There’s a new pygmy hippo at Zoo Berlin and her name is Brötchen. She was named after the German word for a bread roll by German TV personality Enie van de Meiklokjes, who is Brötchen’s “honorary sponsor” apparently. I wish I could get a job like that :( (via)
Cultrface
A blog dedicated to culture
and how it enriches our lives
Sara Herman on chess in popular media
I stumbled upon Sara Herman, a US Chess Federation (USCF) expert and chess YouTuber, who started making videos about chess in popular media. She’s covered shows including House, Frasier, Malcolm in the Middle, and Monk and it’s been interesting hearing how accurate or inaccurate the portrayals have been.
David Hockney on what makes an artist
David Hockney sadly passed away on 11th June at the age of 88. In 2019, the Royal College of Art did a video with him where he talked about his time there and how it influenced him.
We were born in the same city so I always felt a certain connection with him. RIP to a great artist.
Top 4 coin flips
- Harvey Dent against The Joker (The Dark Knight)
- Anton Chigurh vs. the shopkeeper (No Country for Old Men)
- Italy vs. USSR (Euro 1968)
- Donald Duck vs. life (“Flip Decision“, Walt Disney’s Comics and Stories #149 from Feb 1953)
Mara Cavallaro on The Digital Occupation of Palestine
For Syntax, Mara Cavallaro wrote an insightful essay on the digital occupation of Palestine and what digital resistance really means. This section refers to censoring of terms to avoid posts and comments from getting erased:
Across social media, even original videos, stories, reels, posts, and captions about Gaza are distorted. In fact, this is the norm. Pro-Palestine becomes “pro-[watermelon emoji],” Israel becomes “Isr@el,” Gaza is referred to as “Watermelon City,” Palestine is censored with asterisks between its letters, genocide is “g-cide,” and so on. Creators begin videos and tweets with celebrity gossip only to launch into critiques of US complicity in genocide. Some pro-Palestine Instagram accounts, Wired reported late last year, have taken to posting with the hashtag #IStandWithIsrael. Others use selfies to break up their Palestine content, posting smiling, dolled-up photos with captions requesting eSIM donations or petition signatures. On my own feeds and For You pages, I have seen all of the above and more—from friends, writers, influencers, scholars, strangers, teenagers, mothers. Dystopia pervades each of our platforms, and its villains—the “algo,” the “al gore,” the “algo rhythm”—are hinted at extensively in code. We read something that means something else; we respond. The result is a new, secret language: one understood only within the context of palpable, systematic social media censorship of Palestine and the amateur efforts to evade it.
I posted a few days ago about how we need to be more compassionate with people who feel that they have to censor words to avoid this kind of erasure (unalive instead of suicide, redacting letters in “murder” or “death”, etc.) This is a byproduct of tech totalitarianism and while its liberal proliferation makes me cringe no end, people are using it to avoid their words being obscured. I see it here and I welcome the scrutiny at this level because Palestine still isn’t free and Israel still keeps bombing countries they feel like. Maybe being overt at the risk of erasure is necessary.
JSTOR Daily on nutmeg's “violent” history
I associate nutmeg with my Jamaican grandparents putting it in food and drinks. But JSTOR Daily published a piece detailing its colonial history:
From the seventeenth to the nineteenth century, Dutch cultivation of nutmeg and the related spice mace involved “one of very few historical situations where Asian slaves worked on European-owned farms or plantations,” according to anthropologist Phillip Winn.
The Banda Islands, once the world’s only source of nutmeg, were home to between 13,000 and 15,000 people until their conquest by the Dutch East India Company (VOC) in 1621.
“Enslaved Bandanese were deliberately distributed about the islands to make use of their expertise in cultivation and spice production.”
The roughly 1,000 Bandanese who survived were enslaved alongside other laborers under the perkenier system, where hundreds of workers toiled on each plantation (in Dutch, perk).
Secret Galaxy on the rise and fall of Pogs
Dan Larson gives the lowdown on Pogs and their humble beginnings which then got really capitalist and then crashed and burnt after market saturation, followed by a weird NFT promotion that aged as well as left out… POG (Passion Orange Guava).
I loved Pogs as a kid and played them with friends and then later collected Tazos. During the pandemic, I bought a couple of slammers for nostalgic reasons and I keep them in my bedside drawer because you never know when you might be challenged to a match.
Nicolas Cage gets interviewed and drawn at the same time
After watching maybe two Spider-Noir trailers, YouTube decided to show me lots of Nicolas Cage promo videos in my feed and one of them was this cool interview with artist Devin Rodriguez. He manages to ask questions and draw a phenomenal pencil portrait (try saying that three times fast) which Nicolas Cage loved.
Good to see Cage doing okay too. I hope Spider-Noir is a success as it looks pretty cool.
A Welsh waste of a word
After watching a couple of Welsh police dramas this weekend, I noticed the word heddlu on the back of police officers’ vests. Unsurprisingly, heddlu means police in Welsh but it’s the combination of two words:
From hedd (“peace”) + llu (“host, force”)
Wiktionary
That feels like the opposite of what the police do.
Bumpy is a baby hippo that was rescued by the Sheldrick Wildlife Trust in Kenya after they found him desperately nudging its dead mother by a lake
. Stay strong, Bumpy! (via BBC News)
Man, what happened to Frinkiac?
I was scrolling through Bluesky one day when I saw a post about Frinkiac “modernising with AI”. Here’s the official part that was screenshotted:
Ten Years of Frinkiac: A Few Months of Modernization with AI
It’s been just over ten years (February 2, 2016) since we launched Frinkiac to the public. In those first few months after release we added GIF support, some new sites (hello Morbotron), and then we mostly stopped working on it. Everything worked well enough for us and the code sat unchanged on the same architecture we’d built in 2015.
In February 2026 it occurred to us that maybe we should point those AI coding tools we’ve been using at the Frinkiac codebase. The result of that work is live now and you can go see it on both Frinkiac and Morbotron, but we’ve also documented a subset of the experience in this post.
Now it looks noisier. I get that change is inevitable but also that’s the most banal and contextless phrase—now more than ever. This kind of change is very much evitable. The site was working fine enough from a user perspective so I don’t know why they felt the need to ruin 10 years of Frinkiac with AI coding tool outputs other than the fact that everyone else is doing it. This definitely feels like an experimental thing that they just went along with and there may be performance gains in the backend according to the announcement post but the UX shouldn’t suffer for that. The last paragraph about “Working with AI” doesn’t fill me with much hope. Fingers crossed it doesn’t end up like a Frinkian catastrophe.
I don’t liken this to “slop” and maybe someone shouldn’t get fired for this blunder but now I feel weird using the site. Change it back to the blissful boob it was!
A trailer for DC's new series, Lanterns
I’m a passive fan of Green Lantern. I think his powers and the lore are cool but I haven’t watched any of the movies. This new DC series, Lanterns, focuses on Hal Jordan and John Stewart and from the trailer, it looks intriguing.

From Salary.com on LinkedIn (of all places):
25 years ago we asked the real question: how many Big Macs is your salary worth? According to our Burg-o-meter, Ben Affleck’s answer was 4. 🍔
via LinkedIn
And happy National Burger Day!
TIL: Satsuma, the province in Japan that gives its name to a species of citrus fruits, produces sweet potatoes to the point that they’re known in Japan as Satsuma-Imo or Satsuma potato (薩摩芋). In fact, satsumas weren’t even native to the area until they were imported there in the Meiji era (1868–1912).
(via Wikipedia)
1 second from every classic Simpsons episode
Yesterday, I wrote about a compilation video featuring 1 second from every episode of Malcolm in the Middle. Today, I have a video featuring 1 second from every classic Simpsons episode (by the same creator). It’s not as unhinged as the MITM one but still very silly and ridiculous as you would expect from classic Simpsons. Needless to say this wouldn’t work nearly as well with modern-day Simpsons episodes.
1 second of every Malcolm in the Middle episode but it's wilder than remember
I keep getting Malcolm in the Middle clips on my YouTube feed (self-inflicted) and it all amounted to finding this compilation video of 1 second from every episode. I thought the show was wacky anyway but seeing it condensed like this made me laugh a lot.
Bryan Cranston related: What if there was a Breaking Bad spin-off about Hank’s MINERALS?
A ceramic bowl that looks like a woven basket
The attention to detail on this bowl is incredible. If you can’t weave ’em, mould ’em!
Zombification on the rocks
The zombie is a cocktail created by Donn Beach at his famous Don the Beachcomber restaurant in Hollywood in 1934. It’s made of fruit juices, liqueurs, and various Caribbean rums and drinks (including Angostura bitters).
Its name origin is quite funny:
Legend has it that Donn Beach originally concocted the zombie to help a hung-over customer get through a business meeting. The customer returned several days later to complain that he had been turned into a zombie for his entire trip. Its smooth, fruity taste works to conceal its extremely high alcoholic content. Don the Beachcomber restaurants limited their customers to two zombies apiece because of their potency, which Beach said could make one “like the walking dead.”
via Wikipedia
There’s a period zombie drama in there somewhere.
Spending an entire day in London without spending an entire penny
I’ve enjoyed watching Mr Chops on YouTube, mainly for his video game content, but his travel videos are pretty cool too. The one above shows how he went a whole day in London without spending any money. It involved a lot of walking, free water, and the hospitality of Sikhs in a gurdwara.
JSTOR Daily on “building Brasília”
Brasília is the capital of Brazil but that only came to be in 1960 as it replaced Rio de Janeiro (which replaced Brazil’s first capital, Salvador, in 1763). The idea was to relocate the nation’s capital to a more centralised area but, as JSTOR Daily explained, it had to be built from scratch using overworked migrant workers and ignorance of labor laws to get it done:
The practice of virada—exceeding overtime limits—was common. Protective equipment was also scarce, and there were frequent workplace accidents. There are few records of the total number of deaths and injuries during construction. Instead, we have spotty information. One of the available records is from the IAPI Hospital; it treated 10,927 construction-related accidents in 1959, an average of approximately 30 accidents per day. In 1960, this average exploded to 170 accidents per day.
To ensure public safety—and to suppress any protests that might arise related to poor working conditions—the government deployed the GEB (Guarda Especial de Brasília), security forces paid by NOVACAP, to oversee construction. The GEB became known for their brutality and lack of preparedness. It took part in the so-called Pacheco Fernandes Massacre on February 8, 1959, when workers at the Pacheco Fernandes construction company revolted against their bosses over spoiled food. Called to quell the laborers, the GEB used live ammunition against them. Experts agree on the sequence of events up to this point, but questions arise concerning the number of deaths and injuries that resulted from the action. While the official version states 48 injuries and only one death, witnesses and survivors say dozens were killed and their bodies were taken by truck to an unknown location.
Those were the kinds of practices that were repurposed for the 2014 FIFA World Cup too.