rome to vacation with Love. On March 4, she awakened to find that Cobain had attempted suicide. When he returned to Seattle, his mental illness grew worse. Love and Nirvana's management organized an intervention program that resulted in Cobain's admission to the Exodus Recovery Center in L.A. on March 30, but he left the clinic on April 1, returning to Seattle. His mother filed a missing persons report on April 4. On April 5, Cobain died by suicide at his Seattle home.After his death, Kurt Cobain was quickly anointed as a spokesman for Generation X, as well as a symbol of its tortured angst. \r\nNovoselic and Grohl planned to release a double-disc live album at the end of 1994, but sorting through the tapes proved to be too painful, so MTV Unplugged in New York appeared in its place. The album debuted at the top of the British and American charts, as a home video comprised of live performances and interviews from the band's Nevermind era, titled Live! Tonight! Sold Out!, was issued at the same time (the project began prior to Cobain's passing and was completed by surviving bandmembers). In 1996, MTV Unplugged in New York's electric counterpart, From the Muddy Banks of the Wishkah, was released, debuting at the top of the U.S. charts. Following Cobain's death, Grohl formed the Foo Fighters, releasing their self-titled debut album in 1995, followed by The Colour and the Shape in 1997 and There Is Nothing Left to Lose in 1999. Novoselic formed the trio Sweet 75, releasing their debut in the spring of 1997, and also appeared along with former Dead Kennedys frontman Jello Biafra and former Soundgarden guitarist Kim Thayil on the 2000 live set Live from the Battle in Seattle under the name the No W.T.O. Combo.\r\nBy the late '90s, Novoselic began research for a proposed box set of previously unreleased songs from throughout Nirvana's career. The project was supposed to surface in the fall of 2001 (to coincide with the tenth anniversary release of Nevermind), but legal issues delayed its release. Finally, the Nirvana LLC partnership -- which included Grohl, Novoselic, and Love -- came to an agreement and the album-length compilation Nirvana was released in October of 2002. Although that release included only one unreleased song, the long-awaited box set, titled With the Lights Out, appeared in late 2004, including three discs of rare and unreleased material plus a live DVD that featured material filmed as early as 1988. The band's 1992 set at the Reading Festival was released in 2009 as Live at Reading. The same year, Sub Pop began a Nirvana studio album reissue campaign with Bleach; special 20th-anniversary editions of Nevermind and In Utero followed in 2011 and 2013, respectively. In 2014, Nirvana was inducted into the Rock & Roll Hall of Fame by R.E.M.'s Michael Stipe. Cobain's place in the induction performance was taken by several vocalists, including Joan Jett and Kim Gordon. ~ Stephen Thomas Erlewine & Greg Prato",1782064918988,[1307,1308,1309,1310,1311,1312,1313,1314,1315,1316,1317],"http://image.iheart.com/images/rovi/1080/0007/568/MI0007568412.jpg","http://image.iheart.com/images/rovi/1080/0004/675/MI0004675521.jpg","http://image.iheart.com/images/rovi/1080/0004/675/MI0004675512.jpg","http://image.iheart.com/images/rovi/1080/0003/221/MI0003221759.jpg","http://image.iheart.com/images/rovi/1080/0003/641/MI0003641572.jpg","http://image.iheart.com/images/rovi/1080/0001/414/MI0001414871.jpg","http://image.iheart.com/images/rovi/1080/0001/369/MI0001369525.jpg","http://image.iheart.com/images/rovi/1080/0001/395/MI0001395993.jpg","http://image.iheart.com/images/rovi/1080/0003/770/MI0003770268.jpg","http://image.iheart.com/images/rovi/1080/0003/221/MI0003221761.jpg","http://image.iheart.com/images/rovi/1080/0001/337/MI0001337979.jpg","nirvana-40473",{"_404":1320,"_1065":1321,"_1067":1322,"_1069":1323,"_1071":1324,"_1073":1325,"_1087":1336},90166,"Modest Mouse","http://image.iheart.com/images/override/90166_c9e70cf2-5467-434e-93da-984e53e728fb.jpg","Capable of punkish rawness, simmering atmosphere, and light-hearted pop, Modest Mouse is an American indie rock institution, shaping the sound of the scene at the turn of the 21st century and enjoying mainstream success in the years that followed. On their early singles and albums, like 1997's The Lonesome Crowded West, they proved there was more to the Pacific Northwest underground than grunge. Coupled with Isaac Brock's wild-eyed yelp and sketches of small-town life, their mix of emo, folk, post-rock, and prog won critical acclaim. Their major-label debut, 2000's moody, sprawling The Moon and Antarctica, showed just how grandly ambitious their music could be, while 2005's platinum-selling, Grammy-nominated commercial breakthrough, Good News for People Who Love Bad News, and its smash hit \"Float On\" revealed their flair for anthemic pop singles. On later albums like 2007's chart-topping We Were Dead Before the Ship Even Sank (which featured legendary guitarist Johnny Marr), 2021's The Golden Casket, and 2026's An Eraser and A Maze, Modest Mouse gave their music arena-sized proportions without sacrificing their idiosyncratic outlook. \r\nModest Mouse was founded in 1992 in Issaquah, Washington by guitarist and vocalist Isaac Brock, bassist Eric Judy, and drummer Jeremiah Green. Brock, who met Judy while working at a local video store and Green at a heavy metal concert, was only 18 and living in a shed next to his mother's trailer home when Modest Mouse began working together. The shed became their rehearsal space and base of operations as they forged a nervy sound inspired by bands such as Pixies, XTC, and Pavement. In 1994, Modest Mouse recorded their debut 7\", \"Blue Cadet-3, Do You Connect?\" at Calvin Johnson's Dub Narcotic Studio in Olympia, Washington, and Johnson released it on his K Records label later that year. Following the 1996 single \"Broke,\" which was recorded with Steve Wold (who found fame a few years later as grizzled blues hobo Seasick Steve) and a few other short-form releases, Modest Mouse signed with Up Records for their April 1996 debut album This Is a Long Drive for Someone with Nothing to Think About. Co-produced with Wold, its tales of emotional and geographic isolation earned strong reviews.\r\nThe band reunited with Johnson to make May 1997's EP The Fruit That Ate Itself and that November's sophomore full-length The Lonesome Crowded West (which also featured production by Scott Swayze). Adding more range and nuance as well as ecological and political themes to the band's music, The Lonesome Crowded West earned more strong reviews and eventually became known as one of the era's definitive indie rock albums. The singles and rarities collection Building Nothing Out of Something followed in 1999, and for their next album, Modest Mouse moved from Up to Epic Records. Arriving in June 2000, the band's major-label debut The Moon and Antarctica was a dark, expansive effort that reflected Brock's introspective state of mind as well as the band's five months working with Califone's Brian Deck at his Chicago studio. Along with critical acclaim, the album also found commercial success, reaching number 120 on the Billboard 200 Albums chart and earning gold certification from the RIAA. In 2004, a remastered version of the album with different artwork and selections from a BBC Radio 1 session appeared. \r\nModest Mouse followed The Moon and Antarctica's success with consistent touring and 2001's Everywhere and His Nasty Parlour Tricks, a collection of demos and outtakes from the album's sessions. That year also saw the release of Sad Sappy Sucker, a collection that included the band's first attempt at their debut album. The following year, Brock released an LP with his side project Ugly Casanova. In 2003, Green stepped away from the band, with the Helio Sequence's Benjamin Weikel becoming the group's temporary percussionist and keyboardist and Murder City Devils' Dann Gallucci -- who had been a guest guitarist on the sessions for Sad Sappy Sucker and The Lonesome Crowded West -- joining as an official bandmember. Both appeared on Modest Mouse's next album, April 2004's Good News for People Who Love Bad News. Recorded with Dennis Herring at Oxford, Mississippi's Sweet Tea Studio, it was a more exuberant collection of songs that became the band's commercial breakthrough. A Top 20 hit in the U.S. (where it was certified platinum) and a Top 40 hit in the U.K., it spawned the hit singles \"Float On\" and \"Ocean Breathes Salty\" as the band began headlining arenas. In addition, Good News for People Who Love Bad News was nominated for the Grammy Award for Best Alternative Music Album, while \"Float On\" was nominated for Best Rock Song. Around the time of Good News' release, Modest Mouse also issued the live album Baron Von Bullshit Rides Again. \r\nBy the end of 2004, Green had returned to Modest Mouse, and more lineup changes followed. After Gallucci left the group in 2006, the band recruited Johnny Marr to play guitar on their next album. Arriving in April 2007, the nautically themed We Were Dead Before the Ship Sank was recorded at Sweet Tea Studio and Portland, Oregon's Audible Alchemy and also featured backing vocals by the Shins' James Mercer. The album debuted at the top of the Billboard 200 and was eventually certified gold in the U.S. and Canada. Marr's involvement with the band included playing on the lengthy tour supporting We Were Dead Before the Ship Sank; he departed to join the Cribs, with Jim Fairchild (who had worked with Grandaddy and All Smiles) stepping in on guitar by the time Modest Mouse hit the road for August 2009's collection of outtakes and non-LP single sides, No One's First, And You're Next. The band's cover of \"That'll Be the Day\" appeared on the 2011 tribute compilation Rave on Buddy Holly, while their touring extended into 2012. That year saw the departure of Judy and percussionist Joe Plummer; taking their places were former Man Man member Russell Higbee and Davey Brozowski. Percussionist Ben Massarella, who'd performed on The Moon and Antarctica, and multi-instrumentalist/vocalist Lisa Molinaro also joined the fold.\r\nModest Mouse's live dates kept them busy into 2014, and that year the band reissued This Is a Long Drive for Someone with Nothing to Think About and The Lonesome Crowded West on Brock's Glacial Pace label (which he named after his painstaking creative process). Work on the band's next album coincided with the construction of their own Ice Cream Party studio, shelved collaborations with Outkast's Big Boi and Nirvana's Krist Novoselic, and the recording of two albums' worth of songs. The first of those arrived in March 2015: Strangers to Ourselves was a moody, sprawling effort that reached number three on the Billboard 200 in the U.S. and spawned the single \"Lampshades on Fire,\" which topped the Alternative Airplay chart. In 2019, the band issued a trio of stand-alone singles, \"Poison the Well,\" \"I'm Still Here,\" and \"Ice Cream Party,\" and toured with the Black Keys before delivering the follow-up to Strangers. Issued in June 2021, The Golden Casket was recorded at Ice Cream Party and in Los Angeles with producers Dave Sardy and Jacknife Lee. Opting for an electronic-tinged sound that reflected the more optimistic outlook on the themes of fatherhood, technology, and mortality they explored on Strangers, it was not only the last to feature Fairchild and Molinaro, who amicably left the band days before the album's release, but also the final recording with drummer Jeremiah Green, who died on December 31, 2022 just days after he went public with his diagnosis of Stage IV cancer. He was 45 years old. Brock and the band forged ahead, touring with Weezer, Pixies, and the Flaming Lips in the years that followed.\r\nIn March 2026, Modest Mouse issued their first single in five years, \"Look How Far...,\" the first single from their forthcoming album An Eraser and A Maze. This album, constructed by Brock and a host of various drummers and supportive musicians, marked the band's return to the ranks of independent labels after working with Epic since 2000. ~ Heather Phares & Marcy Donelson",1782854900882,[1326,1327,1328,1329,1330,1331,1332,1333,1334,1335],"http://image.iheart.com/images/rovi/1080/0007/572/MI0007572032.jpg","http://image.iheart.com/images/rovi/1080/0005/232/MI0005232747.jpg","http://image.iheart.com/images/rovi/1080/0004/668/MI0004668973.jpg","http://image.iheart.com/images/rovi/500/0001/462/MI0001462310.jpg","http://image.iheart.com/images/rovi/500/0001/463/MI0001463370.jpg","http://image.iheart.com/images/rovi/500/0001/463/MI0001463504.jpg","http://image.iheart.com/images/rovi/1080/0003/880/MI0003880683.jpg","http://image.iheart.com/images/rovi/1080/0003/880/MI0003880689.jpg","http://image.iheart.com/images/rovi/1080/0003/880/MI0003880691.jpg","http://image.iheart.com/images/rovi/1080/0001/334/MI0001334961.jpg","modest-mouse-90166",{"_404":1338,"_1065":1339,"_1067":1340,"_1069":1341,"_1071":1342,"_1073":1343,"_1087":1346},30006675,"The Beaches","http://image.iheart.com/images/rovi/500/0006/943/MI0006943701.jpg","Canadian group the Beaches blend brash garage pop with glam rock flash and girl group attitude. They formed while the members were in high school, and their sugary punk-pop sound coalesced into something tougher and more '70s-inspired as they released more singles. Their 2017 debut album, Late Show, made enough of a splash to win them a Juno Award. They took home another Juno in 2022 for the compilation album Sisters Not Twins (The Professional Lovers Album). In 2023, they hit the Top 100 of the Canadian albums chart with their sophomore long-player, Blame My Ex, which featured the viral hit \"Blame Brett\" and resulted in two more Juno Awards (Rock Album and Group of the Year). Their third album, No Hard Feelings, followed in 2025. Singles such as \"Should've Known Better\" appeared in 2026.\r\nNamed after the area of Toronto they call home, brash garage pop outfit the Beaches comprise singer Jordan Miller, lead guitarist Kylie Miller, drummer Eliza Enman McDaniel, and keyboardist/guitarist Leandra Earl. The Miller sisters fell in love with music when they were kids: Jordan began guitar lessons at age six and Kylie started playing a year later. Around the same time, their schoolmate Enman McDaniel experimented with a drum kit at her grandmother's house. In 2008, the trio formed the punk-pop band Done with Dolls with guitarist Megan Fitchett and signed with Disney, ultimately releasing a self-titled EP in 2009 and the singles \"I Don't Like\" and \"Story of My Life\" the following year. By the time they reached high school, however, they wanted a more mature sound and image; Fitchett departed the group and Earl joined the fold, completing their transformation into the Beaches. The band debuted in 2013 with the singles \"Loner\" and \"Absolutely Nothing\" before releasing its self-titled, Raine Maida-produced EP that May. They returned the following year with the Heights EP, which they produced themselves. In 2016, the Beaches released the single \"Give It Up,\" the first taste of their '70s-tinged full-length debut, Late Show. Produced by Metric's Emily Haines and Jimmy Shaw, the album arrived in 2017. The album -- and the single \"T-Shirt,\" which topped the Canadian Rock chart for nine weeks -- proved successful enough to win the band the nod for Breakthrough Act of the Year at 2018's Juno Awards. Following that, they embarked on their first headlining tour of Canada and released another single, the Jacknife Lee-produced \"Fascination.\" \r\nThe quartet showed no signs of slowing down in 2019, releasing a five-song EP in May titled The Professional and heading out on a tour of North America and the U.K. A second EP, Future Lovers, appeared in 2021, with Sisters Not Twins (The Professional Lovers Album), which combined both EPs, arriving in 2022. The compilation won the Juno Award for Rock Album of the Year. \r\nThe following year saw the release of the group's second proper studio album, Blame My Ex, which included the sugary fuzz-pop single \"Me & Me.\" Also featured on the album was the anthemic single \"Blame Brett,\" which went viral on TikTok, pushing the song to number one on the Canadian rock chart and 21 on the Billboard Alternative Airplay chart. They landed a slot at 2023's Lollapalooza concert and opened a California date by the Rolling Stones in 2024. By that time, the accolades were rolling in, with Blame My Ex winning the Juno Award for Rock Album of the Year and the Beaches winning Group of the Year; the album was also short-listed for the 2024 Polaris Music Prize. \r\nNot long after that swell of success, they topped Canada's Modern Rock chart with early 2025's \"Last Girls at the Party,\" the urgent lead single from their third long-player. Featuring production by Lowell and Gus Van Go, among others, No Hard Feelings arrived later the same year. In 2026, the Beaches released a cover of A Flock of Seagulls' \"I Ran (So Far Away)\" and collaborated with G Flip on the song \"LEZ GO!\" They also released the song \"Should've Known Better.\" ~ Heather 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