Studio Process

Returning to my FIT textile roots When I studied Textile Design at FIT in New York, I learned to weave—alongside many other techniques that still

Unpacking the evolution of a piece Corona de Plumas is a one-of-a-kind piece that evolved in an unusual way. The crown of this piece is

Before I tell you about all the wonderful Mexican women I work with, let me set the stage by telling you a little about me.

For the last six months I have been screen printing thousands of feathers from black recycled plastic in preparation for starting a new series of

Using Ceramics to Tell the Story of Endangered Birds Drawing and research about endangered birds is the cornerstone of my environmental art practice. I created

Box of horsehair! Lucky Me! Many years ago, I had a studio at the Arts & Industry Building in Florence, Mass. There were over 70

One of my new artist friends is Ana Lopez-Montes who I met through the Art Lab virtual residency at PRPG.mx. She is also the studio

Drawing and research are the basic building blocks of my art practice. Let me take you through the process so that you can see how

“…sometimes, like meditating, I need to visually take a breath. After every two or three richly colored pieces, I need to make a piece in

I have just finished my first huipil-inspired piece titled Ropa Blanca. Many of my pieces gestate for a long time and Ropa Blanca was no

Accidentals: Screen printing on fused plastic bags, sewing, cutting and wrapping; 92 x 167 x 6” In a recent artist interview in the Textile Curator