Pitchfork
Reviews
CONFESSIONS II
Madonna
Madonna’s back in peak form with a fresh and honest dance record that’s not only her best in 20 years, but a genuinely vital addition to her canon.
No Turning Back
Pz’
With a remarkably polished debut, the model-turned-rapper who’s picked up cosigns from Carti and Tezzus joins the next generation of Georgia rap.
#HEAVENSGATE VOL. 2
evilgiane
The Surf Gang producer stays busy with a new tape that links an eclectic cast of 25 collaborators with his shimmery beats.
The Ground Above
Beth Orton
On her snowy, self-produced ninth album, the UK songwriter howls from inside the squall.
More Reviews
Tranquilizer
Oneohtrix Point NeverBest New AlbumDrawing on a cache of commercial sample CDs, Daniel Lopatin assembles an impossibly dense and transportive electronic album that takes impermanence as its inspiration.
West End Girl
Lily AllenWith an album that doubles as an insider’s account of a tabloid divorce, the singer finds a new evolution of her signature style: Lightness isn’t a foil for irony, but a vehicle for hurt.
Repulsor
ShlohmoThe L.A. beatmaker turns aggressive on his fourth album—dialing up the distortion, flooding his beats with overdriven synths, and pushing anxious moods into the red.
More From Pitchfork
Features
Sunday Reviews
Celebrity Skin
HoleEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at Hole’s third album, Hollywood in the late 1990s, and the redemption of Courtney Love.
First Floor
Theo ParrishEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1998 debut album from a Chicago-born DJ-producer who heard in house music the spirit of rebellion.
Filles de Kilimanjaro
Miles DavisEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the first real glimpse of electric Miles and the swan song of his brilliant Second Great Quintet.%2520album%2520art.jpg)
New York Tendaberry
Laura NyroEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the New York songwriter’s third LP, an album so painterly and poetic that it formed its own self-contained world.
MTV Unplugged
10,000 ManiacsEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the alt-rock band’s 1993 acoustic set, a swan song for the sensitive bohemians—and the biggest hit they’d ever release.
Caravanserai
SantanaEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at Santana’s transitional fourth album, a transcendental convergence of rock, psych, and Afro-Cuban styles that absolutely rips.
Fanny Hill
FannyEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1972 album from Fanny, a real rock spectacle laced with tenderness, sisterhood, and impeccable riffs that just never got its due.
Book of Love
Book of LoveEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the beguiling debut album from a quartet of art-school students who brought a slyly subversive touch to club-friendly new wave.
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