“How many performance artists does it take to change a lightbulb?”
At Venice’s Portuguese pavilion, planetary tremors drive a mise-en-scène of animal intuition and machine perception
“Never mind that more and more of these movies look and feel like TV shows”
“Side by side, the books make a case for the permeability of her fiction and her criticism; you can hear them like Pyramus and Thisbe whispering through walls”
Most Read
From Our Partners
Current Issue
“You don’t need opera, the grandeur of apparitions and murderous confessions, to access horror. Not in America, anyway”
“Sofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic import”
“Spaulding attempts to repair a critical vocabulary that has long known what to do with Duchampian skepticism, but is much less sure about Beuysian belief”
“Liden’s most poignant messages, concerning the ongoing ‘redactions’ of public speech in Germany, are indirect”
Videos
The artist reflects on two of his most important teachers, cites Rosalyn Drexler’s 1963 Marilyn Pursued by Death as an all-time favorite work, remembers Ingrid Schaffner’s exhibitions at the ICA Philadelphia and more
In this episode of Interpretations, New Museum Artistic Director Massimiliano Gioni takes us into the museum’s freshly reopened and expanded galleries
